Tag Archives: zabriskie

Badlands, In Shadow

Badlands, In Shadow, Death Valley
“Badlands, In Shadow” — Badlands formations in early morning shadows, Death Valley.

This is another is a series of photographs I made one morning at Zabriskie Point during my late February visit to Death Valley National Park. Previously I mentioned that I rarely photograph at this spot any more — after a couple of decades it takes some pretty special conditions to persuade me to join the crowd there. I stopped when pre-dawn clouds suggested the potential for a very colorful sunrise. Alas, that did not happen, but I did get some interesting light before the direct sunlight came to the formations at Zabriskie.

I’m a big fan of photographing in subdued light and especially in shade and when reflected light fills in the shadows. That is what we see here. The morning sunlight was striking nearby subjects, but it had not yet penetrated down into this little valley. The light produced a kind of soft glow and it picked up colors from the sky and reflected light from nearby prominences that were in the sun. Once again, the Death Valley landscape is a sort of canvas that is colored by light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Gullies in Soft Light #2

Gullies in Soft Light #2
“Gullies in Soft Light ” — Eroded gullies and ridges in soft light, Zabriskie Point.

In the right light (and perhaps with a certain amount of post-processing) the geological patterns in a place like this can be drawn out and emphasized. But most of the time they are rather subtle, with pastel colors and low levels of contrast. This is especially true early and late in the day when the formations are not in direct sunlight. In this series of photographs from Zabriskie Point I decided to embrace the low contrast light and allow subtleties of shape, texture, and color to predominate.

Previously I mentioned that I ended up here because in the predawn twilight I thought I saw the potential for a spectacular sunrise sky. You cannot predict such things with certainty, and this time the colors did not develop as I hoped. Since I was there and set up to make photographs, I decided to use a long lens and focus on smaller details of this area’s landscape.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Gulllies and Strata, Morning Light

Gulllies and Strata, Morning Light, Death Valley
“Gulllies and Strata, Morning Light” — Highly eroded gullies and strata, Death Valley National Park.

Some geological formations in Death Valley National Park are simply otherworldly. The sparse vegetation lays these features bare — they are more visible than in places covered by forests and other vegetation. The landscape has been uplifted, split, warped, and eroded in remarkable ways. Here tilted strata emerge in deeply eroded land, and morning shadows add more contrast.

I’ve often noted the irony that this place, known for its dryness and heat, is one of the best places to clearly see the effects of water on the landscape. The material in these formations was laid down under water millennia ago. And the diagonal gullies were created by water erosion. If you have your eyes open, you’ll see that the evidence of water’s effect on the landscape is visible everywhere in this park.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Badlands Gullies, Morning

Badlands Gullies, Morning — Death Valley
“Badlands Gullies, Morning” — The first direct sunlight sweeps across the curving shapes of badlands erosion gullies, Death Valley.

I have a rule about returning to photograph popular subjects that I first photographed years ago: Only stop if it looks like something unusual and very special might happen. The rule applies to Zabriskie Point in Death Valley, where scores of photographers (and others) gather before dawn to await the sunrise. During the last week of February I drove past on my way to a different subject. In the dim light I thought I saw developing clouds that might produce something special at sunrise. So I (literally) slammed on the brakes, turned around, parked, and joined the throng.


The special light I hoped for didn’t develop. Instead of turning colorful at sunrise, the colors just went flat. Ah, well. I can never be fully certain about what will happen in these situations, and my hunches merely improve the odds — sometimes things don’t work like I hope. But there I was, set up to make photograph s at this location. So, what else could I photograph there? I turned my attention to nearby badlands terrain and photographed it as the direct light arrived, softened a bit by high clouds.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.