Category Archives: Photographs: Structures and Objects

Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Shadow and Line Study

June 12, 2016 G Dan Mitchell Leave a comment

Patterns of lines, curves, concrete and shadows

I have always been intrigued by and occasionally obsessed with patterns and juxtapositions and form. When I go back and look at my earliest photography from when I was in middle school or high school I can now see that even then I wasn’t just looking at things for what they “are,” but for the other things that they might also be — the aspects of them that are not immediately visible. This is simple (or so it seems) study of some lines and curves and perspective lines, made quickly while walking along the Embarcadero on San Francisco’s waterfront one morning.

Recently the discussion about realism and honesty and manipulation in photographs has crescendoed a bit, as it does from time to time. On one side are those who think that anything goes — not exactly my point of view, though I might be more “permissive” that you would expect. On the other side are members the “no manipulation” faction, who want to apply the supposed standards of photojournalism to all photographs — their job is to show truth and be completely objective and no “manipulation” is permitted. The problem with the extremes of the first position are obvious. The problems with the extremes of the second deserve a lot more thoughtful scrutiny then they have generally been receiving. All photographs lie, even those that tell truths. Some might imagine that a photograph like this one represents an objective truth, a straightforward (and straight photography) look at the true nature of a thing. But if you saw this subject, you would not likely see anything like this, and my choices (to make it black and white, to use a particular lens, to render the image in black and white, to look at this particular subset of the whole, and much more) are entirely subjective. In the end, this is still truth — but it is my very subjective truth about this subject and it most certainly is not an objective “record” of a thing.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Abstract, Photographs: Architecture, Photographs: Imaginary Landscapes, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Tower

May 27, 2016 G Dan Mitchell Leave a comment

I have a series of photographs, a series that I call my “imaginary landscapes” — photographs that do not attempt to be objectively real depictions (not that photographs can truly succeed at such a thing) but instead go for what I think of as a subjective reality. This photograph is an urban equivalent to those — perhaps an “urban imaginary landscape?”

The source image came from a recent visit to San Francisco, when I was in a location from which I could look directly toward the outer shells of very tall buildings. Because the weather was overcast, the light was muted and it made its way into shadowed areas that might otherwise be dark. This produced a source image that allowed me a great deal of leeway for interpretation in post.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Barred Window

May 26, 2016 G Dan Mitchell Leave a comment

Reflections and shaded interior beyond a barred window, San Francisco

Walking along the waterfront near the South Beach Harbor I noticed a walkway going out to the end of a pier than I had not noticed before. This time a gate was open, so I walked out onto the pier and passed many small temporary (or so they seemed) businesses and shops that were set up behind the sliding metal doors, now open for the day. My goal was the end of the pier, where I figured I might be a good, clear view straight into the morning light coming across the bay or possibly back across the boats tied up in the harbor.

Passing one small metal-sided building, I noticed the odd combination of objects — a bird cage behind a sort of “human cage” of the barred windows. The right window provided a visual and subjective contrast with these objects, since it reflected the open blue sky and the upper portions of the masts of the nearby sailboats.

Photographs: Imaginary Landscapes, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

An Illusion

May 25, 2016 G Dan Mitchell Leave a comment

A complex juxtaposition of street elements, San Francisco

I’m going to have a little fun with you today with this photograph. It might be a bit of a mystery and it contains one or more illusions, and more than one world. I’ll let you ponder that.

I made the photograph on one of my photography walks in San Francisco, which usually are dominated by street photography, some architecture, and even a bit of urban and near-urban landscape, all shot handheld while on the move. The area where I made this photograph is a bustling part of newly developing San Francisco, with lots of traffic (I waited for a break), lots of expensive new housing, and sometimes a lot of people.

G Dan Mitchell Photography

Category Archives: Photographs: Structures and Objects

Shadow and Line Study

Tower

Barred Window

An Illusion

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.