Category Archives: Photographs: Architecture

Photographs: Architecture, Photographs: Germany, Photographs: Travel, Photographs: Urban/Street

Green Building, Berlin

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Green Building, Berlin
A street scene in Berlin with a green building

Green Building, Berlin. © Copyright 2018 G Dan Mitchell – all rights reserved.

A street scene in Berlin with a green building.

Since I’m not an expert in architecture I probably don’t have the correct description terms at my fingertips, but this area of Berlin that lies just on the “East German” side of the old Berlin wall still seems to be characterized by what I’ve heard described as Soviet-Style architecture… but with a few interesting exceptions. Many of the large buildings here have, at least to my eye, that functional, modern, practical look of the 1950s and 196 0s — a kind of modernism that no longer looks all that modern

This green structure — whose purpose I did not investigate — is striking against this background and in this location literally across the street from The Wall. It appears to have been conglomerated from shipping containers, creating an ad hoc and temporary quality. (It isn’t the only example of such things I saw in Europe and the UK.) It sits at an odd angle, out of sync with both the surrounding grid of roadways and the backdrop of more “square” buildings. And that color!

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Architecture, Photographs: Germany, Photographs: Structures and Objects

Windows, Oblique Light

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Windows, Oblique Light
The shadows of windows in oblique lighting on a Berlin building

Windows, Oblique Light. © Copyright 2018 G Dan Mitchell – all rights reserved.

The shadows of windows in oblique lighting on a Berlin building.

You might regard this as “what happens when they let landscape photographers do street photography.” For me, street photography combines a bunch of possible components — the human element, the crystallization of a “moment,” the light and color and patterns, and the nature of urban landscape. I do think of the urban scene as a landscape, and in some ways — though not all! — I approach it that way. (Depending on how far you want to go with that thought… it does have “valleys,” and “faces,” and “peaks,” and even flora and wildlife.)

We had spent the day walking through parts of Berlin, starting at our hotel a way off from the central city, heading past the East Side Gallery area of the Wall, then walking back toward the central area of the Brandenburg Gate. As we got closer to this center we improvised a route that did not take the largest, most popular streets, and it a few places we ended up in rather non-touristy spots. I’d have to go back and consult a map to see precisely where this was photographed, but I was intrigued by the minimalist quality of the architecture, the shadows cast by the protruding window frames, and the contrast between the warm red-brown tones of the wall and the cool blue tones of the windows — and even a resonance with the landscapes of the American Southwest.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Architecture, Photographs: Germany, Photographs: Travel

Parken Verboten

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Parken Verboten
A textured wall, a window, and a Parken verboten sign in Turnau

Parken Verboten. © Copyright 2018 G Dan Mitchell – all rights reserved.

A textured wall, a window, and a “Parken verboten!” sign in Turnau

Last summer we stayed in the small German town of Thurnau for a few nights. We were in the neighborhood for the Bayreuther Festspiele (“Bayreauth Festival”) — the famous location for performances of the operas of Richard Wagner. We have a “connection” (a relative of Patty’s) who lives in Germany and, perhaps to his surprise, he managed to get tickets. This was an opportunity that was too good to pass up, and we ended up seeing three performances.

Thurnau is not Bayreuth, but when everything else in Bayreuth is booked, Thurnau is close enough! Even better, we ended up staying at Schloss Thurnau which is (as you may have figured out if you know a few German words) a castle in this town. Attending one of these operas is a bit different than going to a “regular” opera back home — they are hours long and each intermission is an hour long, so you use up most of the afternoon and all of an evening attending a performance. However, we did have some time to go out and wander though nearly areas of the neat little town of Thurnau, and I made this photograph of a window, a practical sign, and an unusual wall in the neighborhood.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: England, Photographs: Structures and Objects, Photographs: Travel, Photographs: Urban/Street

Blue Door

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Blue Door
A blue door in gentle light and surrounded by a monumental door frame, London

Blue Door. © Copyright 2018 G Dan Mitchell – all rights reserved.

A blue door in gentle light and surrounded by a monumental door frame, London

A door, somewhere in London, but I’m now not sure where! I could probably come closer to locating it if I were to go back through the rest of the raw files from this day, but I think it may have been near our hotel, which was a short walk from Paddington Station and not far at all from Hyde Park. I know that we went out more than once for walks in this area, including the morning when I believe I made the photograph.

The doorway seems remarkable to me in several ways. The huge framing is quite something, and not much at all like anything you would typically see in the US, at least not in my part of the country. The frame is so monumental that it has the effect of either making the doorway seem twice as large as it really is… or of making the actual door seem very small. The color of the door is beautiful and something of a surprise given the other colors in the scene. And the light striking the door obliquely from the left seems very beautiful to me.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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