Category Archives: Photographs: Structures and Objects

Photographs: Architecture, Photographs: Italy, Photographs: Structures and Objects, Photographs: Urban/Street

Ponte Vecchio

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Ponte Vecchio
Buildings on the Ponte Vecchio bridge across the Arno River, Florence/Firenze

Ponte Vecchio. Florence/Firenze, Italy. August 27, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Buildings on the Ponte Vecchio bridge across the Arno River, Florence/Firenze

I have mentioned before that I often like to not know too much about a place before my first visit — I love the experience of discovering it in my own way once I arrive. While some research is a good thing, too much can compromise the experience. As a result, it isn’t unusual for me to arrive in a new location completely unaware of some thing that everyone else knows about. (Someone I know still tells the story of my first visit to Arches National Park…) This is a long way of saying that I did not really know about the famous Ponte Vecchio bridge until I saw it moments before I walked across the first time.

I now understand that this bridge across the Arno River in Florence has a very long history, but when I first saw it I simply responded to it on the basis of what I saw. And I had never seen a bridge quite like this before. The old span is almost entirely lined with buildings, many quite old, and apparently it was long ago the location of butcher shops and more recently of jewelers, art sellers, and souvenir shops. We arrived late in the day, just as the sunset light was coming on. I photographed this scene in the shaded side of the bridge, narrowing the composition to focus on the shapes, colors, and textures of the old buildings.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Shadow and Line Study

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Shadow and Line Study
Patterns of lines, curves, concrete and shadows

Shadow and Line Study. San Francisco, California. May 20, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Patterns of lines, curves, concrete and shadows

I have always been intrigued by and occasionally obsessed with patterns and juxtapositions and form. When I go back and look at my earliest photography from when I was in middle school or high school I can now see that even then I wasn’t just looking at things for what they “are,” but for the other things that they might also be — the aspects of them that are not immediately visible. This is simple (or so it seems) study of some lines and curves and perspective lines, made quickly while walking along the Embarcadero on San Francisco’s waterfront one morning.

Recently the discussion about realism and honesty and manipulation in photographs has crescendoed a bit, as it does from time to time. On one side are those who think that anything goes — not exactly my point of view, though I might be more “permissive” that you would expect. On the other side are members the “no manipulation” faction, who want to apply the supposed standards of photojournalism to all photographs — their job is to show truth and be completely objective and no “manipulation” is permitted. The problem with the extremes of the first position are obvious. The problems with the extremes of the second deserve a lot more thoughtful scrutiny then they have generally been receiving. All photographs lie, even those that tell truths. Some might imagine that a photograph like this one represents an objective truth, a straightforward (and straight photography) look at the true nature of a thing. But if you saw this subject, you would not likely see anything like this, and my choices (to make it black and white, to use a particular lens, to render the image in black and white, to look at this particular subset of the whole, and much more) are entirely subjective. In the end, this is still truth — but it is my very subjective truth about this subject and it most certainly is not an objective “record” of a thing.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Abstract, Photographs: Architecture, Photographs: Imaginary Landscapes, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Tower

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Tower
“Tower” — Tall building in shadow, San Francisco

I have a series of photographs, a series that I call my “imaginary landscapes” — photographs that do not attempt to be objectively real depictions (not that photographs can truly succeed at such a thing) but instead go for what I think of as a subjective reality. This photograph is an urban equivalent to those — perhaps an “urban imaginary landscape?”

The source image came from a recent visit to San Francisco, when I was in a location from which I could look directly toward the outer shells of very tall buildings. Because the weather was overcast, the light was muted and it made its way into shadowed areas that might otherwise be dark. This produced a source image that allowed me a great deal of leeway for interpretation in post.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Barred Window

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Barred Window
Reflections and shaded interior beyond a barred window, San Francisco

Barred Window. San Francisco, California. May 20, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Reflections and shaded interior beyond a barred window, San Francisco

Walking along the waterfront near the South Beach Harbor I noticed a walkway going out to the end of a pier than I had not noticed before. This time a gate was open, so I walked out onto the pier and passed many small temporary (or so they seemed) businesses and shops that were set up behind the sliding metal doors, now open for the day. My goal was the end of the pier, where I figured I might be a good, clear view straight into the morning light coming across the bay or possibly back across the boats tied up in the harbor.

Passing one small metal-sided building, I noticed the odd combination of objects — a bird cage behind a sort of “human cage” of the barred windows. The right window provided a visual and subjective contrast with these objects, since it reflected the open blue sky and the upper portions of the masts of the nearby sailboats.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.