Category Archives: Photographs: Northern California

Photographs from Northern California

Lake and Peninsula

Lake and Peninsula
Trees grow on a peninsula at a Yosemite subalpine lake, late summer

Lake and Peninsula. Yosemite National Park, California. September 12, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Trees grow on a peninsula at a Yosemite subalpine lake, late summer

We have passed nearly halfway though our annual circuit around the sun since I made this photograph. It is now slightly past midwinter, and the photograph was made in late summer, a few weeks before the arrival of solar fall, though the signs of autumn were already everywhere in this drought-affected portion of the Sierra backcountry.

The haze in the atmosphere beyond the peninsula with its sunlit trees comes from wildfires that were burning all over Yosemite and the rest of the Sierra. One small one was burning just across a nearby ridge and a more distant but larger fire periodically fill the air with thick smoke. Wildfire smoke is a normal feature at the end of the season, but this year it was much worse than normal. Fortunately, every day the winds shifted, the smoke moved away, and we got some beautiful near-autumn weather — time to enjoy the golden-brown meadow grasses, walks around the lake, and the occasional climb up onto grants slabs that rose from its shoreline.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Tundra Swans

Tundra Swans
A trio of tundra swans in flight in the Klamath Basin

Tundra Swans. Klamath Basin, California. February 12, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A trio of tundra swans in flight in the Klamath Basin

I don’t usually do this, but I’m posting this photograph while I’m still in the field. It is a photograph I made earlier this evening, in the Klamath Basin in far Northern California — so far north in the state that I could look across the road and see Oregon. I’ve been photographing migratory birds in my “home range” of the California Central Valley for so long that I decided it was time to push out those boundaries a bit this season. I’ll share more about what this experience has taught me in a later post.

It is a challenge to photograph in a new place, especially when the subject is wildlife and double-especially when I arrived well after dark the previous night and had to head out again in pre-dawn darkness to find locations I’ve never been to before! Fortunately, I ended up in an area with quite a few birds — though not the dense flocks that I’m used to from some places I more frequently photograph. Here the main show involved a few golden eagles and a large number of tundra swans. I’ve only photographed tundra swans a few times in the past, since they are not all that plentiful in the places I usually visit. But here there were thousands of them, and I ended up photographing them in the morning and then again at the end of the day. From a distance grounded tundra swans look a lot like geese, though larger and with longer necks. Up close you notice that their bills are black, and they make rather different sounds that geese. Their flight patterns are not like geese either. The lumber into the air like jumbo jets loaded for intercontinental flights, gaining elevation very slowly and then flying in a smooth and level path.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Goose-Filled Sky, Dusk

Goose-Filled Sky, Dusk
Thousands of Ross’s geese fill the dusk sky above California’s San Joaquin Valley

Goose-Filled Sky, Dusk. San Joaquin Valley, California. February 5, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Thousands of Ross’s geese fill the dusk sky above California’s San Joaquin Valley

The light and the photographic subjects pass through a series of stages at the end of the day in these wetlands areas. The nondescript late afternoon light takes on a warmer tone as the sun drops toward the horizon and shadows lengthen, and often clouds in the distant west may momentarily mute the light. There is still plenty of light for traditional bird photography, as the direct sunlight has not yet disappeared. Before long comes the last bit of direct sun, golden in color on the bodies of white geese, and then it is twilight.

At this transitional moment all sort of light magic can happen. As flocks of birds wheel around in the night sky they take on different colors — the gold of reflected sunset, the blue of the eastern sky that is transitioning towards night, and sometimes they simply are black against the sky. And the sky shifts colors, too. Sometimes the effect is wild and gaudy, but more often it is subtle, with tones of pink and blue and purple and more. By the time I made this photograph the light was becoming quite dim, and it was dark enough that I could no longer maintain a shutter speed that would stop the motion of the birds. So I no longer tried! I use a longer shutter speed and pan, watching for the flocks to compose themselves in interesting ways, always in constant motion, and against the colors of the evening sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Forest, Lake, and Haze

Forest, Lake, and Haze
A hazy late-summer day at a subalpine Sierra Nevada lake, Yosemite National Park

Forest, Lake, and Haze. Yosemite National Park, California. September 10, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A hazy late-summer day at a subalpine Sierra Nevada lake, Yosemite National Park

With all of the recent urban and street photography I have been posting — which is a bit seasonal pattern, given my travel tendencies — I’m also making an effort to go back through some older photographs from last year to find landscape photography that escaped my notice on the first pass. This always happens with photographs — for some reason certain images don’t make sense right after I make them, but when I come back to them later on with a fresh eye I see potential that I missed. Right now I’m revisiting late-summer photographs from a week-long backcountry stay at a Yosemite lake.

For me, this photograph holds many of the subtler elements of the High Sierra experience — not the spectacular grand vistas, but something deeper and ultimately perhaps more powerful. In this beautiful late-season time of year, the meadow grasses around this quiet lake have finished the wild growth phase of summer and have already turned golden-yellow in preparation for autumn and then winter. Lower angle light comes over the shoulder of the granite ridge whose base is visible beyond the trees. Widely spaced trees stand at the edges of the meadow and even trace weaknesses in the granite slabs on the higher slopes.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.