I’ll be unusually busy – in a good way – during the next week plus a few days. So don’t be surprised if I don’t respond to emails right away. Please accept my advance apology, and be assured that I will get back to you eventually.
Dan
Monthly Archives: August 2008
Second Street, San Francisco
Second Street. San Francisco, California. July 3, 2008. © Copyright G Dan Mitchell – all rights reserved.
Black and white photograph looking up Second street from AT&T Park with San Francisco downtown and incoming fog.
I was leaving a Giants-Cubs game (Giants won!) at AT&T Park when I saw this scene looking up toward downtown San Francisco with the classic view of the fog rolling in over the city in the early evening. Yes, I take my camera to ball games, too. :-)
keywords: san francisco, california, usa, second, 2nd, street, downtown, urban building, car, people, apartment, condominium, south, market, flag, fog, skyscraper, tower, industrial, sign, balcony, cloud, travel, stock, black and white, city
Redesigned Charles Cramer Website
The Online Photographer reports that photographer Charles Cramer has redesigned his website. According to Mike Johnson of TOP the new site includes more beautiful and breathtaking landscape images. (Reports seen at Imaging Insider.)
I just spent some time visiting Charlie’s new site. It’s appearance is consistent with what I recall seeing previously, but look a bit deeper. Navigation of his beautiful and compelling photographic work seems much more logical now, and there are several substantial text pages well worth reading. I enjoy his “Fine Tuning in Photoshop” text on the printmaking page, where he succinctly cuts to the heart of the film versus digital printmaking arguments:
“Photoshop has a steep and frustrating learning curve, but it allows much more fine control over an image than was possible in the darkroom… This is very similar to the dodging and burning I used to do in the darkroom. Let’s say I wanted to darken the edges of an image, a very common adjustment. In the darkroom, it could take up to half a day to reprocess the print to see the change. With Photoshop, the results can be seen on the monitor—in real time! This allows for a great increase in the fineness and sensitivity of the adjustments.”
And when Charlie reports that, “I’m convinced Ansel would be pleased!”, you know that the statement carries some real weight.
But the real significance of Charlie’s work is not the use of this or that technique or technology – it is in the beautiful photographic art he creates. While the ultimate experience comes from viewing his prints, you can begin get a sense of what he does by visiting his online gallery.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.
P. Silhouette
P. Silhouette. June 21, 2008. © Copyright G Dan Mitchell – all rights reserved.
An accident. An experiment.
keywords: graphic; silhouette; woman; yellow; red; stock; abstract; hair; glasses