AVIAN: Birds in a Changing World opened this week at Gallery Five in Oakhurst, California and runs through January 14. The gala reception is this Saturday, December 9th at 4:00-8:00PM at Gallery Five — 40982 Hwy 41, Suite 5, Oakhurst.
The juried exhibition features work by more than 60 artists, and includes two of my photographs.
I’m going to make it a full “avian day” on Saturday, greeting the dawn and a few thousand of my avian friends in the Great Central Valley before heading on over to Oakhurst for the reception. Hope to see some of you there!
You can find out more at the exhibition’s Facebook page.
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A small dogwood tree with autumn colors against the face of a granite boulder
I’m certainly not the only photographer in Yosemite Valley to be intrigued by the juxtaposition of (near) permanent granite and impermanent seasonal subjects, but how can anyone resist? Such opportunities are everywhere, given that the valley is ringed by granite cliffs and filled with large reminders that chunks of these cliffs do periodically break loose and fall into the valley below. We often seem surprised with the news of a rock slide in the Valley, but even a little familiarity with the place makes it obvious that these are the rule and not the exception. Giant rock piles sit at the bases of cliffs. Recent slides are visible. And almost everywhere in the Valley, often surprisingly far from the cliffs, there are gigantic boulders that could only have arrived there from one source.
I happened upon this yellow autumn dogwood and its boulder while driving along one of the valley roads. Yes, that is almost an embarrassing admission — though most of my photographs of this type come while hiking. It was one of those moments when I catch a glimpse of something out of the corner of my eye, immediately pull over (from driving or hiking) and see if I can find a photograph in it. Since I’ve already admitted to finding this photograph while driving, how about another admission? The biggest challenge of making this photograph? Waiting for the leaves to stop swinging back and forth in the breeze created by passing cars!
“Trees, Meadow, Autumn Light” — Hazy autumn light and trees in a Yosemite Valley meadow
Every autumn the Sierra Nevada experiences days when the air is full of wildfire smoke. It was only recently that I came to recognize that a large component of what I’ve always identified as “autumn light” is the atmospheric haze from wildfires — not just those nearby in the Sierra, but including the diffused smoke from wildfires further away in California and even beyond California’s borders. Yes, the lower angle light is part of the effect, but it is the soft and hazy atmosphere that is perhaps the most major element. I’m amazed that it took me this long to fully make the connection, but also happy to find there are still new things to “discover” and understand!
The atmospheric light in this photograph is the result of this effect. It was a very smoky day in Yosemite Valley — the sort of day when you might consider wearing a breathing mask. A big fire was still smoldering just south of Yosemite Valley, its smoke collecting each evening and then flowing downwards into the Valley. I made the photograph just as the edge of the shadow from nearby cliffs was beginning to cross this meadow, and the sunlight caused the smokey atmosphere to glow behind the trees. It is easy to think of wildfire smoke as an impediment to photography, but if you turn your thinking around just a bit you soon realize that these conditions can provide some very special and even lovely possibilities, ranging from the muted and slightly sienna tones of the light to enhanced effects of atmospheric recession. The potentials for producing moody and evocative photographs may actually increase on days like this!
Morning smoke from the Empire fire settings among forest trees in morning light
In today’s post I’m likely to repeat some things that I have shared before, but I think they might provide some context for this photograph of a wildfire that was still burning through forest in the Yosemite National Park Sierra Nevada high country. I have gone through several phases regarding wildfires as a subject. Many years ago, having had my first backcountry experiences in less enlightened part of the Smokey The Bear era, I simply regarded all wildfires as unmitigated disasters. Later I came to understand the obvious: wildfires have always been a part of the natural ecology of forests, and they are necessary for forest health. But I still didn’t like them. After that I began to make an effort to see wildfires and their aftermath as possible subjects for photographs, and even as potential subjects for photographs of something beautiful. For a long time I failed at that, even though I tried. More recently, perhaps because I have been lucky to be in the right places at the right time, I think I have finally begun to understand how to photograph the subject and make it work. (A longer post on that broad subject may be coming before long!)
There have been quite a few wildfires in California this year. (And while I recognize their importance in the natural order of things, I am concerned that the number and extent of the fires is far enough out of the normal range to have some long-term negative effects.) I have had plenty of opportunities to photograph their effects. On this late October morning I was in Yosemite and heading out towards Glacier Point, thinking it might be my final opportunity to photograph there before winter snows close the road for the season. I was stopped in my tracks as I came around a large bend in the road and to a high, open overlook with views toward the Sierra crest. The smoke from the slow-burning late stages of this fire had settled into hollows and among the trees in the still air overnight, and it was just beginning to drift and rise in the early morning light, both softening the scene and emphasizing the varied contours of ridges and forest.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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