Category Archives: Photographs: Wildlife

First Bird Photographs of Fall

During the past few years I have become a big fan of photographing migratory birds in California’s Central Valley, and now that summer is over I’m anxious to get back out there and get to work on this year’s bird photographs. Actually, we made our first bird photography trip out there about a week ago, on the first weekend in November. Our main goal was to find sandhill cranes, since we knew they were here already, but we were also interested in seeing what else might have showed up.

In keeping with my new policy of posting multiple photographs in a single message when I have too many photographs waiting in the queue, this post includes five bird photographs. Enjoy!

Three Cranes, Morning
Three Cranes, Morning

Three Cranes, Morning. Central Valley, California. November 1, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Three sandhill cranes in a dormant field

Late in the morning, long after the morning fly out, we were poking around on some rural backroads when we found a lot of sandhill cranes in dormant fields in thinning morning fog. This group thoughtfully posed for me with a distant pair of trees on the horizon.

Three Sandhill Cranes
Three Sandhill Cranes

Three Sandhill Cranes. Central Valley, California. November 1, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Three sandhill cranes stand in a dormant Central Valley, California field

I photographed this group in much the same location as those in the previous photograph. While the cranes seem to collect in large groups near water in the evening and early morning, during the day they are often found more spread out in agricultural areas like this one.

Sandhill Cranes Landing
Sandhill Cranes Landing

Sandhill Cranes Landing. Central Valley, California. November 1, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Sandhill cranes land on a Central Valley pond during the evening fly-in

In the evening the cranes do a “fly-in” – where large numbers of them land together in areas around water. When we arrived at this small observation area an hour or so before sunset, there were many birds but no cranes. However, I’ve learned that the sandhill cranes often arrive late, frequently after sunset and sometime when it is becoming rather dark. (One of our most memorable migratory bird encounters occurred at another refuge further south in the valley. We had a great day of photographing birds, beginning very early in the morning and continuing through sunset. As the sun set the bird action began to diminish and it became quite dark. It had been a long, successful day, and we were happy to be finished with this shoot. We were just putting gear away when we began to hear a huge chorus of the easily recognized sound of sandhill cranes coming from out of sight to the southeast. A moment later the sky was filled with the birds – I’ve never seen so many cranes together since then.)

Here the birds began to arrive just a bit earlier. The first groups landed a good distance off, but soon a single large crane settled in on this dry area in front of us and began to produce very large calls, as if to say, “come on down and stop here!” Before long other birds did just that. Here the slow shutter speed allows the winds of the landing birds to blur a bit.

Cackling Geese in Flight
Cackling Geese in Flight

Cackling Geese in Flight. Central Valley, California. November 1, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A small group of cackling geese in flight against blue sky over California Central Valley agricultural lands

I have a confession to make, and it is a little embarrassing for a person who is as enthusiastic about photographing birds as I am. Basically, I’m not very good at identifying birds, or at least not good at naming them! (This is an “issue” I’ve always had, and not just with birds. I’m so familiar with certain wild plants that I can tell you exactly what they look like in the wet and dry seasons, when the flowers will appear, and when to find them… but I often cannot name them.) I’m always happy when I can photograph with someone who is better than I at this.

I’m pretty certain these are geese! (Good so far?) I used to think that geese that looked like this were Canadian geese, but when I tried to find photos of these birds online to determine what they were, I kept coming up with “cackling geese.” To make things more confusing – at least for me – I understand that the differences between some Canadian geese and some cackling geese can confuse even the experts. Judging by the size and shape of the bill, the size of the birds, and the pattern and color of feathers, I’m going with this identification until someone shows me differently!

Sandhill Cranes, Evening Fly-In
Sandhill Cranes, Evening Fly-In

Sandhill Cranes, Evening Fly-In. Central Valley, California. November 1, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Sandhill cranes settle in to a Central Valley pond during the evening fly-in

This is the same group seen in a photograph earlier in this post, with this photograph being made a bit earlier – clearly the case as there are fewer birds on the ground in this shot, and the color of the sky is less intense. If you look closely about a third of the way in from the left edge of the frame, you may be able to see the larger bird that landed first and was then followed by other later arrivals.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Grazing Deer, Evening

Grazing Deer, Evening
Grazing Deer, Evening

Grazing Deer, Evening. Yosemite National Park, California. August 5, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A huge herd of deer grazes in evening light at Tuolumne Meadows beneath Lembert Dome and Mount Dana

This evening started out looking like it might turn out to be a photographic bust. I had been over near Mono Lake earlier in the evening where smoky haze from a forest fire to the south along the eastern slopes of the Sierra was making photography a bit challenging. I did manage to get a few interesting images of the lake, but as the sun started to drop behind the Sierra crest to the east, things began to look very murky. I decided that I might just have enough time to get up and over the crest to where it was possible that the air might be a bit clearer, since forest fire smoke can be somewhat localized and varies a lot depending upon the wind. Crossing Tioga Pass, high clouds and more smoke continued to make the possibilities seem less than promising. This was one of those times when there was a temptation to just head back to camp and kick back for the evening. But I virtually never give in to that, so I continued on down Tioga Pass Road toward Tuolumne, hoping that something might change with this light. In fact, aside from the haze, this evening was a candidate for one of my favorite of all Sierra light shows that can happen when the cloud deck ends somewhere to the west, and the descending sun briefly shines under the clouds for a few moments right before sunset.

