Tag Archives: yellow

Photographs: Central California, Photographs: Nature

Temblor Range HIlls, Spring Evening

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Temblor Range HIlls, Spring Evening
A fence cuts across wildflower-covered Temblor Range hills on a spring evening.

Temblor Range HIlls, Spring Evening. © Copyright 2019 G Dan Mitchell – all rights reserved.

A fence cuts across wildflower-covered Temblor Range hills on a spring evening.

This spring hillside was in early evening sun when I arrived, and as I set up to photograph the green folds and brightly colored wildflowers, the line between sunset light and shadow worked its way up the hillside. I looked around for a composition and thought that the old fence might tie things together.

At about this time each year, depending upon how wet the winter was, the California hills undergo a sudden and relatively brief transformation. First, winter rains cause last year’s seeds to come to life and send up carpets of new, green growth. Then, as the green phase approaches its conclusion, wildflowers show up. In a few places like this one, in an especially good year, entire mountains erupt in brilliant color.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Architecture, Photographs: San Francisco, Photographs: Urban/Street

Doorway 776

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Doorway 776
A colorful doorway in San Francisco’s Chinatown district.

Doorway 776. © Copyright 2020 G Dan Mitchell – all rights reserved.

A colorful doorway in San Francisco’s Chinatown district.

For the most part, the fronts of buildings in dense urban areas like San Francisco are not generally beautiful. As I photograph in such places I feel like the insides of such buildings may be interesting and feel like home, but that the outsides are often left in a more utilitarian state, with little attention to beautification or personalization. I see this in San Francisco, but I also see it in other major American urban areas and even in other countries that I’ve visited.

All of that makes the occasional exceptions even more notable. I’ve gotten to know a few of them found here and there in San Francisco areas that might be regarded as a bit “gritty.” This wildly colorful front entrance is on a Chinatown side street, not far from the hustle and bustle of one of the busiest streets.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Aspen Layers

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Aspen Layers
Layers of autumn color in shaded aspen groves

Aspen Layers. © Copyright 2019 G Dan Mitchell – all rights reserved.

Layers of autumn color in shaded aspen groves.

Overall, the current Eastern Sierra Nevada fall color season has seemed less stunning than in the best years. The start was promising, with good high elevation color arriving on the expected schedule. But later on a number of areas that frequently offer up amazing color did not quite deliver. However, a few points are in order. Even in a less-than-astonishing year there is great color to be found if you just look around a bit. (And some of it is not in the usual iconic locations.) And a lot depends on the specific moment you arrive — the day and even the time of day.

This grove may serve as an example. We first spotted it while driving past in the early morning, when the sun had not yet arrived on this spot. We continued up the road a bit, thinking we’d turn around and photograph it a bit later. It turned out that “a bit later” produced some pretty uninspiring light on this subject… so we returned the next day and timed our visit more carefully. Photographing fall color in shaded light can produce a very different effect than photographing in full sun, with more color subtle and varied color with more shadow detail. This grove offered an additional compositional detail — the heights of both the small and large trees produced a sort of arch shape.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Autumn Aspens In Canyon Light

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Autumn Aspens In Canyon Light
Colorful autumn aspen trees in an Eastern Sierra Nevada canyon

Autumn Aspens In Canyon Light. © Copyright 2019 G Dan Mitchell – all rights reserved.

Colorful autumn aspen trees in an Eastern Sierra Nevada canyon.

The quality of the light, as we all know, is incredibly important in photography — where it comes from relative to the subject, its color, whether it is harsh or filtered, how it differs in various areas of the frame, and much more. In some cases great light can make a not-so-exciting subject “work” as a photograph, while poor light can make it difficult or impossible to make an effective photograph of a great subject. In landscape photography we don’t generally have much ability to control the light. But we can learn to anticipate what it may do, and we can try to time our photographs for when the light may be at its best.

The window of opportunity for this light on this subject is very small. The idea here was to photograph this grove during the very short period when shadows, created as the sun dropped behind high ridges in the upper canyon, moved across the frame. At this point the backlight would intensify the colors of the trees, yet it would be slightly muted. Additionally, the haze in the far upper canyon would glow in the backlight. When we arrived at this spot the light was far from ideal, and I think that the people who accompanied me may have wondered what I saw. But a few moments later we all experienced the brief transition of wonderful light that I came here to see.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.