Category Archives: Photographs: Structures and Objects

Street Art, Antwerp

Street Art, Antwerp
“Street Art, Antwerp” — An old structure is decorated with street art along the waterfront in Antwerp, Begium.

The photograph comes from Antwerp. We were in Belgium at the end of May and beginning of June. Adding Belgium to a trip that was mostly in Portugal and Spain was a bit of an afterthought, but we managed to stay in Antwerp, Bruges, and Brussels, and make a day trip to Ghent. It was a lot to see in one week, and with more time we might have spent extra days in Antwerp and Brussels.

On the day that I made this photograph we headed out on one of our typical wandering walks. It took us towards the waterfront, where it appears that some sort of long term redevelopment project is underway. An urban walkway traverses much of the area, but there’s also still a certain amount of interesting street art.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Rectangular Patterns (Vertical)

Rectangular Patterns (Vertical)
“Rectangular Patterns (Vertical)” — Patterns formed by light, paint, shadows, and structure on an urban building.

This is the second in a series of three photographs that I made on a walk that took me through an area of urban renewal in my town. A large corporation committed to very extensive building plans, then backed off during the pandemic, and now seems to be trying to, in my view, make it look like something is happening when not much really is. They have painted buildings and put up interesting interpretive signs. To their credit, this is better than just letting the properties decay.

I’m very attracted to strong graphic forms and colors — which I suppose might surprise some who think of me as “just” a landscape photographer. But I don’t see any conflict, and I feel that the interest in such forms underlies quite a few of my landscape images, even though it is possible to look at them primarily as being “pictures of nature.”


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Rectangular

Color and Light Patterns
“Rectangular” — Patterns of color and light on an urban building, San Jose, California.

This photograph ties in with a couple of aspects of my photographic practice. I’ve always been fascinated by patterns, shapes, colors, and textures in the abstract. I think this is present even in photographs of mine that are not as clearly geometric as this one. In addition, I often photograph things that might seem mundane — every day places and objects.

Connected to that last point, I often carry a camera with me when I go out for non-photography purposes. I walk a lot — often miles every day. And I virtually never head out on a walk without a camera. Most often it stays in the bag and I don’t make any photographs. But every so often I see an interesting subject and, having the camera with me, I make photographs.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Window with Wrought Iron

Window with Wrought Iron
“Window with Wrought Iron” — Wroght iron casts a shadow below a window in Casals de Loivos, Portugal.

I photographed this window on the morning we departed Casals de Loivos on the final day of our one-week walk in the hills and vineyards of Portugal’s Douro Valley region. We took a brief walk thought this small village before walking the steep trail downhill to Pinhão, where this segment of our trip would end.

Our arrival in Casals de Loivos was a spectacular conclusion to the walk. We stayed at an inn with a terrace overlooking the Douro Valley and the winding Douro River far below. This window, with its wrought iron grate and fascinating shadows seems to me to capture one of the kinds of light we saw here — bright, brilliant, high angle light that somehow manages to not be harsh despite being intense.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.