Category Archives: Photographs: Imaginary Landscapes

Monsoonal Clouds, Pacific Ocean

Monsoonal Clouds, Pacific Ocean
Monsoonal clouds above the Pacific Ocean, Big Sur coast, California

Monsoonal Clouds, Pacific Ocean. Big Sur Coast, California. July 20, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Monsoonal clouds above the Pacific Ocean, Big Sur coast, California

Driving along the central California Big Sur coastline in mid-July we experienced a very unusual coastal summer day. Summers in this area typically feature morning and evening fog and relatively cool temperatures, interspersed with clearer days when the temperatures might rise to near 70 degrees. But for a few days this July, California was affected in an unusual way by a dissipating tropical storm and the early phase of El Niño, and we had unusual manifestations of light and atmosphere and more. There were thunderstorms, some of them quite heavy. The ocean was smoother than usual and the swell came from the south rather than the north. Layers of unusual monsoon clouds filled the sky.

This photograph belongs to what I categorize as both minimalist and imaginary landscapes. I wrote more about this in my previous post, so I’ll keep it short here. The idea is to work with simple materials and often not with an obvious central subject, to focus on some kind of subjective reality rather than creating the illusion of objective depiction.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Pacific Ocean, Clouds

Pacific Ocean, Clouds
Monsoonal clouds above the Pacific Ocean horizon, Big Sur, California

Pacific Ocean, Clouds. Big Sur Coast, California. July 20, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Monsoonal clouds above the Pacific Ocean horizon, Big Sur, California

This photograph and the one that will follow it belong to a small sub-thread in my photography, but a thread that means a lot to me. I think of these photographs as both imaginary and minimalist landscapes. They are “imaginary” in that they are about the subjective experience of the place and an invented or focused way of seeing it, and they are “minimalist” in that they are about simple forms and patterns, and because they often include large “empty” or near empty areas. These are not remotely photographs that are attempting to show the objective nature of places. They are photographs that are about some subjective way of seeing things. I often say that “all photographs lie,” but it might be more honest to say that “all photographs have a point of view.”

I’m not sure that the specific location or subject is all that relevant to this photograph, but since it is my habit to say something about that when I share photographs online, here goes. We spent a few days along the central California coast in mid-July. This is a very familiar place, but several things were unusual this time — and they may have put me in a somewhat different perceptual state. Monsoonal moisture was streaming up the coast from a Pacific Ocean tropical storm near Mexico and bringing clouds and even heavy rain to parts of California, a very unusual situation here. An anomalous plankton bloom turned big areas of the ocean and Monterey Bay an unusual blue-green aqua color. (That is probably the source of the light patch in the water in this photograph.) The swell was out of the south rather than the more typical northwest, and the water was much smoother than is typical, creating unusual reflections of sky and coastal bluffs.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Two People, Railing, Walls

Two People, Railing, Walls
Two People, Railing, Walls

Two People, Railing, Walls. New York City. December 29, 2013. © Copyright 2014 G Dan Mitchell – all rights reserved.

Two figures seen through a gap in walls at the top of a stairway.

There is probably not too much to say about this photograph, though I could probably say a lot about it if I got started. During a rainy day visit to a New York City museum, I saw the gap between walls at the top of this stairway and the effects on color and luminosity of the various different sources of reflected light in this space. I lined up with the scene to leave a slender gap between the corners of two walls so that people passing by in the hallway would momentarily show up in this gap. I tried a variety of focus points – on the people, on the edges of the walls, on the railings… but in the end I liked the version that doesn’t really focus on anything specific.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Pelicans and Cormorants – Point Lobos

Three Pelicans, Shadows
Three Pelicans, Shadows

Three Pelicans, Shadows. Point Lobos State Reserve, California. September 2, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Three Pelicans, Reflections
Three Pelicans, Reflections

Point Lobos State Reserve, California. September 2, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Cormorant, Reflected Clouds
Cormorant, Reflected Clouds

Cormorant, Reflected Clouds. Point Lobos State Reserve, California. September 2, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Something a bit different today – I’m bundling three wildlife photographs into a single post. As I queue this message in advance on an early September morning, it appears that I have enough photographs ready for posting to carry me through October! I think I can afford to put three in this post!

All three were made from the same point on a bluff above the Pacific Ocean at Point Lobos, where I had gone – on Labor Day! – primarily to do landscape/seascape photography. It was an interesting and slightly unusual day. Tropical monsoonal moisture had been streaming over the area for a few days, which is not quite a typical pattern in this area, and the morning started out cloudy. Although it was Labor Day, a bit day for travel and tourism, I arrived early enough that things were still quiet.

On a more typical Point Lobos shooting day, at least one without fog, I would likely complete my work and leave by or well before noon. But the broken overcast allowed interesting and filtered light to continue well into the early afternoon, so I stuck around. After shooting in the forest along the north shore – much easier in filtered than in direct light – I decided I would make a loop along the high bluffs on my way back to my car. I came to this spot just as a very large flock of pelicans floated past below, barely skimming the tops of the almost glassy-calm ocean. With filtered top-light and a good vantage point, I decided to put on the long lens and see what might fly by. Here are a couple of photographs of pelicans and cormorants flying right above the water.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.