Category Archives: Photographs: Desert

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Dunes, Sunset Light

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Dunes, Sunset Light
Rim light on dunes near sunset, Death Valley National Park.

Dunes, Sunset Light. © Copyright 2021 G Dan Mitchell – all rights reserved.

Rim light on dunes near sunset, Death Valley National Park.

For the most part I avoided tourist-popular places during my recent visit to Death Valley. However, I confess that I did camp in a well-known parking lot, uh, I mean campground for one night so that I could be closer to sand dunes. On that evening and again the following morning I headed out to some places along the edges and back of the dune fields to photograph this always-fascinating subject.

This photograph comes from the evening shoot, for which I headed to a spot where I find sequences of receding dune crests that are perpendicular to the setting sun. I aimed almost exactly in the direction of the sun just as it was about to drop behind mountains, and I performed some gymnastics in order to shade the lens and minimize flare. On a technical note, this subject provided the opportunity to use a special setup — a medium format zoom lens attached to my full frame camera using an adapter that provides tilt and shift adjustments.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Light in the Narrows

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Light in the Narrows
Light filtering down from far above lights the curving path through desert canyon narrows.

Light in the Narrows. © Copyright 2021 G Dan Mitchell – all rights reserved.

Light filtering down from far above lights the curving path through desert canyon narrows.

Since the start of the pandemic lockdown, the number of days I’ve been able to spend in my favorite landscape locations has been extremely limited. The last time I was able to go to Death Valley — a place I have photographed every year for decades — was in early 2020. Now that I’ve completed my vaccinations it seemed safe and responsible to travel out into that backcountry for a few days of photography, mostly in the places the tourists don’t go. Fortunately, in this park it is possible to put yourself in fairly isolated locations where, for example, you might not encounter another person for 24 hours.

One night I camped alone at the end of a road that dead-ends in the lower reaches of a canyon. This gave me time to explore the canyon twice — first in late-afternoon light and again the next morning when the light came from the opposite direction. Most canyon walking (often more accurately described as wash-walking) in Death Valley is done out in the open, frequently in intense sunlight. But at the right times fo day in the right canyons one can escape that light and enjoy the soft glow of light from above reflected between the canyon walls.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Sandstorm Rising

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Sandstorm Rising
Clouds from a desert sandstorm rise above Death Valley National Park sand dunes.

Sandstorm Rising. © Copyright 2012 G Dan Mitchell – all rights reserved.

Clouds from a desert sandstorm rise above Death Valley National Park sand dunes.

Today I am sharing yet another of the Death Valley photographs from my spring 2013 visit when, among other things, I had a couple of opportunities to photograph in sandstorm conditions. Like many photographers I tend to photograph this location early in the morning and late in the evening, when the light is softer and subtle colors emerge in the fascinating shapes of the dunes. But the stark midday light can be interesting too, especially when the light is softened and diffused by a dust-filled atmosphere.

My roots are in black and white film photography, and I still find myself leaning back in that direction fairly often. I feel that in many cases monochrome can let us see the subject more in terms of shapes, textures, tones — less as an attempt at literal representation of the subject and more about how we choose to interpret it. With monochrome we explicitly begin by accepting an interpretation that cannot be objectively accurate, since the world is (almost) never monochromatic. In addition, we have more freedom do things during the post-processing stages (as we did in the film era) that we probably could not get away with in color, and the result still register as being “true.”

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Dunes, Sandstorm, and Mountains

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Dunes, Sandstorm, and Mountains
A Death Valley sandstorm builds above sand dunes, obscuring distant desert mountains.

Dunes, Sandstorm, and Mountains. © Copyright 2013 G Dan Mitchell – all rights reserved.

A Death Valley sandstorm builds above sand dunes, obscuring distant desert mountains.

Once again I am discovering how many promising photographs get left behind when I first assess them shortly after making the photographs… and how valuable it is to revisit the original files later on. I typically do a year-end review of the previous year’s raw files, but even then I miss a few. So I suppose that there is at least one good thing to come from the limits on photography in the pandemic era — the extra time available to go back and take a look at the old files with new eyes.

For the past week or two I have been digging into photographs from the late winter and early spring of 2013. These images include Death Valley photographs from that year’s annual visit to the park. On this day the ubiquitous Death Valley winds had risen, and a sandstorm was developing above the upper valley, blowing sand and dust southward toward these dunes. The wind was gusty, and rather than filling the atmosphere with uniform haze, tall clouds of dust and sand rose high into the sky as they traversed the landscape.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.