The scale of Death Valley is monumental. It is one of the few National Parks where you encounter distances so great that faraway features disappear into the light and haze. The absence of familiar reference points like trees makes it harder to comprehend these distances. It is perhaps a mile to the nearby hills in this photograph, but the distant mountain range is many tens of miles away.
We arrived before sunrise to photograph the colorful dawn light. Later I turned my camera away from the main scene and back toward these hills whose forms were reflected in Lake Manly. Beyond, the distant Amargosa Range glows softly through the haze in the early morning light.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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