Category Archives: Photographs: Death Valley

Desert Gold and Desert Five-Spot

Desert Gold and Desert Five-Spot
“Desert Gold and Desert Five-Spot” — Desert gold and desert five-spot flowers, Death Valley

This photograph features two rather different Death Valley flowers. The bright yellow desert gold flowers cover gravel benches and fans after wet winter seasons. They were all over the place when we visited in late February this year. The desert five-sot is not an uncommon flower, though it isn’t seen in anything close to the numbers of the desert gold. It is also less obvious due to its smaller blossoms and darker color.

We had stopped at this location in southern Death Valley to photograph the (very obvious!) desert gold and to look for the also-plentiful sand verbena blossoms. But almost any time you stop for flowers in the park, if you look around you’ll find others besides those you came for — and here that meant we found plenty of desert five-spot flowers nearby.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Badwater Basin to Telescope Peak

Badwater Basin to Telescope Peak
“Badwater Basin to Telescope Peak” — Telescope Peak and the Panamint Range, seen from the shoreline of Lake Manly in Badwater Basin.

There are a few unusual things in this Death Valley photograph featuring Telescope Peak. Superficially, snow at Death Valley might seem unusual, but while it is at lower elevations that usual, these peaks are often snow-capped in winter. More unusual is the band of water at the bottom of the frame — that’s Lake Manly, which may temporarily form in Badwater Basin during wet years. The photograph includes the lowest elevation in the park (Badwater Basin) and its highest (Telescope Peak.)

What lies between those extremes is remarkable, too. That is a rise of over 11, 300′ from below-sea-level Badwater Basin to the summit of the peak. Between those two is some extremely rugged terrain that ranges from low desert to the alpine zone, with everything in between.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Fields of Desert Gold

Fields of Desert Gold
“Fields of Desert Gold” — Fields of desert gold flowers and desert mountains, Death Valley.

Forgive me for sharing yet another photograph featuring fields of desert gold flowers, but they appeared in impressive numbers in Death Valley in late February. This is usually a dry and generally beige landscape (with some exceptions) but these flowers turned gravel fans and some hills yellow all over the valley.

The foreground flowers are obvious, but if you look carefully you’ll see more fields of the flowers further up the gentle slope leading to the base of the Black Mountains. The more distant color — yellow mixed with green — may seem subtle, but to those of us used to more typical Death Valley conditions it is striking.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Salt Creek, Sunrise

Salt Creek, Sunrise
“Salt Creek, Sunrise” — Salt Creek flows past low hills and toward salt flats, Death VAlley.

Salt Creek is a remarkable place, a perpetually flowing creek in the middle of the hottest place on earth and the home to thousands of endangered pupfish. But I’ve also found it to be a pretty difficult place to photograph. Light is challenging, especially late in the day, when tall mountains block the light. But I return and keep working at it!

I made this photograph as the first direct light was arriving. Just beyond the area accessible via a winding boardwalk, the creek flows in many branches through this eroded terrain. From here (behind my camera position) it passes through the area where pupfish are found, and shortly after that it flows out into the salt flats.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.