All posts by G Dan Mitchell

G Dan Mitchell, photographer and visual opportunist focusing on the Pacific coast, the Sierra Nevada, redwood forests, California oak/grasslands, California deserts, urban landscapes, night photography and more. Posting daily photographs since 2005, along with articles, reviews, news, and ideas.

Canon 5Ds and 5Ds R Pre-Orders Available

Canon EOS 5Ds DSLRRecently Canon announced the upcoming Canon EOS 5Ds and 5Ds R DSLRs, 50.6MP full frame cameras that should provide extremely high system resolution for those of us using full frame DSLRs for our photography. I just got word from site-affiliate B&H Photo that pre-orders are now available for both models of the camera. Yes, I pre-ordered mine…

The two models are nearly identical with the “R” model canceling the anti-alias (“AA”) filter that is present in the non-R model. The R model should be capable of slightly higher resolution, though it could be slightly more susceptible to aliasing and moire effects when shooting certain subjects that contain very small and regular geometric patterns.

Which should you get? Beats me! If you are mostly a landscape photographer the R model might be a good choice. If you photograph subjects that are not natural and which tend to have repeating patterns, the “regular” model might be a safer choice. In the end, I believe that both will produce excellent resolution.

Do you need a 50MP DSLR? That is also a good question. (It extends to asking whether you need a DSLR or a mirrorless camera, whether you need a full frame camera, and more — always important things to consider when making expensive photography equipment purchases.) For most people, such a high resolution sensor will probably not make their photographs visually any better. You certainly are not going to see the difference in web, email, or other images that are displayed on a computer screen. The primary advantages of a 50MP sensor will be for those who work very carefully — typically using excellent lenses and good technique and shoot from the tripod — and who make very large prints that already push the upper boundaries of what is possible with 20+ MP sensors.

How good is it? It is too soon to know for certain, though the picture is becoming clearer as review copies get into the hands of photographers and writers and as more sample images begin to appear on the Internet. Canon has made some sample .jpg images available, and I did some resolution testing with one of them a few weeks ago. I downloaded it and applied some minor post processing of the sort that I would typically use. I resized the image to 30″ x 45″ and  and then make a print of a letter-size section of this image — it looked very good. The detail was excellent and I could not see any concerning distortions or artifacts in the image. Encouraged, I went back to the computer and resized to a truly huge 60″ x 90″ size (!) and made another letter-sized print. Things still looked good for such an extreme enlargement. (You can read more about this test here.)

The estimated release date for the cameras is currently given as “June 2015.” I’ve seen dates as late as June 29 suggested and I’ve also seen speculation that it could be a bit earlier.

5Ds and 5Ds R Articles:

From site-sponsor B&H Photo


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

American Avocet, Reflection

American Avocet, Reflection
American Avocet, Reflection

American Avocet, Reflection. San Joaquin Valley, California. February 27, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

American Avocet and reflection, San Joaquin Valley wetlands

I have written before — often! — about the tremendous numbers of birds in California’s Central Valley, especially in the winter when migrating birds overwinter here. It is easy to be most impressed by the birds that are the biggest, the most unusual, those that are found in almost unbelievable numbers, and those whose cries are most striking. Frankly, very few experiences can compete with the sound and fury of many thousands of geese taking to the air at once, the magic of squadrons of cranes gliding in at dusk, the grace and size of the slower-moving egrets and herons, and too many others to list.

I’ve never been the classic “birder” type — the guy with the scope who searches out and identifies any and all birds — though I have become much more sympathetic to the passions of such people as I have spent more time among these remarkable birds! More recently, as I have returned to these places more and more frequently, I have gradually become aware that there are many other birds besides the big, impressive specimens mentioned above. These include individuals such as the hawks and owls, small birds that also live in flocks such as red-winged blackbirds, and a bunch of smaller birds that hang out in and around the water… like the avocet shown here. At one end of a refuge where we frequently photograph there are some quiet ponds along the side of the access road. I rarely see the bigger birds here, but I have recently learned that there is a lot more going on here than initially meets the untrained eye. On one of our recent visits I spent some time photographing avocets against the mostly smooth water in the morning just after the fog had cleared.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Meadow Grass and Frost

Meadow Grass and Frost
Meadow Grass and Frost

Meadow Grass and Frost. Yosemite Valley, California. March 1, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Early morning frost on dormant winter grasses in a Yosemite Valley meadow

On a late-winter morning like this one there could be snow in Yosemite Valley, and even without new snow there is likely to be a bit of it lying around in shady areas. But not this winter. This has been the fourth of a series of very dry years in California, and this year was especially unkind to the Sierra. By the end of the season the snow pack looks to be barely 10% of what it would be in a typical year, and the situation is even more dire since this is only the latest in a string of such years. So it was not surprise to find this meadow snow free, with only a bit of frost suggesting the season.

We arose early on this morning and headed out close to sunrise looking for a meadow with the common winter low fog. We finally found a bit of it in this meadow, though it was dissipating quickly. Before it went away we headed out into the meadow to see what photographic possibilities we could find. I first focused on the frost itself and on some of the winter-dormant brush and bushes around the meadow’s edge. Then I moved back into the main part of the meadow, where these bent over and dried grasses reminded me of the patterns I might find in flowing water.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Red Rock, Dusk

Red Rock, Dusk
Red Rock, Dusk

Red Rock, Dusk. Grand Staircase-Escalante National Monument, Utah. October 23, 2014. © Copyright 2015 G Dan Mitchell – all rights reserved.

Dusk light on sandstone formations, Grand Staircase-Escalante National Monument

On our first day in this part of southern Utah last October we settled into our primitive camp, hung out for a while, and then headed off to an area of beautifully formed sandstone in the late afternoon, where we planned to do our evening photography. When we arrived the sun was still well above the ridge to our west but its light was intermittently muted by thin clouds that softened the contrasts between light and shadow. For perhaps a couple of hours we worked this landscape of carved red rock, with its gullies, ridges, sand-filled flats, holes and every curving shape and texture you can imagine.

There was much to see, and after I photographed the most obvious subjects I continued to look and began to see less obvious features. As the sun dropped behind the ridge and shadows stretched across this area I first felt a kind of urgency to make photographs while the light was still good. I continued shooting right into the post-sunset dusk hour, when color came to the thin clouds and washed this landscape, already red from rocks and blue from haze, with intense reddish-purple light. I made a series of photographs in this area above a carved sandstone gully, and soon it was too dark to shoot any more. I/we looked up from our cameras, enjoyed the quiet for a few moments, then put on headlamps and found our way across rocks and back to where we started and then drove back to camp.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.