Tag Archives: woman

Through the Train Window

Through the Train Window
A moment at a passing Manhattan subway station

Through the Train Window. New York City. December 27, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A moment at a passing Manhattan subway station

I was in the train when I made this photograph. I had started by making a few photographs of the reflections inside the car of people standing the aisle, juxtaposing them with the shape of the window and the lights moving past outside. Frankly, that idea didn’t work this time. But as the train moved into the station and stopped, I saw a moving tableau of passengers getting off and coming onto the train. As so often happens, they seem — to me, at least — to constantly arrange themselves by accident into interesting patterns, of shape and form and of activity.

it is hard to clearly explain what I see in a scene like this — I know what it is, though it is hard to articulate. There are three, maybe four main “characters” in the scene, and they all act without any apparent awareness of the others, in true Manhattan style. The woman in the dark coat holding the bag at the left side is facing the train and holding up both hands to make a cell phone picture. Behind her another woman in black is facing the opposite direction, seemingly busy with something she is holding. To the right a man, whose features are hidden by light blurred by the train window, is busy starting to take a camera out of his bag as he leaves the station. In the middle a woman is walking through the exit gate. The light is strange because I’m shooting through dirty train windows and directly toward the source.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Woman Walking Past Scaffolding

Woman Walking Past Scaffolding
A woman walks past scaffolding in front of Manhattan shops

Woman Walking Past Scaffolding. New York City. December 21, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A woman walks past scaffolding in front of Manhattan shops

There are several things that I find interesting about this photograph. First, I don’t remember making it! I remember many other subjects from this evening — we had walked across the Williamsburg Bridge, stopped in a tavern, visited Stand Bookstore, and more. But I have no recollection of making this final photograph of the evening. Second, the scaffolding lining the sidewalk and, above where we cannot see it in this photograph, seems like a common feature in Manhattan. I walked through, past, and around scaffold-covered buildings frequent.

My subject here is yet another example of that modern species of human who walks (at least at the moment of my photograph) along city streets and elsewhere, absorbed in the world of that little handheld device and giving no indication of being connected to the surrounding world. OK, I like the light, too. The light from the shop spills out of the front windows and across the sidewalk, creating shadows that are muted and filled by light from the surrounding neighborhood.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Woman Photographing Brick Wall

Woman Photographing Brick Wall
A woman stands on a bench to photograph a brick wall along the High Line Park, New York.

Woman Photographing Brick Wall. New York City. © Copyright 2015 G Dan Mitchell – all rights reserved.

A woman stands on a bench to photograph a brick wall along the High Line Park, New York.

I made this photograph on a winter’s day walk along the High Line Park in western Manhattan — the increasingly well-known park that extends along the abandoned path of an old elevated railroad bed. The park is very popular, and even on a winter day there were many, many people out walking along it, and the surrounding neighborhoods were also filled. Of course, there is a lot going on in this Chelsea neighborhood — the Whitney Museum is now open at the southern end of the park, there are lots of restaurants and more along its length, and the north end now terminates at the busy construction site of the Hudson Yards.

When I made the photograph I probably wasn’t thinking consciously about much or than the possibility of isolating the figure of the woman, engrossed in making a close up photograph the bricks, against the small and large patterns of the background wall, with the slight natural intrusion of the tree at the right edge. Later I thought about what she was photographing, and how most people might simply wonder what the heck she sees there, in a place where there is nothing apparent to photograph. This might be a bit of a metaphor for lots of photography, where the act of capturing “something you see” defines your world and presents a personal vision of it to others. And I still do like the complex set of interlocking patterns of the wall, the wooden structure, the window, and the single figure.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Woman at Crosswalk

Woman at Crosswalk
A women waits alone at a cross walk for the light to change, San Francisco.

Woman at Crosswalk. San Francisco, California. September 5, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A women waits alone at a crosswalk for the light to change, San Francisco.

One thing that might surprise some folks about my street photograph is that I do not think that it is unrelated to my nature and landscape photography. I think that it all connects together as “photography,” whether the subject is a mountain or a building, a bird or a person. I also believe that photographing more than one type of subject — which some might regard as a dilution of vision — actually makes me better at seeing all kinds of subjects as photographs. Shooting street, where things often happen quite quickly and in the midst of a lot of visual stimuli, forces me to be “on” all the time, to see potential subjects quickly, to recognize things that work instinctively, and to look for juxtapositions. And photographing natural landscape subjects informs the way I see the urban landscape.

One obvious potential thread in urban photograph is the juxtaposition of individual figures against a constructed and sometimes massive and impersonal urban landscape. I often look for these “stages” and then watch for people to appear and populate them. This location can actually be a fairly busy street corner, but here I first found the massive stone building, then waited for the scene to clear with the exception of the solitary woman waiting for the light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.