Category Archives: Photographs: Sierra Nevada

Cliff, Trees, Snow

Cliff, Trees, Snow
A band of trees at the snowy base of the face of Half Dome

Cliff, Trees, Snow. Yosemite National Park, California. February 25, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A band of trees at the snowy base of the face of Half Dome

Very early on two late February mornings, I was up and out the door well before sunrise, walking though shallow snow and sub-twenty-degree air to a nearby meadow to photograph that start of the Yosemite Valley day. On both occasions, my main strategy was to look upwards toward the cliffs and use a long lens to pick out small scenes that might otherwise be missed in the immensity of the scene.

Eventually the sun came up and light broke over the upper rim of the Valley, gradually working its way down the steep walls, first on the north side and eventually on the south side where I was focusing my attention. But it would be a long time — probably noon at least — until the direct light made it to this spot at the base of Half Dome. The low contrast and blue tone of the light along with the banks of snow reinforces the frigid feeling of this scene, with a row of straight and tall trees managing to make a living on this ledge at the bottom of the giant face of the mountain.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Trees, Snowy Ledge

Trees, Snowy Ledge, Yosemite Valley
“Trees, Snowy Ledge” — Trees grow on a snowy ledge below Glacier Point

The cliffs and spires of Yosemite Valley — and not always the most iconic among them — fascinate me. While there is only one Half Dome, there are uncounted intimate vignettes of ridge, ledge, spire, light, texture, color, and atmosphere everywhere — where the cliffs meet the canyon floor, up these giant walls, and along the rim of the Valley. The variety is astonishing — something that is uninteresting in one kind of light may glow in another, what appears as a featureless face in summer may acquire relief when there is snow, changing light color brings colors out of what might otherwise seem entirely gray.

In February a spent a couple of very early (and very cold!) mornings contemplating one specific area of the Valley, staring upwards as the bluish pre-dawn glow was transformed as light came to the sky and then as beams of sunlight slanted across the granite faces and ledges. On both mornings I photographed this subject — a pair of taller trees flanked by smaller trees and brush and a dead snag, and set against a particularly varied bit of cliff texture and color.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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The Shadow Line

The Shadow Line
The boundary between morning sunlight and shadow traverses granite slabs

The Shadow Line. Yosemite Valley, California. February 26, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

The boundary between morning sunlight and shadow traverses granite slabs

These slabs on the lower face of the Glacier Point apron always attract me, especially in the morning. I go way back with them — many years ago when I was, for a short time, a budding rock climber, we climbed on them, testing the limits of our trust in friction. Today, when I’m in this section of the Valley early in the morning, I always watch for the arrival of the first sun on the slopes.

I was in a cold meadow before sunrise on this winter morning. Soon the first light began to touch the cliffs along the north side of the Valley, and then trees along the upper rim near Glacier Point picked up the light. It worked its way slowly down the immense face, and the light final streamed through gaps behind Half Dome and slanted across this slope and revealed the cracks and scallops on the weathered granite.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dormant Oaks

Dormant Oaks
Winter-dormant oak trees in Yosemite Valley

Dormant Oaks. Yosemite Valley, California. February 26, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Winter-dormant oak trees in Yosemite Valley

Many things characterize Yosemite Valley. To a first-time visitor the cliffs, famous prominent peaks, and waterfalls are the main attraction — and the most common subjects of photographs. Spend a bit more time there and your awareness of other things increases: the river and its many tributaries, the forests and meadows, the boulder piles along the edges of the Valley. If your visits encompass more than one season your conception of the place expands to include not only the sunny summers but also the colorful autumn, the cold and occasional snow of winter, and the water-everywhere season of spring.

For me the oak trees are a big part of what makes the Valley the Valley, from their brilliant new growth in late spring, through autumn’s color change, to their bare and skeletal winter forms. I was photographing something else in one of the Valley’s meadows early on this morning, at a time when the first light was just beginning to touch the upper rim. I took a short break from my subject and just looked around, spotting this dense and detailed by of oak branch texture, form, and color nearby.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.