Category Archives: Photographs: Structures and Objects

Photographs: Abstract, Photographs: Structures and Objects, Photographs: Textures

A Door

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A Door
“A Door” — Etched glass door to outdoor light

This is either really interesting (somewhat interesting?) or a really great illustration of what can make photographers so annoying! With a camera in my hand, I start to see differently, and things that would otherwise often escape my notice start to catch my attention and intrigue me, and they sometimes become photographs. At almost any time the visual impulse may kick in and I’ll see something that demands to be photographed. This was one of those times.

We were visiting our daughter and son-in-law in Southern California, after our landscape and nature photography trek to Death Valley. Enjoying a few lazy days after working the desert, we were sitting around at their home doing nothing in particular that I can remember — when I noticed that the colors of objects behind this door and outside were being reflected and refracted in such a way that the etched surface of the glass was producing intense colors. The glass actually has no color — everything seen here is either the color of something behind the glass or a refraction of some sort.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Architecture, Photographs: New York City, Photographs: Structures and Objects, Photographs: Urban/Street

Lower Manhattan, Bridge Cables

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Lower Manhattan, Bridge Cables
Lower Manhattan as seen from the Brooklyn Bridge

Lower Manhattan, Bridge Cables. New York City. December 26, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Lower Manhattan as seen from the Brooklyn Bridge

In late December 2015 we spent a week in New York, staying in Brooklyn very close to the Bridge. For most of the week we mostly didn’t pay a lot of attention to this landmark, but near the end of our visit we had some time to kill one morning before meeting our sons in Manhattan, so we decided to take the famous walk out onto the bridge. It was a fairly cold morning, threatening rain, so the scene had a wintry appearance. That didn’t stop the crowds though, and we shared the bridge with lots of other walkers.

Photographing from the bridge I made a conscious decision to not make “that photograph” of the cables leading up to the towers. Instead I looked to subjects that included the cables and other elements of the bridge structure either as the primary subject or as part of the setting for other subjects. I decided to “play” a bit in post with this photograph. One way to stretch post-processing skills is to think about how to replicate effects that we see in the work of other photographers. This isn’t about imitating them — it is about trying to broaden one’s skills as a photographer. In this case, I went towards (but not all the way to) a kind of processing that I see in some currently popular urban and architectural photography… and I learned a few things by doing so.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: New York City, Photographs: Structures and Objects

Construction Site, Hudson Yards

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Construction Site, Hudson Yards
Construction work on the foundation of a new building at Hudson Yards

Construction Site, Hudson Yards. New York City. December 28, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Construction work on the foundation of a new building at Hudson Yards

Along a section of the west shoreline of New York City there is a monumental construction project, mostly above the Hudson Yards, where there is a huge train yard. As I understand it, because the train yard cannot be moved, the gigantic towers being constructed here must be built on top of the rail yard, which seems like an almost unimaginable construction challenge. When finished, the train yard will still be there, but beneath the absolutely huge collection of towers housing businesses and residences. The project has already been going on for years, and I understand that it will not be complete until something after 2020.

Since the new upper end of the High Line Park wraps around the site, there are plenty of opportunities to photograph the work from good vantage points. Most of my photographs were looking across the site or up at the towers, but in this case I simply leaned out over the edge of the High Line and pointed the camera almost straight down, where a small crew was working on the foundation of some new structure amidst a scene of great complexity.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Night, Photographs: Structures and Objects

Concrete Shadows

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Concrete Shadows
Light and shadow play across the surfaces of concrete structures, night

Concrete Shadows. Mare Island Naval Ship Yard, Vallejo, California. November 7, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Light and shadow play across the surfaces of concrete structures, night

This is another of my “quiet” photographs from this nighttime visit to the Mare Island Naval Ship Yard near Vallejo, California. Driving to the place this time I had decided that I wanted to spend some time not photographing the familiar subjects there. (Later that night I did photograph some of those, too.) I had some vague ideas in mind that involved textures and angles and effects of light, along with some other thoughts. As I drove into the area in the late afternoon I picked out a few likely spots to return to after dark.

The area of this photograph turned out be a productive one for me on this evening. I have always walked right past this building on previous visits, but one thing led to another and I ended up pausing there this time. The spot is a perfect example of how the mysterious light of night can transform a truly pedestrian subject into something interesting. This is the corner of a building and a short concrete pad that runs up against crude concrete walls that apparently hold a hillside at bay. But at night an overhead security light casts illumination straight down across the surface of the concrete wall, and produces a pool of light at its base. The nearer walls pick up subtle and colorful light from across the bay in the town of Vallejo.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.