Category Archives: Photographs: Redwood National & State Parks

Old Stump, Redwood Forest

Old Stump, Redwood Forest
An old redwood stump stands among dense undergrowth in a Northern California coast redwood forest.

Old Stump, Redwood Forest. © Copyright 2021 G Dan Mitchell – all rights reserved.

An old redwood stump stands among dense undergrowth in a Northern California coast redwood forest.

The coast redwood forest can seem almost static — it is a place of quiet stillness, populated with many very, very old trees. On quiet days the only motion comes from an occasional bird and continuous slight movements of the air. But it is actually a place of continuous transition, as a scene like this reminds me. In the left foreground is a young tree that is extending toward the canopy to find light, but in the middle is a very old and worn stump of a long-gone redwood. And, of course, around the base of the trunk is a carpet of annual plants.

I photographed this on a slow walk through a section of redwood forest one morning when fog was intermittently moving in and out — one moment there would be a bit of sun and shortly after fog would move through the trees. I wanted to make a photograph that contained the complexity of this place and which caught the highlights of light on the edge of the trunk, so I waited for the light to intensify a bit before making the exposure.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Redwood Trail, Spring Morning

Redwood Trail, Spring Morning
Lush spring vegetation along a trail through coastal redwood forest, Northern California.

Redwood Trail, Spring Morning. © Copyright 2021 G Dan Mitchell – all rights reserved.

Lush spring vegetation along a trail through coastal redwood forest, Northern California.

Early one June morning this year we parked the car and strolled along a trail into a coast redwood grove that is close enough to the Pacific that you pass people hiking to the water and you encounter fog forming over the coast hills. Not all redwood forests are this moist, but here the conditions create especially lush growth, and on this morning the drifting fog softened the light and muted more distant subjects, though it still had a bit of a directional quality.

On this visit I thought a lot about the difference between what the camera records and what the eye and mind see in the redwoods. When opening files from photography in the redwoods, the colors often seem more dull than the memory. Several possible explanations exist, but I’ve long had an idea about how our visual system accommodates different kinds of lighting, essentially normalizing them in ways that aren’t captured by the camera. This time I made a point of stopping and thinking long and hard about the way the colors looked to me while walking through the forest, and I realized that our visual system’s normalization process compensates for the bluish light and tells us that the colors are warmer than they objectively are. To my mind, it is more important that a photograph express what I saw in the place than it is that it achieve some standard of objective color balance that essentially lies about what I experienced… and what you see here is true to my experience in the redwoods.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Redwood Forest Ferns

Redwood Forest Ferns
Interlocking ferns beneath old growth redwood trees along the Northern California coast.

Redwood Forest Ferns. © Copyright 2021 G Dan Mitchell – all rights reserved.

Interlocking ferns beneath old growth redwood trees along the Northern California coast.

This photograph continues with small things seen up close, in this case a bed of interlocking fern leaves on the forest floor beneath old growth redwood forest in coastal Northern California. When I make photographs like this one I typically start out thinking something like, “It should be easy to photograph ferns.” But it never is. As soon as I zero in on a composition I start to notice little flaws in the miniature scene — perhaps an empty void in a bad spot, a leaf that is deformed, a bright spot, you name it. And the photograph that seemed like it would be a quick thing… can end up occupying a substantial amount of my time.

But there is a lot more to photograph in redwood forests than must redwood trees. That subject most certainly is worth our attention, but with such monumental trees dominating the scene it is easy to overlook the smaller things. In order to see these things I tend to wander though the forest setting very slowly, sometimes spending more time standing and looking around than walking. (I’m pretty sure I drive some of my trail companions batty this way!) I found these ferns shortly after I crossed a rise and began to descend into a valley. I stopped and probably barely moved at all for 15 to 20 minutes as I photographed them and other nearby subjects.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Redwood Grove, Humboldt Redwoods

Redwood Grove, Humboldt Redwoods
A dense grove of old- and new-growh coast redwoods, Humboldt Redwoods State Park.

Redwood Grove, Humboldt Redwoods. © Copyright 2021 G Dan Mitchell – all rights reserved.

A dense grove of old- and new-growh coast redwoods, Humboldt Redwoods State Park.

When photographing new locations, there is a tension between knowing enough and knowing too much ahead of time. In most cases, some preparatory research about a place is useful — it lets you find your way to (and back from!) interesting locations, and it alerts you to their existence. On the other hand, knowing too much about a place limits opportunities to experience the feeling of “discovering” something unexpected. When we arrived at this grove near the end of an exploratory loop to the far Northern California coast, the unexpected stillness and quiet of this magnificent grove was magical.

Another tension concerns the best way(s) to interpret coast redwood forests in photographs. For me, the path usually lies somewhere between the (hopeless and uninteresting) idea of “capturing” supposed objective reality and fascinating and extravagantly subjective and even fantastical interpretations that may be problematic. I don’t think that there is a right answer, but extreme cases raise important questions. On this visit I focused on carefully considering what I see without the camera — how cool/warm the light appears in these places, how much detail can I really see, how much light is really in the scene. These observations inform how I render these subjects — and my thinking about the boundaries between what was there, how the camera “saw” it, and how I want you to see it.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.