Category Archives: Photographs: Night

Skylights, Manhattan

Skylights, Manhattan
Skylights glow in the gathering darkness on a Manhattan rooftop.

Skylights, Manhattan. © Copyright 2021 G Dan Mitchell – all rights reserved.

Skylights glow in the gathering darkness on a Manhattan rooftop.

Given the right camera position and the right light, small and easily overlooked bits and pieces of the urban architectural environment turn out to be interesting. I’ve long noted that in dense, urban environments the exteriors of living spaces are often far from attractive — at best they are utilitarian and at worst they can be downright ugly. My theory is that people, for the most part, do not regard the exteriors of their spaces the way we might in space-filled suburban environments. They don’t use these exteriors to present themselves to the world —no gardens, no fancy paint, no cute signs… just the functional and often well-worn necessities.

I don’t know for sure what is beneath these skylights, but I suspect that it could be someone’s living or work space. I’d also bet that whoever occupies the space has little or no idea of what these skylight look like from the outside, and they may not even think about the potential that people like me walk by every day and may look at them. From inside, the skylights are a way to let light in. But at night, to the passer-by, they become a source of light themselves as they radiate outwards.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Windows and Shadows

Windows and Shadows
The shadows of passing figures on a pair of windows and a wall in Manhattan.

Windows and Shadows. © Copyright 2021 G Dan Mitchell – all rights reserved.

The shadows of passing figures on a pair of windows and a wall in Manhattan.

This somewhat mysterious-looking photograph comes from a few years back on a visit to New York City. It was late in the day, and we found ourselves wandering along the Highline Park, the elevated park along a portion of the west side of Manhattan. The park wanders past all sorts of Manhattan features — apartments, hotels, businesses, parking, streets, and more. In such places unusual and fleeting lighting effects can occur, some of them as magical as the light I look for in the natural world. Among them is the potential for light to reflect back and forth among multiple reflective surfaces. This often softens the light and directs it into places where you might not expect it. That was the case here, as the light worked its way down into this urban canyon in the same way it does in the red rock canyons of the Southwest.

This photograph also exemplifies why I like to work with small and light cameras in urban environments — rather than using the larger, tripod-mounted gear I often use in the natural landscape. Here things happen quickly, often with little warning, and quickly disappear. Being able to respond quickly is critical, and this ability to work quickly and spontaneously often turns out to be far more important than having larger and objectively “better” gear. The ghostly shadows of the passing figures were gone within seconds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Tower, Night Sky

Tower, Night Sky
A tower against night sky at the historic Mare Island Naval Ship Yard.

Tower, Night Sky. © Copyright 2013 G Dan Mitchell – all rights reserved.

A tower against night sky at the historic Mare Island Naval Ship Yard.

This is not the first nor the only photograph I’ve made of this structure. It comes from the historic Mare Island Naval Ship Yard in the San Francisco Bay Area, the place where I did my first serious night photography almost two decades ago. (It happened on more or less a lark when I saw an announcement of a free event, showed up, and became hooked.) This structure is one half of a pair of gigantic overhead tracks that I believe originally supported some sort of lift mechanism that moved heavy mechanical systems (probably engines) to ships that were under construction. The buildings were originally various shops connected to the shipbuilding work, though today, years after the facility was decommissioned, many of them have been taken over for other purposes.

The relationship between night photographs and objective reality is a complex thing. I think of it as revealing “what the camera sees” more than as capturing what we see at night. In truth, in places like this and in lightning like this… we can’t really see much at all. But by extending the exposure times we can make images out of what is largely unseen. (A close examination of this photograph will reveal star trails made as the earth rotated beneath the night sky over the course of a several minute exposure.) In the end, many decisions about such images — luminosity, color, and more — must be subjective, since there really is no objective reality that corresponds to what the camera sees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Doorway, Dark Street

Doorway, Dark Street
Light from inside a darkened building escapes through a door, casing a pattern on a dark industrial street.

Doorway, Dark Street. © Copyright 2013 G Dan Mitchell – all rights reserved.

Light from inside a darkened building escapes through a door, casing a pattern on a dark industrial street.

This photograph comes from a San Francisco Bay Area location where I’ve been doing night photography for over 15 years. It is a place with striking visual icons including huge ship yard cranes, old buildings, and (until its removal a few years ago) a gigantic “smoke stack” towering above a power plant. Over the years I became less interested in re-photographing those things, and I began to spend more time searching out subjects that I had overlooked, scenes that are quieter and more contemplative than those icons.

I “discovered” this photograph during my pandemic-era return to old photographs that I had not looked at for years. This one exemplifies several things I’ve observed about the process of reviewing photographs shortly after making them. I usually have a few images in mind that I know will be promising, and I begin with those. As I work on the archive I invariably discover that others are more worthy than I initially expected, and this process of uncovering unexpectedly interesting photographs continues… until I am distracted by the next project, at which point I often move on and leave some interesting work behind. In this case, the “moving on” process was hastened a bit because one of my favorite night photographs came from this same evening, and I think that made me feel like I was done with that night’s work. But I wasn’t.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.