Category Archives: Photographs: Structures and Objects

Photographs: Belgium, Photographs: Europe, Photographs: Structures and Objects, Photographs: Travel, Photographs: Urban/Street

Graffiti and Barred Window

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Graffiti and Barred Window
“Graffiti and Barred Window” — Colorful wall, window, and metal grate in Ghent’s “graffiti alley.”

An alley in Ghent, Belgium is called the “graffiti street” or the “graffiti alley.” (The latter is more apt, since it is a very narrow walkway.) The walls (and sometimes the pavement) are covered with a wild mix of tags, graffiti, and street art. New imagery is continuously added on top of the old, and the intersections of these old and new images can be fascinating.

I have mixed feelings about photographing graffiti and street art, at least when it isn’t just an unavoidable element of the scene or an embellishment on other subjects. But here, the individual work is subsumed by the sum of it all, and in ways that hardly could have been anticipated by those who produced the deeper layers.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Belgium, Photographs: Europe, Photographs: Structures and Objects, Photographs: Travel, Photographs: Urban/Street

Graffiti Wall and Bars

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Graffiti Wall and Bars
“Graffiti Wall and Bars” — Complex paint patterns on a graffiti wall with metal bars, Ghent.

This is another photograph from the “graffiti alley” in Ghent, Belgium. This short, narrow walkway connecting two streets is covered with street art, tags, and graffiti of all sorts. The imagery covers the walls higher than you can reach and even extends to the sidewalk beneath your feet. If you are lucky you might find someone creating new work when you visit.

A lot of the work is text-based and/or representational. That’s interesting stuff, but I like to take a step back from the individual pieces and consider the layers and colors that build up over time. Older work is partly obscured by newer stuff, and eventually it seems that a lot of the old material simply disappears beneath the new. Here, as in some of my other photographs of this site, I decided to move close and focus on the abstract components — the broad strokes, the colors, and the surfaces to which the paint is applied.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Europe, Photographs: Portugal, Photographs: Structures and Objects, Photographs: Travel

Vines and Bue Door

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Vines and Bue Door
“Vines and Bue Door” — Grapevines grow around the blue door of a stone building in a Portuguese vineyard.

My recollection is that I made this photograph on the last long day of our May walk in Portugal’s Douro Valley region. We walked out of the town of Alijo on a gray and damp day and into the surrounding vineyard-filled countryside. This door is on the side of an old stone building in one of those vineyards, and I assume that its purpose is related to wine growing in some way.

Looking back at my raw files of this subject, I realized that they embodied a basic rule of photography — try to get closer! My first photograph was of the whole building and the surrounding landscape. Then I moved in and tried to frame the full building by itself. Finally I walked even closer and found a couple of compositions featuring this weathered blue door.

An addendum: It turns out that Patricia Emerson Mitchell (https://patriciaemersonmitchell.com) photographed me as I positioned myself to make this photo!

G Dan Mitchell photographing in Portugal
G Dan Mitchell apporaches an old stone building in a vineyad near Alijo, Portugal. to make photographs.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Architecture, Photographs: Northern California, Photographs: Structures and Objects

Rectangular Patterns (Horizontal)

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Rectangular Patterns (Horizontal)
“Rectangular Patterns (Horizontal)” — Patterns formed by light, paint, shadows, and structure on an urban building.

This is one of a pair of photographs of the same structure. I’ll bet you might not be surprised to hear that the companion photograph is called “Rectangular Pattern (Vertical).” Working on this pair got me to thinking about a series that I might call “Urban Geometries” featuring such photographs, both from my existing archives and from some new work. You can look at this as a photograph of a real scene or, if you work at it, you may be able to see it as an abstract composition of forms and colors.

The location is an area that was acquired by a (very) big company for a huge future corporate campus. Then came the pandemic. Now their plans appear to be on hold, though they still hold rights to the properties. I suspect, but do not know for certain, that they did some “sprucing up” of the area to avoid charges that they are allowing it to degrade. Right now it is largely a sort of urban dead zone… though it has nice paint.

Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.