Category Archives: Photographs: Urban/Street

Photographs: Architecture, Photographs: New York City, Photographs: Structures and Objects, Photographs: Urban/Street

Urban Geometry

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Urban Geometry
A study in shapes, colors, and textures, Manhattan

Urban Geometry. New York City. July 2, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A study in shapes, colors, and textures, Manhattan

When I photograph urban/street subjects I am usually looking for quite a range of different things: individual people doing interesting things, masses of people, odd little vignettes, color and line, and sometimes the urban landscape itself. It is, I think, possible to regard the city as a kind of landscape, and even to photograph it in ways that are similar but perhaps not identical to how we photograph the so-called natural landscape.

On this day I was on foot (hiking?) through Manhattan, on my way to meet people, when we passed through the area around Washington Square. The stark and angular architecture of this bit of a building caught my attention, and some of the colors and textures brought to mind a sort of idealized representation of the red rock canyons of the Southwest.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Architecture, Photographs: New York City, Photographs: Urban/Street

Calder and Lunch, A Juxtaposition

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Calder and Lunch, A Juxtaposition
A surprising juxtaposition between the “Calder: Hypermobility” exhibit and a nearby restaurant at the Whitney Museum, New York

Calder and Lunch, A Juxtaposition. New York City. July 3, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A surprising juxtaposition between the “Calder: Hypermobility” exhibit and a nearby restaurant at the Whitney Museum, New York

During an early July visit to New York City we found time to wander over to the new Whitney Museum to view several exhibits, including a special exhibit of Alexander Calder’s mobile and similar pieces. Not only did it include a large number of his pieces, all assembled in one room, but the museum arranged to put many of the pieces in motion, as they were intended to be experienced. Some of the mobiles depend upon shifting air currents, but several of the other pieces are actually motorized. The exhibit was fascinating in many ways — the setting-in-motion was part of it, but also the presentation of so many of these pieces one space was unusual.

Something else was unusual about the exhibit, and I found it a bit jarring. The Calder exhibit was in a large space on the top gallery floor. Many of the Calder pieces are enhanced by lighting that reveals the changing shapes of their shadows as they move, and monochromatic background walls help isolate the objects so that their forms are more clearly visible. But one wall turned out to hold a huge opening to an adjacent eating area, with bustling waiters, loudly conversing guests, the clanking of dishes and silver way, and big windows open to the brilliant glare of Manhattan. The juxtaposition was so odd and jarring that I just had to make a photograph.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: New York City, Photographs: Urban/Street

Two Women, Street Art Vendors

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Two Women, Street Art Vendors
Two women at a street art vendor beneath an umbrella, Manhattan

Two Women, Street Art Vendors. New York City. July 2, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Two women at a street art vendor beneath an umbrella, Manhattan

I recently gave a talk on street photography to a local camera club in the South San Francisco Bay Area. It was the first time I’ve done a talk on this subject, so I spent more time that might be typical considering how to present the subject and how to illustrate some of my ideas about it. Since I don’t like to think there is only one way (or a “right way”) to photograph street or any other subject, I decided that part of the talk would involve looking at various ways to approach street subject. These could include street landscapes, street portraiture, people in groups, and much more — and the ways to photograph could range from very fast and spontaneous to as slowly and carefully as with any other subject.

This photograph came from the fast and spontaneous approach — so much so that I later don’t even recall making the photograph! (That is unusual — I typically have some recall of every photograph, and sometimes I remember a whole lot about it.) We were on a walk in Manhattan, likely heading uptown from the Little Italy area, and I had my camera out and in hand and was in a shooting mode in which I work very quickly — see subject, make photograph. I might take no more than a second or two to contemplate a composition, instead working very instinctively. There must have been something about the almost furtive appearance of the two women and something about the art for sale.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: New York City, Photographs: People, Photographs: Urban/Street

Red Shirts, Fountain

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Red Shirts, Fountain
Two brightly clad people face a fountain in Washington Square

Red Shirts, Fountain. New York City. July 2, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Two brightly clad people face a fountain in Washington Square

Manhattan’s Washington Square holds, along with many other places in this city, lots of opportunities for people-watching and for photography. On this visit we meandered through the park late on a Sunday morning as we walked to a destination further uptown. There was a lot going on: A pianist was set up on a walkway to give a recital, jazz combos played here and there, groups were doing aerobics, folks were playing in and around the fountain, people sitting on benches read the morning paper quietly, and much more.

When it comes to explaining what a photograph “means” or what it attempts to accomplish I would generally leave the determination to the viewer than offer too much explanation. I have my reasons! One is that, at least in most cases, I tend to think that a photograph that requires explanation may be a photograph that doesn’t speak strongly. Another is that I believe that multiple understandings of a photograph are possible, and that the photographer does not have a monopoly on the correct interpretations. But here I will give a few hints about what I was thinking when I made this. First, I was working quite quickly — there was definitely not enough time to pre-conceive this image. (That is not to say that pre-visualization was not possible, but that is a different thing.) I think the red shirts, which stand out from most of the other elements of the scene, initially caught my attention. The geometry of the scene also interested me — I confess that I think about composition quite a bit, even when shooting street. There is also something about the anonymity of these two people as they stand and look at a fountain while others are swimming in it or sitting on the steps that lead to the water. There’s more, but I’ll leave it at that.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.