All posts by G Dan Mitchell

G Dan Mitchell, photographer and visual opportunist focusing on the Pacific coast, the Sierra Nevada, redwood forests, California oak/grasslands, California deserts, urban landscapes, night photography and more. Posting daily photographs since 2005, along with articles, reviews, news, and ideas.

Cafe de la Presse, Night

Cafe de la Presse, Night
Night at the Cafe de la Presse, San Francisco

Cafe de la Presse, Night. San Francisco, California. July 25, 2015© Copyright 2015 G Dan Mitchell – all rights reserved.

Night at the Cafe de la Presse, San Francisco

In San Francisco for an evening of night street photography, we first wound our way up into Chinatown from the northwest at twilight, then slowly worked our way along various streets, looking for interesting light, architecture, and people. Because the streets are so narrow, filled with people, and lit brightly, this is a very interesting place to photograph. We continued on, ending up in the busy and touristy areas just south of Chinatown, where we split up and went separate ways.

It was almost time for me to leave, so I headed back the way I cam, on streets that were now becoming a bit less busy and crowded. I passed this little restaurant, with its corner entrance, and paused long enough to make a handful of exposures, photographing the wood-paneled interior and exterior walls and columns and the people who seemed to be settled in for a slow and quiet evening.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Repairing a Shop Window

Repairing a Shop Window
At closing time, a man works to repair a shop window.

Repairing a Shop Window. San Francisco, California. July 25, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

At closing time, a man works to repair a shop window.

On a summer walk through sections of downtown San Francisco, beginning in the late afternoon and continuing after dark, I passed a street-corner shop that was just about to close. These shops, being in an area where such things are necessary, is blocked off at night by metal shutters. An employee was standing in a display window, repairing the shutters.

The man, focused on his work and seemingly unaware that he was now the featured “product” in this display window, was my initial subject. But I quickly saw other things in this scene. On the right side of the frame the wild explosion of colorful merchandise, lights, and reflections of the street behind me is almost impossible to figure out. On the left side there seems to be no reflection and the colors are more subdued, with the open shutters placing a horizontal grid over the dark figure of the store employee. Horizontals on the left; verticals on the right; complexity everywhere.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

#932 Sale

#932 Sale
A shop with nighttime visitors, San Francisco

#932 Sale. San Francisco, California. July 25, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A shop with nighttime visitors, San Francisco

This is another in my series of night street photographs. This photograph comes from an evening in more or less the Chinatown area of San Francisco. This work is a sort of counterpoint to my landscape and nature photography. Although the two seem quite different, I think that each type of photography makes me better at the other. This work happens very quickly, usually without a whole lot of time to contemplate — so it exercises the fast and intuitive part of my seeing.

The photographs tend to occur in two ways. In some cases I simply see something happening and I have to photograph it immediately without a lot of time for conscious thought — if I wait the opportunity will be gone. Another sort of work has a stronger connection to landscape, and I think of these photographs as being a sort of urban landscape. As was the case with this photograph, I find a particular subject or composition and then I watch for figures to occupy the space in interesting ways. The interest can come from their relative positions, their posture and the direction they look, how they fit into the available lighting, and the color of their attire. And, as I have pointed out previously, this nighttime handheld street photography is something that only became reasonably possible very recently, with the development of small cameras that will work at very high ISO settings.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Natural Bridge, Evening Fog, and Coastal Mountains

Natural Bridge, Evening Fog, and Coastal Mountains
Evening light on the mountains, coast, and incoming fog along the Big Sur coast

Natural Bridge, Evening Fog, and Coastal Mountains. Big Sur Coast, California. July 20, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Evening light on the mountains, coast, and incoming fog along the Big Sur coast

Yesterday I shared a Big Sur Coast photograph — looking north and in black and white. Today’s post is a counterpoint to that one — it looks south and is in color. Both were made late on the same day, and in the same general central area of this rugged coast. It was late in the day and I was looking for an ideal last photographic location of the day, and from this particular overlook I could see down the coast… and the light was going to go before I had time to find another spot!

In many ways I suppose the view is typical. The view extends into the distance where it disappears into fog and coastal haze, and the coastline is an alternating landscape of shallow bays and jutting peninsulas where mountain ridges drop into the ocean. Here and there are the remnants of ridges and bluffs that lost their battle with the ocean long ago, and which now remain only as isolated rock and sea stacks set off from the shoreline. One of the most impressive of them in this photograph is right below the camera position where a large rocky formation is cut through by a natural bridge.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.