Going Out, Slowly

My photography can sometimes come in waves. At certain times of the year I may be out photographing frequently and almost constantly working on recent photographs in between the photography excursions. At other times of the year life intervenes and/or the weather doesn’t cooperate. I’ve been somewhat in the latter state for the past couple of months. I’ve still been doing a fair amount of photography, but teaching work and other distractions have also required more of my focus.

Granite, Water, and Tree
Granite, Water, and Tree

In the last few days I had an experience that reminded me of how important it is to connect to my subjects on a deeper level, and which made me feel that I was beginning to move back into that photographer state once again. It was nothing profound — simply a morning walking a different trail than the one I usually take at Muir Woods. A brief encounter with another hiker got me thinking about this way of seeing and engaging the landscape.

I saw him coming up the trail as I was stopped to make a photograph, with camera and tripod set up and a pack of other gear on my back. He was traveling light, with only a very small pack, and moving quickly. As he went by he asked, “How much does that weigh? Eight or ten pounds?” That caught me slightly by surprise, since I hadn’t really considered the weight of everything — it weight what it weights! (It is probably more like 20 pounds.) I mumbled something about “perhaps a little more,” and then thought to ask, “And you?” He mentioned that he had a very small point and shoot style camera only, and that he didn’t want to be burdened by the extra weight. I replied that I had gone through a phase like that too, at one point, so I understood where he was coming from. Continue reading Going Out, Slowly

Warehouse Wall

Warehouse Wall
Warehouse Wall

Warehouse Wall. San Francisco, California. June 13, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Warehouse wall, door, and window on a San Francisco pier

Photographed on one of my morning walks around portions of downtown San Francisco, this is a scene from one of the piers along the San Francisco Bay waterfront. I had made a looping walk from the Caltrain station over around portions of China Basin, eventually making my way to the old waterfront area where I photograph dilapidated piers that are decaying and falling into the Bay. Finishing with that subject, I started back along the waterfront and soon came to the entrance to this very large and active pier, and I decided to wander out onto it since there was a marked pedestrian walkway.

The first section of the pier has a roadway up the center, and it is lined with warehouse structures with loading docks and garage doors. The scene is spare and industrial, and the light was coming across the structures from the side and highlighting details and textures. Here I like the disembodied shapes of the window and roll-up door.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Big Sur Coast, Winter Light

Big Sur Coast, Winter Light
Big Sur Coast, Winter Light

Big Sur Coast, Winter Light. Pacific Coast Highway, California. January 31, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Rugged Big Sur coastal mountains in winter light recede into the distance

The entire Big Sur coast below Monterey, California is full of spectacular land- and seascapes, as the western edge of the continent meets the Pacific Ocean. Often as I drive the Pacific Coast Highway though this region I wonder at the improbability of the existence of the road along its length. (In fact, it is a challenge to keep it open, as there are frequent slides during winter months.)

While the region is almost entirely spectacular, things seem to become a degree wilder and bigger once I pass the inland town of Big Sur and head back out to the coast on the southward drive. Here in many places the road alternates between the edges of high ridges that drop precipitously into the sea and sections that follow along the very edge of the water. (I tend to prefer traveling south along this road, as the light is more likely to be the sort that I look for.) At this particular location, the nearby cliffs plunge into the ocean at an especially steep angle and the curve of the coastline provides extremely long views.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Point Sur, Winter

Point Sur, Winter
Point Sur, Winter

Point Sur, Winter. Pacific Coast Highway, California. January 31, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Winter surf along the Pacific Ocean coastline at Point Sur

This is a companion to a photograph of this scene that I posted earlier. The primary difference here is the vertical composition. I’m still thinking about which I prefer. Each has its attractions. The horizontal (or “landscape”) orientation shows more of the “point” itself where the lighthouse is located and more of the ocean off the beach. On the other hand, this version seems to me to bring more attention to the water and the curve of the waves leading toward the point and the horizon.

Point Sur is a wild place, often with strong winds and big surf coming straight on towards the beach, which faces north or northwest. The point is connected to the main land by a low, sandy peninsula, and it is easy to imagine it being overwhelmed by the sea, perhaps during a tsunami. I have read that the lighthouse was originally a very isolated place when it was first constructed in the late 1800s, with the lighthouse keepers and their families largely cut off for months at a time, to the point that they grew their own crops. Of course, today it is easy to forget that relatively recent history, since thousands of visitors now pass by daily along the Pacific Coast Highway.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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