Rhododendron flowers liine a trail through Northern California redwood forest.
Late on this June day we went back to this trail that we had visited earlier. We knew that the rhododendrons were in bloom here, that it featured a dark and thick forest, and that there could be glowing light from the west at this time of day. We entered the forest as the light was diminishing — which happens here well before sunset — and hiked a short distance to scope out the possibilities.
As the light began to diminish we turned back toward the trailhead, which was not far away, and we walked back through lush growth and past a section of forest thick with those seasonal blooms. I stopped here to photograph, noticing the graceful branch arching above the trail and the flowers beyond — but also because it seemed like such a typical scene along the trails of these forests, with soft-light, plenty of quiet, and growth everywhere.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Photographer Keith Walklet hikes past subalpine lakes in the Yosemite National Park backcountry.
This is an extra fun post for me to share because it ties a whole bunch of strings together — and it somehow manages to memorialize literally the first instant of my friendship with Keith Walklet. Back n 2008 I had heard from Charles Cramer that he and a group of fellow photographers would be spending a week or so in a Yosemite backcountry location that was very familiar to me, as part of a long term project that took them into the backcountry to make photographs every year. I mentioned that I might just backpack in on my own and look them up. I arrived in the neighborhood, but couldn’t find them, so I went ahead and set up my own solo camp and got to work exploring and photographing. A day or two later I was descending cross-country from a high, rocky lake when I spotted a heavily-laden figure coming up the valley, skirting a lake and heading my direction. Judging from the absurdly large load he was carrying I knew it was either an overburdened backpacker… or a photographer. I suspected the latter.
I quickly made a couple of exposures as he approached — mostly thinking that the figure in this landscape might be interesting. I made this photograph less than a minute before our first meeting. I had never met him, but I guessed he might be part of Charlie’s group and he confirmed. We spoke a bit — I don’t recall many details of the conversation aside from finding out where they were camped and that he was probably heading to the lake I had just left — and then I continued down canyon as he continued up. A day later I caught up with the group at their camp as I began my walk back out to the trailhead. This was the end of my trip, but it was the beginning of a longer, fulfilling journey with this band of friends: Keith, Scot, Mike, Karl, Charlie, and occasionally others. The next summer I hiked in to meet them for a couple days at their next location. The summer after that I still went in on my own, but walked with them and camped with the group for several days. And the next summer I began to participate in these wonderful expeditions every summer, spending a week or more in the glorious Sierra backcountry with a wonderful group of photographers and friends. (And, yes, we’ll be doing it again later this summer. I’ll perhaps have more to say about that later this season.)
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
People gathering in Bologna on a warm summer evening.
A few years back we drove from Heidelberg to Florence and then into the Tuscany hills where we stayed for more than a week. The drive took a few days, with the first night spent in Munich and the second in Bologna. (Florence wasn’t that much farther than Bologna, but we wanted to visit.) Our arrival was a very strange and even uncomfortable experience. We came into town in the evening, finding the area we were in mostly deserted. We eventually found a place to leave our car and set out to find our “hotel” rooms. That was a strange and complicated story that would take to long to describe here.
We finally got our rooms and decided to head out. It was now dark, there were no street lights in the area, walls were covered profusely with graffiti, it was hot (as expected), and there seemed to be no one else outside. We finally found an open restaurant, got a table, and ate at the nearly deserted place, wondering what we’d gotten into. Then, a bit after 9:30PM, we started to see people. Over the next hour the crowds increased in size and by 10:00PM or so there were lots of people out and about, eating, drinking, hanging out… and enjoying the cooler evening temperatures.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
The old part of Florence is, at least in places, a fascinating maze of old streets, narrow and twisting and lined by buildings tall enough to cut out most of the direct light from the sky. In the right places it is possible — or nearly so — to photograph streets without including the sky and in light that is almost entirely shadowed.
These narrow streets can also be quite crowded with tourists at certain times of the day — so crowded that a photograph of a street like this one would have an entirely different effect. I quickly discovered that by going out very early in the morning or late enough in the evening I could find scenes in which tourists did not predominate.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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