Category Archives: Photographs: Structures and Objects

An Illusion

An Illusion
A complex juxtaposition of street elements, San Francisco

An Illusion. San Francisco, California. May 20, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A complex juxtaposition of street elements, San Francisco

I’m going to have a little fun with you today with this photograph. It might be a bit of a mystery and it contains one or more illusions, and more than one world. I’ll let you ponder that.

I made the photograph on one of my photography walks in San Francisco, which usually are dominated by street photography, some architecture, and even a bit of urban and near-urban landscape, all shot handheld while on the move. The area where I made this photograph is a bustling part of newly developing San Francisco, with lots of traffic (I waited for a break), lots of expensive new housing, and sometimes a lot of people.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Through the Scrim

Through the Scrim
“Through the Scrim” — An urban scene viewed through a scrim

There is a small thread in my photograph of the interior spaces of buildings that looks through gauzy, diffused curtains, blinds, and scrims toward the world outside. For example, I have several in his line that I made at the Getty Museum in Southern California, and some things photographed in museums in New York that go in a similar direction. I made this photograph at the new SFMOMA museum in San Francisco during a members’ preview before the official opening last week.

I love the newly expanded and remodeled museum. One writer commented on the way that the new facility opens to the City. (The former building, as good as it was, was mostly closed off from San Francisco, with few places where the interior space opened to views of the surrounding area.) Now the new “back side” of the museum opens straight out over and into the urban environment, and there is quite a bit to see there — and the design creates a stronger link to this city. In this photograph, which was initially “about” the lines of the buildings in the upper part of the frame, the shapes and tones of the two foreground benches are beginning to interest me more.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Buildings, Venice Beach

Buildings, Venice Beach
Venice Beach buildings in midday sun

Buildings, Venice Beach. Venice Beach, California. April 1, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Venice Beach buildings in midday sun

Finally. A photograph that is not Death Valley. Don’t worry, there are still more Death Valley photographs, and this one did come from the same trip. On our return from Death Valley we swung through the LA Basin to visit our daughter and son-in-law, replacing natural pleasures with the distinctly urban experiences of Los Angeles. On April 1 we went to Venice Beach to visit the G2 Gallery, where photographer friends exhibit from time to time. (We enjoyed the gallery quite a bit — some lovely photographs by Clyde Butcher and Jack Dykinga were featured that week.)

Out of the gallery and on the street I had an opportunity to play with a new camera, my Fujifilm X-Pro2, which had arrived shortly before we left for Death Valley. The street being the perfect place for such a camera, I pulled it out and made a few photographs. Initially I expected that this would be a color photograph, but as I worked on it in post I began to feel that it had potential in black and white.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

A Door

A Door
“A Door” — Etched glass door to outdoor light

This is either really interesting (somewhat interesting?) or a really great illustration of what can make photographers so annoying! With a camera in my hand, I start to see differently, and things that would otherwise often escape my notice start to catch my attention and intrigue me, and they sometimes become photographs. At almost any time the visual impulse may kick in and I’ll see something that demands to be photographed. This was one of those times.

We were visiting our daughter and son-in-law in Southern California, after our landscape and nature photography trek to Death Valley. Enjoying a few lazy days after working the desert, we were sitting around at their home doing nothing in particular that I can remember — when I noticed that the colors of objects behind this door and outside were being reflected and refracted in such a way that the etched surface of the glass was producing intense colors. The glass actually has no color — everything seen here is either the color of something behind the glass or a refraction of some sort.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.