Category Archives: Photographs: Death Valley

Titus Canyon Narrows

Titus Canyon Narrows
Titus Canyon Narrows

Titus Canyon Narrows. Death Valley National Park, California. December 11, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Titus Canyon road passes through the Narrows as light reflects down from canyon walls high above

Titus Canyon road is a well-known “attraction” in Death Valley National Park, traveling from the eastern park boundary in the Amargosa Valley near the town of Beatty, Nevada over the Grapevine Mountains and then down to Death Valley itself. It is also known as a fairly rough road, subject to washouts and closures after storms – not a true four-wheel-drive road, but certainly not for the faint of heart of those who are not accustomed to rough desert and mountain driving. (Many chose to forgo the long drive and instead hike into the canyon from its mouth, from which the spectacular “narrows” section is easily accessible.)

I have been getting to better know the country through which this road passes as I’ve driven it many times during the past decade or so. More recently I have been slowing down and taking nearly the full day to drive its length – and in doing so I am able to see and photograph things that I used to miss. Oddly, since it is often regarded as the main attraction of the route, I’ve often found it very difficult to photograph the narrows section near the end of the road just before it spills out at the top of a giant alluvial fan along the edge of Death Valley. Perhaps it is the predominantly gray color of the rocks – once you’ve photographed the canyons of the Southwest, California rock just looks so drab! This time I think I passed through the narrows section at what must have been just about the ideal time of day and season, and light hitting upper canyon walls was reflecting down into the bottom of the canyon and creating some interesting, albeit subtle, colors and soft reflections on the rocks.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Fractured Rock, Reflected Light

Fractured Rock, Reflected Light
Fractured Rock, Reflected Light

Fractured Rock, Reflected Light. Death Valley National Park, California. December 11, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A few plants grow on fractured pink and blue canyon rock illuminated by light reflected from nearby cliffs

In my experience, the geology of Death Valley mostly features relatively subdued coloration. While this geology is laid bare by the lack of thick vegetation, the colors are mostly shades of gray, white, tan, with occasional blues and greens from mineral deposits. But you rarely will see here the intense colors of, say, the sandstone formations of the Southwest. (Sorry to disappoint anyone, but if you have seen some photographs featuring intensely colorful deposits in places like “Artist Palette,” you may be a bit disappointed to see the real thing!) This is not entirely bad news, as subtle colors can also be very beautiful, and even these colors can become intensified in the right light… and that does occur in Death Valley.

This photograph perhaps tells a story that is partially about the color of rock and a bit about the light, and is also about keeping my eyes open for the fleeting and sometimes surprising examples of color. I was in a place that is not known for brilliant colors, at least not in the walls of this narrow canyon. As I passed through a narrow and twisting section, two things happened, and even though I’ve been there before this was the first time that I noticed them at this point. First, the steep, almost seems cliff-like wall has fractured layers and slabs that remind me a bit of exfoliating granite that I know so well from the Sierra. These layers alternate pinkish rock (that this non-geologist thinks look like some sort of sandstone) with inner layers that have a blue cast. Second, at the right time of day when the light strikes the upper walls of the narrow canyon, the light reflects down into its depths and warms the color of the light, emphasizing these subtle colors to produce what is, at least for Death Valley, some rather striking coloration.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Desert Mountain Valley

Desert Mountain Valley
Desert Mountain Valley

Desert Mountain Valley. Death Valley National Park, California. April 4, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A dry and rocky little valley high in the Amargosa Mountains, Death Valley National Park

I have photographed in Death Valley for some time now, and I enjoy the place immensely. I try to spend a week or so photographing there each year, and sometimes get there more than once. With my familiarity with the place in mind, on my early 2013 visit I started to think about a different way to try to photograph this landscape. I’m not sure quite where this will lead just yet, but this is among a few photographs that mark my foray down this slightly different path.

Photographs never provide the viewer with a complete view of the objective reality of the subject. I like to say that “All photographs lie.” In the nicest way, of course. ;-) What I mean is that a photograph will diverge from the real in two basic ways. First, there are non-visual aspects of the real experience of being in such a place that the photograph, while possibly suggesting them, cannot “capture” – the heat, the feeling of an early morning breeze in a desert canyon, dust, and more. Second, the photographer necessarily imposes his or her way of seeing the place on the photograph – realistically, this cannot be avoided. We choose when to be there and make the photograph, we wait for “just the right light,” we decide how to juxtapose and frame the elements of the scene, we determine what you don’t see, and so forth. If you only saw photographs of Death Valley, even the most beautiful and compelling work, you would see only a small subset of what the place consists of, with emphasis on certain “spectacular” landscapes and types of light. I started thinking that the appeal of the place is not limited to just those experiences in the familiar photographs and that, as hard as it is to make a photograph of such things, a simple desert canyon winding toward a rocky ridge is an appealing thing when you are there – so it should be possible to make a photograph that somehow conveys that. This is one such place; basically an anonymous bit of canyon and hillside in morning light high in the Amargosa Range.

(By the way, on the day I’m posting this to the queue at my blog – June 30, 2013 – we are in the middle of a record-breaking heat wave here in California. I’m sure that this would be a particularly unpleasant place to be today!)

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Devils Cornfield, Morning

Devils Cornfield, Morning
Devils Cornfield, Morning

Devils Cornfield, Morning. Death Valley National Park, California. March 31, 2011. © Copyright 2013 G Dan Mitchell – all rights reserved.

Early morning light on Devils Cornfield and receding ridges, Death Valley National Park

I’m a fan of shooting in the very early morning – what photographer isn’t? – and of shooting directly into the brilliant light of the rising sun, especially when that light shines through an atmosphere containing haze or dust. These conditions appeal to me in a variety of ways. The inclusion of this haze emphasizes the effect of atmospheric recession, and sometimes the most distant elements of the scene can fade to near invisibility as the atmosphere lowers the color saturation and contrast of the scene. Shadows, especially if bit of detail can be retained, can produce dramatic contrasts, and light glancing across the edges of features such as plants can be intensely colorful.

This photograph includes features of a scene that is easily accessible but perhaps one that people don’t often spend much time considering, especially at this time of day. Most photographs of the area that I see are made in fairly normal daytime light or perhaps in the warm and clear light of the evening golden hour. Here I found a slightly elevated camera position and aimed across the tops of clumps of grasses, a small nearby hill, and a succession of higher and more distant ridges leading away toward the mountains along the east side of the valley.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.