Category Archives: Photographs: The Southwest

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Cedar Breaks

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Cedar Breaks
“Cedar Breaks” — Eroded sandstone strata at Cedar Breaks National Monument.

Cedar Breaks seems to me a bit of an odd spot. It sits on the edge of a high ridge in Utah just south of the Brian Head ski area. While it is spectacular, it is small, and and out of the way, and I think that it gets a bit lost by comparison to the other iconic parks of the state. In fact, it wasn’t a primary destination for us either — it was near a convenient place to spend a few nights on our way between California and points east of here.

But what it lacks in size and fame, it makes up for in spectacular features. A gigantic west-facing gash cuts into the summit of a high plateau. (The difference between that gentle plateau and this feature is remarkable.) Rather than the gigantic solid masses of sandstone found in places like Zion, Capitol Reef, and Arches, here the terrain is softer and the strata seem thinner, giving it a very different character.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Arizona, Photographs: Nature, Photographs: The Southwest

Monument Valley Squall

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Monument Valley Squall
“Monument Valley Squall” — A passing rain squall mutes the view of buttes and ridges at Monument Valley.

This was a spectacular day in Northern Arizona. We were most of the way through a visit of several weeks to Southern Utah, and we had departed Moab that morning. Our plan was to go back via the route through northern Arizona and make it to Springdale, Utah by the end of the day. As we left Utah and started west across Arizona there were spectacular clouds and intermittent heavy showers.

As we approached this area, with its famous buttes, spires, and towers, a heavy shower passed between us that the distant scenery. At first I was disappointed, as it obscured the clear view I was expecting. But in the end, I think that this curtain or rain produced a sense of mystery that is not so present in a typical sharp and clear photograph.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Sandstone, Light and Shadow

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Sandstone, Light and Shadow
“Sandstone, Light and Shadow” — Early morning sunlight accentates the color of a Utah sandstone cliff.

The idea here was to get “up close and personal” with a small section of a monumental sandstone tower standing in the early morning sunlight. To make the photograph I turned away from the conventional scenic landscape I had been focusing on, using a long lens to focus on an area where features projecting from the wall were casting shadows back onto it.

Southwest sandstone is often impressive simply because of its color variation. I’ve commented before on how “my” California granite inevitably looks very… gray after I return from a visit to Utah. But in some places, such as here at Arches National Park, it isn’t just that the sandstone’s coloration is attractive, it is also that the strata of red rock are so thick and extensive.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Autumn Hillside

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Autumn Hillside
“Autumn Hillside” — A Utah hillside with autum color from aspens and brush.

The range of colors in this photograph reminds me a little bit — but only a little bit — of the widely diverse autumn colors of New England forests. It is a bit subtler, with lots of softer tones, ranging from the marginal coloration of some of the green plants to the ghostly quality of the leafless brush in the foreground.

The location would usually be considered unremarkable. In fact, we ended up here more or less by accident. While driving a better known route through part of Utah I saw a gravel side road and spontaneously decided to see where it led. We started in a beautiful aspen grove, then climbed up and around a large ridge to west-facing slopes, where we found this autumn color.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.