I got my first hint without warning. I had pulled over at a spot where I could see higher peaks to the southeast, thinking that I had seen a subtle glow on the shoulder of one far off ridge – but by the time I got the camera and tripod set up it was gone. Somewhat frustrated, I took down the equipment, got back in the car, started driving… and literally 30 seconds later the light suddenly came under the clouds and bathed the entire scene in warm colors. I did (another) quick u-turn and went back to the spot I had just left and made a few exposures. However, in this light I started thinking that interesting things might happen in Tuolumne Meadows, so I headed on down that direction to find interesting but unusual light. The warm color was certainly there, but the haze was muting the intensity of the light and softening distant features. With the idea of photographing across the meadow from the west end, I drove on… and soon saw that largest herd of deer that I can recall ever seeing here. I’ve often seen groups of perhaps a half-dozen or a few more, but here there were dozens. (In fact, I can count at least three dozen in this photograph, and it doesn’t include all of the critters that were in this herd.) So, as the nearly-gaudy glow of the last cloud-filtered light came to the meadow, I photographed this herd with a long lens, positioning myself so that I could place barely lit Lembert Dome and the summit of Mount Dana behind the animals.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

White-Faced Ibis

White-Faced Ibis
White-Faced Ibis

White-Faced Ibis. San Joaquin Valley, California. January 21, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A white-faced ibis about to land in a San Joaquin Valley marsh.

A month or two earlier I had come across a large number of white-faced ibises in this precise spot along the perimeter road around this marshland where many, many migratory birds are found this time of year. The group of them was on the ground, apparently feeding in a wet grassy area, and they were quite shy about my presence, moving back from me as I came up alongside the on the road. On the day when I made this photograph, I had not noticed any of these birds at all. In fact, I had stopped here to photograph some ducks when I happened to look up and see this single bird angling in for a landing. I swung my camera around and tracked it to its landing.

I have a few random-sounding observations about the white-faced ibis. First, unless I’m missing something, they really don’t seem to have white faces! The beak is lighter than the bird, but that’s about as close to a white face as I can can find on these birds. Second, their coloration makes them difficult to photograph effectively. They are quite dark-colored birds, though their features can have a slightly colored iridescence that seems sort of reddish to me. Because of this, if I try to enhance the shadowed areas of the very dark birds in post, this coloration can quickly start to look fake. (In fact, I’ve seen a number of photographs of these birds that attempt to make them look lighter than they are, but which instead just end up looking odd.) They do make a fine photograph in silhouette, especially when a flock of them flies overhead early or late in the day.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Egret Quartet

Egret Quartet
Egret Quartet

Egret Quartet. San Joaquin Valley, California. March 9, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A quartet of egrets on a foggy morning in a green late-winter pasture in California’s San Joaquin Valley.

This gang of egrets was politely waiting for me near the far corner of a wildlife refuge that I had visited on the last-winter morning, hoping to photograph (mostly) geese and cranes. The geese and cranes were a bit shy, and as I worked my way around the refuge’s perimeter road I wasn’t finding a lot of opportunities to photograph them. I could hear them, especially the sandhill cranes, but they seemed to be too far off, hidden by fog, or behind the tules. But I wasn’t in a hurry, so I took my time, stopping and watching and listening. By this later point in the season the initial astonishment at the huge numbers of birds had worn off a bit, and rather than jumping out of the car to photograph huge flocks of birds, as if they were the first and only flocks in the world, had given way to a bit more patience.

It had appeared that it would be a clear morning as I drove toward this location, but just moments before I arrived – a bit before dawn – the cool and damp air did begin to form some fog. This was fine with me, as I’d rather have a bit of interesting foggy atmosphere than have perfectly clear sky. But the fog was relatively short-lived – not like the midwinter fogs that can cover these places for days on end. By the time I finally worked my way over to this spot the sun was starting to break through and the fog was thinning. Because of their stark white color, lone egrets are often easy to spot from a good distance, and four of them clustered together were impossible to overlook. As I edged up closer to them, remaining in my vehicle so as not to spook them, they simply stood there, occasionally swinging their heads one way or another. Before I could make this photograph I first had to wait for an unruly band of red-winged blackbirds to depart, and then I waited for the four birds to move their heads in what seemed to me to be interesting directions.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.