Category Archives: Photographs: Northern California

Photographs from Northern California

Staggering Couple

Staggering Couple
A couple staggers past a closed business along a San Francisco sidewalk.

Staggering Couple. San Francisco, California. September 5, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A couple staggers past a closed business along a San Francisco sidewalk.

To me, this photograph has a sort of strange and somewhat perverse quality — like a scene from some bizarre circus or suggesting a madhouse or a dream. It is, admittedly, something of a construction — a construction by means of limiting what is shown of the surroundings and by means of a shutter speed slow enough to blur details and create a fantastical quality. It didn’t hurt that the postures of the couple are somewhat awkward and strange.

As is so often the case for me when photographing in places like this, my attention first went to the architecture and the wild colors and patterns painted on the closed shutters of this shop. That would be somewhat interesting, but hard to make work as a photograph on its own, especially when shooting handheld. And then this couple appeared, walking (sort of) along the sidewalk, hanging onto each other. Set against this incongruous background, they become something quite different from what they actually were.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Bargain Depot Chinatown

Bargain Depot Chinatown
Man with guitar walks past a Chinatown souvenir shop at night.

Bargain Depot Chinatown. San Francisco, California. September 5, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Man with guitar walks past a Chinatown souvenir shop at night.

When photographing in the “street” you never quite know what will show up, when it will happen, or how quickly it will appear and disappear. And you have very, very little control over the elements that might make a photograph — you can sometimes pick your point of view, perhaps create a composition out of the static elements, watch a person approaching who might put a point of focus in the scene… but they you simply have to work with whatever happens. I think this can be even a bit trickier at night, since not all of the interesting things take place in light that can easily be photographed.

Here the first focus for me was the gaudy, colorful, and well-lit interior of this open front store in San Francisco’s Chinatown district. There is some interest in that subject alone, but frankly it can be a pretty static thing when not populated by people. As I looked at this storefront and pondered how to make a photograph out of it I noticed a man wandering up the sidewalk with a guitar, a literal strolling minstrel. At that point, he became the important element, and as he passed I attempted to time several exposures that placed him in interesting places in the composition.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Tourists Walking

Tourists Walking
Tourists on a late-night walk passed closed Chinatown shops in San Francisco

Tourists Walking. San Francisco, California. September 5, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Tourists on a late-night walk pass closed Chinatown shops in San Francisco

This is (yet another!) night street photography image made on one of my summer night walks in The City, in this case between roughly Union Square and almost to North Beach. A group of us meets up to photograph these subjects every so often. We begin before sunset and then continue walking, watching, and photographing right on into the night.

I recently read a nice description of part of what is appealing about photographing the street at night. In the daytime everything is more or less evenly lit, but at night small groups move into and out of the light, becoming “spotlighted” against the backdrop of the night. In places where we might see undifferentiated subjects in the daytime, subjects that pass though localized pools for light acquire more importance, and other elements of the scene recede. Here a small group of slightly uncomfortable-looking tourists shuffles past the closed up storefronts of Chinatown. Something about the group does not look entirely comfortable with their surroundings.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

John Muir Trail, Yosemite

John Muir Trail, Yosemite
The John Muir Trail crosses Cathedral Pass near Cathedral Peak on a late-summer morning

John Muir Trail, Yosemite. Yosemite National Park, California. September 11, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

The John Muir Trail crosses Cathedral Pass near Cathedral Peak on a late-summer morning

Late in the season in the Sierra backcountry the population begins to change. During the high season of July through Labor Day, when passes are usually clear of snow and when people are in the middle of their summer vacations, the backcountry is filled with backpackers of all sorts, though quite a few are weekend visitors out of a few days. The through-hikers are there, but they are outnumbered by the other folks. After Labor Day things begin to change, and I have a sense that a greater percentage of the backpackers are of the “serious” sort — the people who are out for longer trips, who are covering greater mileage, and who may visit some of the more out-of-the-way locations. Our photography trip into the Yosemite backcountry was during this period, and out camp was on a section of the John Muir Trail, so quite a few of these “hard-core” hikers passed through. (I enjoy talking to them, since I’ve been across almost all of the trails they were traversing.)

One morning I got up, as we always do on these trips, before dawn. I gradually worked my way up through a rocky forest/meadow behind our camp, climbing toward a saddle not far above our location and photographing along the way. Shortly before the saddle I caught sight of an actual trail heading up there, and I quickly figured out that it was the portion of the JMT that ran past our lake. I arrived at the saddle before the sun had risen far enough to light the beautiful meadow that extended beyond it, but knowing that the light would soon slant across the pass I set up and picked some possible compositions. Here I made a conscious choice to “document” this bit of the JMT as it crossed the pass and headed off toward the distant peak, and right as the first light bit the trail I made a series of photographs.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.