Tag Archives: zabriskie

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Layers, Morning Light

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Layers, Morning Light, Death Vally
“Layers, Morning Light” — Early mornign light highlights layers of gullies and ridges in the Death Valley landscape.

Yes, yet another photograph of these well-known formations in Death Valley. Hey, I don’t photograph this specific spot that often these days, so maybe I can be excused for working it to death on this one unexpected visit? This is a small section of a larger badlands landscape that lies around and below this popular sunrise location in the park.

If you are interested — and if you follow me regularly — you can get a sort of overview of how the light changes on these features in the morning by looking at the series of photographs I am posting from this visit. I started before sunrise, continued as the sun hit nearby features and cast soft light into the scene, and finished up only as the first direct light (fortunately softened a bit high thin clouds) spread across the area.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

2 responses to “Layers, Morning Light”

  1. Oscar Avatar
    Oscar

    I marvel at your dedication to capture nature and the human experience!

    Reply
    1. G Dan Mitchell Avatar
      G Dan Mitchell

      Thanks!

      Reply

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Badlands Detail

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Badlands Detail, Death Valley
“Badlands Detail” — Photograph of details of badlands gullies in soft morning light, Death Valley National Park.

The pink color of the formations in this photograph was a big part of its appeal. It was early morning, and the direct sunlight had worked its way back across the valley to the tops of ridges nearly, and the light’s warm color washed over the nearly-white material of these ridges and valleys. Again, the Death Valley landscape, which can be rather subtly colored, served as a canvas for the effects of colorful light.

The location is at Zabriskie Point — I’m not giving away any secrets by mentioning this well-known location. It is one of the two or three most popular places in the park to view the sunrise. It was an unanticipated turn of events that brought me to this location, and I was originally going somewhere else when I set out before dawn.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

Join the discussion — you are welcome to leave a comment or question. (Comments are moderated and may not appear immediately.)

This site uses Akismet to reduce spam. Learn how your comment data is processed.

(All media © Copyright G Dan Mitchell and others.)

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Badlands Formations

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Badlands Formations, Death Valley
“Badlands Formations” — A pattern of badlands ridges and gullies in early morning light, Death Valley.

I don’t always photograph at Zabriskie Point — in fact, it was sort of an accident that I ended up there this February. But when I stop there I am always intrigued by the nearly limitless opportunities to photograph small details in the nearby badlands. There are two times of day when I like to photograph this subject. In the harsh midday light, the shadows can produce strong contrasts between the bright and dark elements. But early morning light softens the features, fills in the shadows, and sometimes introduces the reflected colors of the sky.

I was there, of course, very early — at least a half hour before sunrise, as the sky was just beginning to lighten. I did not plan to stop, but I thought I saw clouds that might produce sunrise color. So I abandoned my previous plans and stopped here. As the morning sun arrived on features to the west — the Valley and the Panamint Range — the soft light remained on these features below the overlook.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

First Light, Panamint Mountains

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First Light, Panamint Mountains, Death Valley
“First Light, Panamint Mountains” — The first sunrise light on Rogers Peak and the Panamint Mountains, Death Valley National Park.

How many times have I watched for this first light as it touches the peaks and ridges of the Panamint Mountains before working its way down to the floor of Death Valley? I have no idea, but I’ve been going there for something like 25 years now, so it must be quite a few times! It never gets old.

The highest point in this photograph is snow-capped Rogers Peak. The highest summit in the park, Telescope Peak, is just out of sight to the left. Surprisingly, there are communications facilities on top of Rogers Peak, and in a higher resolution version of this photograph you can see the towers on the very summit.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.