Tag Archives: wild

Morning, Wildfire Smoke

Morning, Wildfire Smoke
Wildfire smoke layer drift, above Mono Lake at sunrise

Morning, Wildfire Smoke. Mono Lake, California. September 18, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Wildfire smoke layer drift, above Mono Lake at sunrise

The subject of this photograph comes about as close to being insubstantial as possible. When I began photographing before dawn on this September morning, Mono Lake was still mostly visible, though a large cloud of wildfire smoke was gathering to the southeast and beginning to drift toward the lake. First, layers of smoke began to stretch individually across the lake as sunrise approached. As more of them arrived they began to completely obscure the more distant landscape and to mute the colors and details of objects that were even closer. If you look at this photograph for a moment you can begin to see what remains — a bit of a peninsula with some tufa formations along the right margin, and in the lower center and stretching toward the left some soft reflections of morning light on the surface of the lake.

For a moment when I first saw the smoke I was disappointed that it might interfere with my photography, but it only took a moment to realize that these were special and beautiful conditions not likely to occur that often. The smoke and the morning backlight rendered details almost invisible, only seen faintly through gaps in the smoke. The smoke itself, dividing into layers and taking on subtle colors from the morning back-light, filled the scene with nearly abstract shapes. But before long smoke filled in even more, and soon it was too opaque to photograph at all.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Desert Wildflowers

Desert Wildflowers
A carpet of desert spring flowers, Death Valley National Park

Desert Wildflowers. Death Valley National Park, California. March 29, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A carpet of desert spring flowers, Death Valley National Park

My alternative title for this photograph might have been “What’s Underfoot.” We were a bit too later for this year’s (near?) superbloom in parts of southern Death Valley National Park, but we still found plenty of flowers during out late March visit. Many desert plants are opportunistic, holding off on their blooms in dry years and then going exuberantly wild in wetter years. This wasn’t one of the truly wet seasons, though it was wetter than the recent drought years might have suggested, and in many places the flowers responded.

I made this photograph in one of those Death Valley locations that might seem both very special and not at all special, depending on your orientation to the place. We drove out on a long road that traverses a high valley. By comparison to, say, the high peaks of the Sierra, the terrain seems unremarkable, with vast stretches of undifferentiated desert vegetation leading to dry and rocky ridges. But the vast space is special, in and of itself, and there turns out to be more to look at and experience than might first be apparent. I knew from previous visits that thick wildflowers were a possibility, and I knew that if we just pulled off the road and looked that we would find them. At one of these stops I simply took my camera and walked off a bit and found a dense carpet of plants and flowers, taking full advantage of this brief period of sunlight and a bit of moisture.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Rocks and Grass, Sierra Foothills

Rocks and Grass, Sierra Foothills
Wildflowers and new grasses begin to sprout in the Sierra Nevada foothills.

Rocks and Grasses, Sierra Foothills. Mariposa County, California. February 28, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Wildflowers and new grasses begin to sprout in the Sierra Nevada foothills.

The “impossible green” season begins early in California. I want to call this a “spring” photograph, but unlike many colder parts of the USA, these colors come to California in late winter. The effect is especially striking in years with good winter rains, and after four years of crushing drought much of California has received between normal and above normal rainfall this year. This past week it seemed like the Sierra foothills were taking advantage of all the moisture and of a recent warm spell.

Over three-day period we spend time in the Central Valley, Yosemite, and in the Sierra foothills. On the first day we were somewhat surprised to see the California Golden Poppies were already blooming in places in Merced Canyon, covering hillsides with a carpet of colorful flowers. Lower down in the foothills the short grasses have turned intensely green and wildflowers are beginning to bloom.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Airborne Ross’s Geese

Airborne Ross's Geese
Airborne Ross’s Geese

Airborne Ross’s Geese. San Joaquin Valley, California. January 16, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A huge flock of Ross’s geese takes to the air over the San Joaquin Valley

I saw a few geese the other day. And then I saw this mob scene. I spent a day out in the San Joaquin Valley, photographing foggy landscapes and migratory birds. I had spent the morning making a couple of laps of the area as the fog went from pea soup to a slightly thinner broth, and I finally took a long break for lunch after photographing (and video-recording!) a huge group of sandhill cranes that lifted off from very close to my position. After this break I took a long look around the area from a slightly higher point of view, and I noticed a very large flock of geese nearby, but in a place where I would have to make a long driving loop to reach.

So I set out on this loop, pausing to photograph a hawk. Then some egrets, including one that had hunted down a mouse that was too big for it to swallow — more on that later. Then some watery landscapes. Then some ibises. When I finally made it around the loop and returned to the spot where I had earlier spotted the huge flock of geese… they were gone. Again I looked around, this time including looking outside of the fence area where I was and across the road, and over there I spotted a very big flock, most likely the same group I had seen earlier. I headed over across the road, parked my car, and got out to walk along a stock fence and make some photographs. (I suppose this does answer the question, “Why did the photographer cross the road?”) Soon even more geese showed up until the feeding flock stretched off into the foggy landscape. When this many geese settle in together it is virtually inevitable that sooner or later something will set them on edge and suddenly the entire flock will lift off in a wild cloud of birds… so I waited. Then this happened.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.