Tag Archives: white

White Pelicans, Autumn Sky

White Pelicans, Autumn Sky
A small flock of white pelicans flies against a late autumn morning sky

White Pelicans, Autumn Sky. © Copyright 2018 G Dan Mitchell – all rights reserved.

A small flock of white pelicans flies against a late autumn morning sky

For a long time I thought that all California pelicans were the brown pelicans, familiar to anyone who spends time along the coast. Those magnificent birds (with what seems to me to be an almost prehistoric aspect) glide up and down the California coast, floating past headlands, and sometimes alighting on beaches or rocks. I had seen photographs of other pelicans and wondered that they often were while, even though every pelican I had encountered was not.

It turns out that I was simply ignorant of birds that were close by the whole time. In the past few years I have learned that white pelicans are all over California — in inland areas, in lakes, close to the ocean. They are beautiful birds, especially when in flight. I often see them in groups of perhaps a dozen or two, flying in almost straight lines with slowly moving wings. In my (probably atypical) experience, I either see them on the ground near or in water, and off in the distance, or I get quick glimpses as they fly past me. The latter was the case here. I was not far away when I saw a group take off and head towards a spot not far from my position. I quickly moved there and managed to photograph them as they passed overhead with a larger group of geese in flight against the autumn sky in the distance.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Aspen Grove, White Trunks

Aspen Grove, White Trunks
A dense stand of small, nearly leafless aspen trees with white trunks

Aspen Grove, White Trunks. © Copyright 2018 G Dan Mitchell – all rights reserved.

A dense stand of small, nearly leafless aspen trees with white trunks

This little grove of aspens and I have a long acquaintance. The grove isn’t anything that you would probably notice, even if you found it and pass right by. It is much like many thousands of other aspen groves in the Sierra Nevada… and many thousands more across the western US. But it is one of “my” groves, and I stop there pretty much every year at some point.

The trees in this spot are not terribly large, in fact they might seem larger in the photograph than they actually are. The grove is very close and dense, and if I step inside and try to walk around I have to duck and squeeze between trees. I usually prefer to photograph it up close, using a wide-angle lens, and from just beyond its edge, where the brighter light falls on the trunks. Ideally, as on this day, a bit of overcast reduces contrast a bit and fills in the shadows. it is always a challenge, though usually a pleasant one, to try to find workable compositions in the dense complexity of these groves. It often initially looks like the process should be obvious and easy, but once I start framing things up I invariably discover little “deal-breakers” in the composition — a dark branch, a distracting background, an unfortunate juxtaposition of branches. But eventually, with patience and persistence, things can fall together.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Bare Aspen Grove

Bare Aspen Grove
A dense grove of slender white aspen trees after most leaves have fallen

Bare Aspen Grove. © Copyright 2018 G Dan Mitchell – all rights reserved.

A dense grove of slender white aspen trees after most leaves have fallen

Quite naturally, in autumn our attention turns to the fall color transition, which in the Eastern Sierra Nevada and nearby areas mostly means aspen trees. And this transition can be quite spectacular if you are in the right place on the right day and in the right conditions. The colors — ranging from yellow through orange to red — are often intense, and the biggest groves cover whole hillsides, snake up and down the mountains, and may be reflected in subalpine lakes. But this show is brief, and it ends before the month of October is over.

Fortunately, this isn’t the only condition in which aspens are a worthy photographic subject! In fact, as the last colorful leaves drop my feelings are often mixed — I hate to see the show end, but I also can start to look at the trees in other interesting ways. Bare aspen trees are an interesting subject on their own, suggesting both winter and the end of the warm season… and the prospect of the spring rebirth a few months from now. I know this particular little grove quite well, and I make it a point to visit every season, sometimes more than once. This year I passed by when almost all of the leaves had fallen, revealing the start, nearly white trunks and their fascinating combination of order and complexity.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook |
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Parked Scooter

Parked Scooter
“Parked Scooter” — A scooter parked along a Paris street

I saw this scooter parked along a street in Paris — in the Le Marais area, if I recall correctly. In many urban European areas, at least that I’ve seen, such things are ubiquitous, along with the many urban bicycles. Here there is really little or no room for a car, but it is possible to squeeze in a bike or a scooter. The retro styling of these things is a lot of fun — they have an appearance that seems like it might have felt hyper-modern… about 40-50 years ago.

The scooter also reminds me of something that I rediscover to varying degrees when I travel, namely how much of what we do and expect is conditioned by familiarity with places and their customs. At one point on this trip we rented a car to drive from Paris (CDG airport) to a location southwest of the city where we would stay for a week. The area was semi-rural, but with towns and villages here and there. Driving in such places would be second-nature to me in the USA, but in France it was anything but! I had to actually try to understand and interpret traffic signs and graphics, something that takes considerably longer when the signs are unfamiliar and one is not a speaker of the local language. Even something as simple as knowing, for example, that it is apparently OK to park a scooter in a place like this would be an utter mystery.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


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