Category Archives: Photographs: Northern California

Photographs from Northern California

Shipyard Hoist

Shipyard Hoist
Night photograph of an industrial hoist at the Mare Island Naval Shipyard

Shipyard Hoist. Mare Island Naval Ship Yard, Vallejo, California. November 7, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Night photograph of an industrial hoist at the Mare Island Naval Shipyard

Night photograph from the historic Mare Island Naval Ship Yard are something of a long-standing photographic theme for me. Over a decade ago I first went there to try out night photography at an event sponsored by The Nocturnes, and I was immediately hooked on the place and on night photography. Since that time I have returned to Mare Island several times every year, each time discovering something new to see and photograph.

This time I joined other photographers as part of a Nocturnes Alumni event that is part historical investigation, part social, and (a big) part night photography. On this evening I began by searching out some non-iconic subjects (some of which I’ll share later) in odd, out-of-the-way corners of the place. Eventually, though, I walked back toward the familiar central area near the huge dry docks, where I found that one of these huge ship yard hoists had been moved out of its typical position at the water’s edge behind security fences. This meant that I could photograph from right underneath it, shooting almost straight up, and positioning myself so that it would be illuminated by ship yard lighting.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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New Louie’s Inc, Evening

New Louie's Inc, Evening
Evening scene as markets close in San Francisco

New Louie’s Inc, Evening. San Francisco, California. July 27, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Evening scene as markets close in San Francisco

This photograph comes from another evening spent doing street photography in the late afternoon and on into the night in downtown San Francisco. The plan was to meet up with a small group of like-minded photographers who like urban subjects and the magic of the city at night. The other arrived before I did, and we finally caught up with one another on a street in a non-tourist area of the Chinatown district of San Francisco.

This street has fascinated me for a long time. Most often I’ve passed through in the morning, when produce trucks line the streets, and the sidewalks are crowded with people doing their shopping. At those times I often feel like a bit of an outsider, interjecting myself into a community that is not my own, but I’m attracted to many things about it and I return frequently. On this evening visit the neighborhood had a very different feeling. There were far fewer people out and about, and the shops that are so busy in the morning were now closing down one by one. Tables of merchandise were cleared and put away, sidewalks swept, shutters rolled down, and one by one the shops closed. Now, without the crowd of people, a different visual quality appeared, with the primary elements being the colors of the shops, signs and awnings, and the shapes of and relationships among the scattered tables, bins, and shelves.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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The Crossing

The Crossing
Two men wait on the sidewalk for the traffic light to change, San Francisco

The Crossing. San Francisco, California. September 5, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Two men wait on the sidewalk for the traffic light to change, San Francisco

Taking a brief break from the stream of photographs of eastern Sierra Nevada fall colors — I think I need to rest my eyes! — I’m next sharing a couple more San Francisco street photography images from early September of this year, when I joined a group of fellow photographers to wander about in some downtown areas. We started in the late afternoon, with the plan of shooting in the sunset and twilight and then continuing right on into the night. This photograph comes from a later hour, shortly before I wrapped up for the evening.

We eventually ended up in San Francisco’s Chinatown district. This is, of course, a popular tourist area during the daytime, but it has a different character in the evening as the shops close up. From here we wandered down to the Union Square area, where there are almost always crowds of shoppers, tourists, and people passing through. At about this point it was time for me to head back to where I started, so I left the group and started back toward my car, stopping occasionally to make a few more photographs. In a way, this photograph is a bit of a lie and a contrivance — though all photographs are such to some extent. Here, in a rather busy area, I spotted the two men along at a corner and by choosing my composition careful (and quickly, this being street photography!) I managed to exclude the rest of the bustling scene and place them against a sort of amorphous form of the back ground building and in front of the geometry of the cross walk.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Aspen Forest and Hills

Aspen Forest and Hills
Ranks of autumn aspen trees ascend the slopes of the Eastern Sierra toward the crest in afternoon light

Aspen Forest and Hills. Sierra Nevada, California. October 2, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Ranks of autumn aspen trees ascend the slopes of the Eastern Sierra toward the crest in afternoon light

This is a photograph of brilliantly colorful eastern Sierra fall foliage… in black and white. Because I can! The location is along US 395 as it passes along the eastern escarpment of the range, and in this spot the hills are terraced upward toward the Sierra crest, high above and out of sight in this photograph. Aspens grow in abundance on these lower slopes, interspersed with grasslands, and leading to more aspens up higher and eventually to conifer forests.

I like to photograph in this area in the late afternoon, when low angle sun light comes streaming over the top of the mountains and backlights the trees and accentuates the effect of haze. While the close trees probably first got my attention, it was the little row of trees in the far distance, seen near the upper margin of the photograph, that eventually intrigued me the most. Why black and white? To be honest, one reason that I thought of this at the time I made the exposure was that, frankly, the colors were not yet at their peak. As I though about that it became clear to me that this photograph was not so much about fall color as it was about fall atmosphere — that softening and warming of the light, the gentle haze that mutes the details of more distant subjects. And I thought of this as just a little bit of a personal challenge. Frankly, it is probably easier to make a photograph in color that says “autumn.” But I know that black and white photographers have been able to accomplish the same thing, and I thought it would be interesting to give it a try myself.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.