Tag Archives: yellow

Aspen Copse, Autumn

Aspen Copse, Autumn
A stand of colorful Sierra Nevada autumn aspen trees against a rock face.

Aspen Copse, Autumn. © Copyright 2020 G Dan Mitchell – all rights reserved.

A stand of colorful Sierra Nevada autumn aspen trees against a rock face.

There are many ways to look at aspen trees. The autumn colors themselves are striking, whether you look at individual leaves, small groups of trees, or an entire forest. But the other distinct annual phases have their charms, too — the bare winter trunks and branches, the springtime eruption of new growth, the “quaking” green leaves of summer. Beyond that, I’m fascinated by the larger patterns of how groves of these trees spread across the landscape, sometimes seeming to “flow” across it, and at others to dot it in isolated groups.

This little group of trees is connected to several of those modes of seeing. This year groves like this on in the Eastern Sierra seemed a bit more likely to include the beautiful orange and yellow colors. The trees in the photo are part of a much larger pattern — this copse extends a line of trees that extends along and beyond the shore of a like, almost surrounding it and flowing above and below it. It lies right up against a rock face, and by early autumn the trees remain it its shadow well into the late morning, providing soft light that intensifies the color of the leaves.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Autumn Colors and Morning Reflections

Autumn Colors and Morning Reflections
Colorful autumn aspen tree line the shoreline of an Eastern Sierra Nevada lake.

Autumn Colors and Morning Reflections. © Copyright 2020 G Dan Mitchell – all rights reserved.

Colorful autumn aspen tree line the shoreline of an Eastern Sierra Nevada lake.

This year’s fall Sierra Nevada photography has been challenging in several ways. The pandemic has changed our travel routines, of course. But the unprecedented wildfire season in the West has impacted photography, too. Autumn wildfire smoke has always been present here — it is one of the causes of the lovely soft light during this season — but this year large areas have been blanketed with an oppressive pall for weeks. When I arrived in the Eastern Sierra recently the smoke was so bad that, for example, I could barely see Mono Lake as I drove past it. I continued far south to where is was less awful, but it was a factor during the entirety of my visit.

The day before I made this photograph the smoke had abated a bit. It was inescapable but thin enough to let in sunshine. But late that day a bank of thick smoke descended on my campsite, and I wondered what the morning would bring. It brought more smoke. I went to a familiar nearby location and thought about how to mostly exclude distant views of the smoke-draped landscape. I decided to focus on some very red trees along the shoreline of a familiar lake, mostly framing photographs to emphasize the trees and de-emphasize the longer views.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Red Rock and Autumn Color

Red Rock and Autumn Color
Early autumn color at the base of Zion Naitonal Park cliffs.

Red Rock and Autumn Color. © Copyright 2012 G Dan Mitchell – all rights reserved.

Early autumn color at the base of Zion Naitonal Park cliffs.

Back in Autumn of 2012 I had an unusual opportunity to spend a total of roughly a month photographing in the red rock country of Southern Utah. I was there early in the month for a couple weeks, and I returned in near the end of the month with photographer friends. On that second visit we concentrated on Grand Staircase-Escalante National Monument and on Capitol Reef and Zion National Park. We visited Zion twice — as we entered the state and again as our trip concluded and we started back to California.

From my autumn visits to this part of Utah I started to learned a few things about how fall color evolves there, though my knowledge is far from complete. The first thing I learned is that the aspens change color earlier than in California — more like late September than early October. (I learned this the hard way, by showing up a bit too late to photograph peak aspen color.) The color in the red rock canyons seems to come later, and we had plenty of it to photograph in the second half of the month. When we arrived in Zion National Park at the end of the month interesting color was showing up at higher elevations, but I think we were catching only the very beginning of the color in Zion Canyon. That’s where I made this photograph, with an early riot of color at the base of the ubiquitous red rock cliffs.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Canyon Cottonwoods, Autumn

Canyon Cottonwoods, Autumn
The sandstone walls of a Utah canyon tower above autumn cottonwood trees.

Canyon Cottonwoods, Autumn. © Copyright 2012 G Dan Mitchell – all rights reserved.

The sandstone walls of a Utah canyon tower above autumn cottonwood trees.

Back on this autumn day in 2012 three of us entered this lovely canyon and gradually worked our way down a few miles of its length, following its sinuous path around bends as it dug deeper into the red rock landscape of Southern Utah. I had spent close a month in Utah that season, and this was during the final few days of this period — and this “Sierra Guy” was starting to get a feel for this beautiful landscape.

These trees, in peak autumn color, stood at a bend in the canyon. This river canyon follows a classic meandering pattern, with short straight sections alternating with bends carved deeply into the sandstone terrain. In general the straight sections tend to be a bit more open while the bends tend to be places of deeper shade. This spot was definitely in the latter category, and the reflected soft light saturated the warm tones of the autumn colors.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.