“Dubrovnik Rooftops” — Tile rooftops of old Dubrovnik seen from the city walls in early evening light.
Dubrovnik is a remarkable city — very old, very beautiful, and today a sophisticated center of tourism. The age of the place becomes more obvious the further you get away from the central tourist areas. Out around the furthest fringes, on very narrow walkways, you can find places that seem almost… unspoiled.
The old city is almost completely ringed by an ancient wall — the only gap is near the small harbor. On this evening I set out to walk the perimeter of the town along the wall. I made the photograph early on my walk as the light was just beginning to take on the colors of early evening as I looked across a sea of red rooftops.
“Adriatic Coast, Dubrovnik” — dubrovnik, Croatia and its famous wall on the Adriatic coast, see from Fort Lovrijenac.
During the summer of 2023 we went on a very long trip in Europe. Over a 10-week period we were in France, Portugal, Spain, Italy, Kosovo, and Croatia — with very brief visits/transits in Germany, Hungary, Serbia, Albania, and Montenegro. Many of the photographs from the trip sat in my raw file archive since then, never being worked up into final versions. (I suspect that in some cases I didn’t quite “see” them at first, and in some I moved on to other projects, intending to return.) This week I’ve been going through photographs from the Balkans.
We drove directly from Kosovo to Dubrovnik. I really liked Kosovo on a number of levels, perhaps more so because we stayed in the home of people who live there and who have a family connection. But there are few contrasts greater than that between Kosovo and the walled city of Dubrovnik, which has become quite the hot travel destination. (Evidence: many prices there are surprisingly close to those in the US.) Dubrovnik is a remarkable city, sitting on the beautiful Adriatic coast. The old city is completely surrounded by impressive walls, and much of the city is constructed of stone.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
Plants grow behind a small obscured-glass window in Trogir, Croatia.
As another photographer once wrote, “There’s always something to see!” We all occasionally discover that we aren’t “seeing” like we used to, and perhaps we feel like there is nothing to photograph. But there is always something. It may not be the thing you were looking for, but if you keep at it, perhaps looking in places that you don’t normally pay attention to or possibly thinking about what you could do differently.
I was not planning to photograph tiny windows with plants behind obscured glass when I went out to photograph in Trogir, Croatia last August. I was in “street photography” mode, looking for people in interesting places and poses, against the backdrop of this very old city. But by opening my eyes and taking a bit more time I was able to see things like this that are easy to overlook.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Blue wooden doors with former windows filled by painted wood panels.
Many photographers are intrigued — obsessed, even — with the abstract qualities of shapes, form, color, and texture. Many of you already understand that these things are often as important as, if not more so, than the objective content of photographs. A photograph does record things, but it isn’t just recording “what we see” — it is also about recording, arranging, and presenting “how we see.” And many of use — almost all, really — see this other things when we use our cameras.
I made this photograph while walking through Trogir, Croatia one morning — I am pretty sure this was the morning when Franka Mlikota Gabler and I met there to photograph. This town can be very crowded later in the day, but in the early morning hours we had it almost to ourselves, and there was plenty of time to photograph things like this without distractions. What is the photograph “about?” Hard to say precisely, and you have a voice in this, too. But I was obviously fascinated by the perpendicular arrangement of lines and rectangles, the subtle difference in the blue tones, and the weathering and other imperfections in the surfaces.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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