Category Archives: Photographs: Death Valley

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Sky, Mountains, and Wash

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Sky, Mountains, and Wash
A dry wash, barren mountians, and morning desert sky.

Sky, Mountains, and Wash. © Copyright 2019 G Dan Mitchell – all rights reserved.

A dry wash, barren mountians, and morning desert sky.

One of the things I always think about in desert landscapes is water. Not for the reason your are probably thinking — that it is because there is no water or that I’m thirsty because it is hot and dry. In fact, the reason is that evidence of water is almost everywhere in these dry places. This is one of the great ironies of desert terrain — it is so affected by the power of water and that effect is more visible because the landscape is barren and dry.

Consider this scene. There is almost nothing in it that doesn’t reflect the power of water. The foreground wash, while dry at the time of the photograph, is covered with patterns created by flowing water. Beyond, the low hills are smoothed by water and incised with gullies made by flowing water. Although those far mountains rose because of forces that are not directly about water, the shapes of the peaks and ridges are the result of, yet again, water. And in the sky we have clouds — more water.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature

StRata, Morning Light

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Stata, Morning Light
Early morning light on eroded strata with contrasting colors, Death Valley National Park.

Strata, Morning Light. © Copyright 2019 G Dan Mitchell – all rights reserved.

Early morning light on eroded strata with contrasting colors, Death Valley National Park.

This photograph is an example of the transitory nature of light — and how this factor puts the lie to the notion that landscape photography is something always done slowly, at leisure. That is sometimes possible, but more often the most interesting light is fleeting, there only for an instant and sometimes passing its peak before you realize it. Here the layers of colorful strata are in a small canyon, and the light is blocked early in the morning by hills on the other side, behind the camera position. Once the light does arrive, the shadows move down the landscape quickly, and the interval when the light is ideal is brief.

This photograph is also an example of finding balance between an “objective capture” of the scene, a photographic representation of “what it looked like to me,” and something extreme or even fantastical. You have perhaps seen other photographs of these colorful strata, with shades of red, yellow, blue, green and more. Such colors are striking, but they are often quite subtle. In flat or harsh light they are less intense than what you see here. Even in great light and with the kinds of post-processing that I do, the colors are still not exactly intense. I think this subtlety is part of the beauty of these features, and this is lost when the photographer pushes things too far.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

The Visitor

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The Visitor
An anomalous white rock rests against dark rock deep in a Death Valley canyon.

The Visitor. © Copyright 2019 G Dan Mitchell – all rights reserved.

An anomalous white rock rests against dark rock deep in a Death Valley canyon.

Desert canyons, especially in an arid place like Death Valley, are refuges from the harsh environment. Not that they are entirely gentle and friendly places, being periodically scoured out by floods and left covered in rocks. But they offer shade, sometimes sources of moisture, and occasional plants. The deepest and narrowest are quiet and still places.

They are transitory landscapes, on time scales that range from annual to much longer. Cut through by flowing water and weaknesses in the rock, they reveal strata from long ago. That flowing water inexorably moves material down from the peaks toward the playa, and almost anything we come across in such canyons will only be there temporarily. I don’t know enough geology to offer too many facts about this rock, but its light color against the surrounding dark rock was striking, as was its upright position.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Morning Ride in the Badlands

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Morning Ride in the Badlands
A solo bicyclist on a morning ride along a curving gravel road past badlands.

Morning Ride in the Badlands. © Copyright 2019 G Dan Mitchell – all rights reserved.

A solo bicyclist on a morning ride along a curving gravel road past badlands.

Years ago I was a very (very!) enthusiastic cyclist. I don’t ride any more, but I still have three bicycles — one of the early StumpJumper mountain bikes, a touring/commuting bike with a handmade British frame, and road-racing bike (also with a hand-built frame). Although I have not ridden in Death Valley, I can surely identify with the experience of the person in this photograph.

I had arrived in this area early, and I had been making photographs since before sunrise. Although a gravel road passes through here and the spot is not far from some well-known locations, I had the place almost to myself. I saw almost no one else as I worked. It was windless and still and so quiet… and that passing of a single cyclist was enough to interrupt the mood! But not enough to keep me from photographing him as he passed through this section of s-curves, heading toward more distant hills in this lovely light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.