Tag Archives: windows

Building, Windows, Blinds

Building, Windows, Blinds
Building, Windows, Blinds

Building, Windows, Blinds. San Jose, California. December 24, 2009. © Copyright 2009 G Dan Mitchell – all rights reserved.

An urban building with vertical windows and blinds

I think I’ll stick with the black and white theme for one more day. This is a photograph I made five years ago. I remember stopping at this oddly plain little building on a walk not far from where I live. It was Christmas Eve day, and things were slowing down in anticipation of holiday festivities, so I went out on one of my local “photo walks” in the surrounding neighborhood. I do this from time to time for reasons that range from the desire to practice and tune up my “seeing” to wanting to see my surroundings more clearly — there is nothing like wandering with a camera in hand to encourage me to see things I would otherwise overlook. (One of the first times I did this in the neighborhood I was shocked to notice the upper stories on nearby business buildings that I had walked past for years.)

I think this must be some sort of office building, and perhaps behind these tightly shut blinds there is some sort of personal world that the rest of us cannot see. The outside of the building seems incredibly boring and lacking in any intentional design sense, yet the odd but functional windows start to look very strange when shot close up and without the rest of the building visible. The late afternoon sun was casting shadows from nearby trees to produce the mottled light.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Woman Walking, Brick Building

Woman Walking, Brick Building
Woman Walking, Brick Building

Woman Walking, Brick Building. New York City. August 16, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A woman carrying a cup walks past the front of a red and white brick building

I think I made this photograph west of Central Park, but no guarantees. (I could probably figure it out by reviewing the photographs before and after this one, but it doesn’t seem too important. Let me know if you disagree!)

This is representative of one way I shoot urban subjects. I’m pretty certain that what happened here first was that I saw the interesting colors and forms of the tall building, with its red bricks and pure white trim, steps, and neat black fence. I also saw the juxtaposition of the irregular and natural forms of the two trees (and a few other bits of greenery) with the rigid and angular forms of brick and trim. No doubt, at about that point I saw the woman walking up the street — so I framed the photograph and waited for her to enter the frame, timing a quick series of three shots as she passed in front of the building carrying her cup of coffee, an iconic signifier of the new urban resident.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Textures and Reflections

Textures and Reflections
Textures and Reflections

Textures and Reflections. Chicago, Illinois. August 2, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Detail of a Chicago riverfront building with distorted window reflections

As is the case with a number of the Chicago photographs that I made during our August 2014 visit to the Windy City, this one was made from a boat on the Chicago River. We rarely do “tourist things” when we visit cities, usually preferring to look for more interesting stuff, but everyone we know who had been there recommended the Chicago architecture boat tours, so we gave in and took one. I have to say that it was worth it — the tour combines an intense overview of a lot of downtown Chicago architecture, a lot of background information on the structures and the development of the city, and a unique view that isn’t really available in any other way.

There is almost too much to see on the tour, since Chicago’s downtown is dense with interesting features large and small, and the boats don’t pause to let you gawk! So I photographed a lot, trying to vary my focus between the large and impressive downtown buildings and smaller details down closer to the river. This photograph falls into that second category, and is “about” the shapes and textures of the bit of a more modern building and the very deformed reflections in its windows.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Building 237, Evening

Building 237, Evening
Building 237, Evening

Building 237, Evening. Mare Island Naval Ship Yard, Vallejo, California. April 5, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Evening light on Building 237 at the Mare Island Naval Ship Yard, Vallejo, California

This is one of a pair of buildings that has featured in several of my night photographs at the Mare Island Naval Ship Yard, where I’ve been photographing after dark for about a decade now. The location is the site of the former and now historic naval ship yard that was the first on the west coast of the United States, being established way back in the 1800s. It was decommissioned in the 1990s, and since that time the facility changed in many ways. Parts of the island are now open space, others have been turned into urban developments, businesses and others are using some of the old buildings and spaces—yet parts of the facility have been retained as a sort of informal historic site.

The buildings in the cluster of which this one is a part are very close to the “historic core” of the ship yard. Although many of the buildings give the appearance of being abandoned, some are in use and all are kept in a sort of state of suspended animation. Almost all of my photography here has been at night, when a diversity of light sources transform it in magical ways. During the day, much of it can seem quite mundane. Buildings that are wildly colorful when lit by brilliantly colorful sodium vapor lights and other colorful light sources often turn out to be quite drab in the day time. On this visit I managed to arrive before sunset, and I headed out to see if the golden hour light might offer some opportunities for a different sort of visual transformation of these buildings, and this one was photographed during the final few minute of daylight.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.