Category Archives: Photographs: Urban/Street

Accessible Entrance

Accessible Entrance
A metal door with an accessibility sign

Accessible Entrance. Brooklyn, New York City. December 21, 2015. © Copyright 2016 G Dan Mitchell – all rights reserved.

A metal door with an accessibility sign

OK, how to explain a photograph like this one? On the first full day of our recent visit to New York City we were out walking around in the Williamsburg vicinity in Brooklyn, and I was taking in the combination of very old stuff, very new stuff, and some very worn and dilapidated stuff. Even for a photographer used to photographing street subjects in San Francisco, many New York neighborhoods are, as they say, photographically “target rich environments,” with lots of things to see.

If I recall correctly, we had walked down a street toward the East River waterfront, passing though an area of older industrial buildings that seems to be converting to modern tech and commercial space. All I remember of the making of this photograph is that I made it more or less while passing by. I was attracted by the wild color and by the seemingly odd placement of the accessibility sign on what looked like a rather unfriendly entrance door.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Green and Blue Wall

Green and Blue Wall
Grafitti and poster remnants on a green and blue Brooklyn brick wall.

Green and Blue Wall. New York City. December 21, 2015.© Copyright 2015 G Dan Mitchell – all rights reserved.

Graffiti and poster remnants on a green and blue Brooklyn brick wall.

We arrived in New York late the day before, in time to check in to lodgings and meet our “kids” (two sons and their fiances) for dinner, but there wasn’t a lot of time to get around and see and photograph. The next morning we met up with our youngest son in the more or less the Williamsburg area, and we wandered about, hitting the waterfront of the East River and then finding lunch.

During any bit of urban wandering I’m almost always on the lookout for photographs. Photographing on the street is an exercise in working quickly and being versatile. In most cases I don’t have a specific subject in mind — the closest to that may be a general idea of looking a buildings or people or water or interiors or… In this case I was in an area with a lot of older construction, and we passed through a few spots that were obviously the hope to lots of posters and graffiti. Oddly, since people are sometimes trying to paint out the tagging, there can be many layers of often new paint, posters in various states of decay, and odds and ends of painted words and images. Here the remnants of a poster partially obscured a hand drawn heart on a wall that appeared to have been painted in two not quite identical shades of blue-green.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

11th Avenue

11th Avenue
Looking down 11th Avenue from the High Line Park

11th Avenue. New York City. December 28, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Looking down 11th Avenue from the High Line Park

Expect a wide-ranging mix of photographic subjects over the next few weeks. There will certainly be more from the San Joaquin Valley, both landscapes and wildlife. I still have some older photographs from the Sierra and other locations in the queue. This photograph is part of an inevitable series of “urban landscapes” and urban/street photography from our recent visit to New York City. The latter is a favorite subject of mine. As a west-coaster, I only get to photographer there perhaps once per year, but when I do I like to take full advantage of the opportunity.

This photograph feels like an urban landscape to me. On the final day of our trip we found time to revisit the High Line Park, a place that has a different feeling at each time of year. The park, for those who may not already know, runs along the path of an old elevated railroad bed on the west side of Manhattan. It has become an incredibly popular place, but with good reason, as it winds through all sorts of interesting urban terrain a few stories above street level. A new section has opened since our last visit, and it extends the path northward to and past the Hudson Yards area. This photograph was made along the new section where it crosses 11th Avenue, and where I saw the same beautiful light that might stop me in my tracks anywhere.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Man in White, Mosco Street

Man in White, Mosco Street
“Man in White, Mosco Street” — A man dressed in white takes a break outside of a Mosco Street kitchen, New York

Christmas Eve in New York City.Earlier in the day we had wandered around in midtown, making photographs in cloudy and occasionally drizzly conditions. Eventually we made it up to near Central Park to join our younger son and his future wife at a place where he proposed to her earlier this year. Then we wandered down along the park and across to join the mob scene on Fifth Avenue until the crowds become overwhelming.

Time for dinner, so we head to Chinatown, where there is a restaurant at which we’ve eaten with our sons on a few previous Christmas visits. It is supposed to be — and it was — a place that is good but not necessarily widely known. We arrive and find that the wait is “at least an hour and a half.” As someone later said, “The cat is out of the bag.” We quickly figure out that most of the other nearby restaurants are nearly as crowded, so we decide to walk a few blocks to a Vietnamese place. As we walk down Mosco Street a cook takes a break on the sidewalk, lit by the light spilling out of the door to the kitchen.


Leave a comment or question using the form. (Click the title to see the full article and to comment if you are viewing it on the home page.)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.