Tag Archives: yellow

Solitary Aspen, Dark Forest

Solitary Aspen, Dark Forest
A small autumn aspen tree in the light in front of dark forest.

Solitary Aspen, Dark Forest. © Copyright 2021 G Dan Mitchell – all rights reserved.

A small autumn aspen tree in the light in front of dark forest.

There is something about solitary trees standing against some sort of background. A friend has referred to them as “brave little tree” photographs — something I now think about every time I make one or see one. Landscape photography doesn’t always come quite this close to eliciting metaphorical associations, but I can certainly understand how one could make this association with these subjects. On a more prosaic note, from a purely compositional perspective, a single central subject posed against a larger and contrasting background often works visually, too.

This photograph was also an extra reminder to me about why I like to photograph non-iconic subjects. (Though I do have to admit that the solitary tree is a sort of generic icon, if that makes sense.) I rediscovered this photograph recently while reviewing some raw files from a couple of years ago. I usually record location information as I work on photographs, but with this one I could not even determine exactly where I made it! By sequencing the files before and after this exposure I was able to narrow it down to one very large drainage, but I don’t actually recall making the photograph! I I had worked with the file back when it was new, but I wasn’t fully satisfied with the result. When I came back to it I saw it in a somewhat different way, and I saw how to apply some newer post-processing tools to get the result I was after.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Aspen Grove and Rocky Hill

Aspen Grove and Rocky Hill
A small aspen grove and a rocky hill, high in the Buttermilks.

Aspen Grove and Rocky Hill. © Copyright 2021 G Dan Mitchell – all rights reserved.

A small aspen grove and a rocky hill, high in the Buttermilks.

This photograph comes from “Buttermilk Country” (also known as “The Buttermilks”) in the Eastern Sierra Nevada, an area perhaps best know to climbers for its innumerable bouldering opportunities. I’ve long wondered about the name, but in the past I had only speculated idly that something about the formations here somehow suggested “buttermilk” to visitors… though it is very hard to see any logic in that. I finally looked it up, and apparently the name goes back to the 1870s when a dairy supposedly operated in the area. (It seems like an odd place for a dairy, but I confess that my dairy experience is… limited.)

The area interests me photographically on a number of counts. Perhaps most obviously, it sits right beneath one of the most magnificent sections of the Sierra crest, and open views of these mountains are available throughout the region. Additionally, the rounded boulders and other formations that attract climbers are plentiful and quite different than the usual east side terrain. It also is one of those wonderful Eastern Sierra interfaces between the high desert and the beginnings of the more alpine world. That latter is what we were looking for when we visited recently, navigating far enough on some of the rough roads that we got to where the small aspen groves begin. It was a lovely morning — a dusting of new snow was on the nearby mountains, brilliant sun was shining, and a bit of haze accentuated the distance between near and far subjects.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Streamside Trees, Red Rock Cliff

Streamside Trees, Red Rock Cliff
Narrowleaf cottonwood trees with a few autumn leaves beneath sandstone cliff along the Virgin River, Zion National Park.

Streamside Trees, Red Rock Cliff. © Copyright 2021 G Dan Mitchell – all rights reserved.

Narrowleaf cottonwood trees with a few autumn leaves beneath sandstone cliff along the Virgin River, Zion National Park.

The trees along the Virgin River in Zion National Park are a big attraction for me, especially as the autumn color transition begins. There is quite a variety of these trees, ranging from conifers to deciduous trees, from small to large, in locations ranging from open flats to ledges far up on the red rock cliffs and on the more open highlands far above. Landscape photographer friends like to joke that we just make pictures of “rocks, water, and trees” — and all of those play a big part in this landscape.

This little mini-grove lies a bit off to the side from a popular and busy Zion Canyon trail. Working in such a canyon, with its shade and diffused, soft light, is very appealing to me, and the contrasts between green foliage and red rock make it even better. These trees grow in one of the many bends in the canyon as it winds back and forth, and the sandstone cliffs form a sort of wide alcove here. The Virgin River — at a fairly low rate of flow — runs past in the foreground.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Shades of Autumn

Shades of Autumn
A scene of dense vegetation with fall color, Eastern Sierra Nevada.

Shades of Autumn. © Copyright 2021 G Dan Mitchell – all rights reserved.

A scene of dense vegetation with fall color, Eastern Sierra Nevada.

On this day I came upon a dense grove of small aspen trees mixed with some autumn-colored mountain willows with their slightly less flamboyant brownish fall color. At the time I arrived the trees were in the shadow of the tall mountains nearby, and the light had a bit of a blue quality. It was also soft and diffused, leading to an absence of very bright highlights and filling the shadows with light, too. The aspen leaves stood out a bit from the background with they yellow color.

Looking for some kind of order and structure in such dense subjects is a challenge, one that forces the photographer to look beyond the obvious ways of seeing. Subtle lines in the dense and complex texture can be enough to direct the eye. Slight contrasts in luminosity or color become important. And the lack of a single strong central subject lets the eye wander about the frame and take in the complexity of the scene.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.