Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Desert Mallow Buds

April 15, 2014 G Dan Mitchell 2 Comments

Desert Mallow buds in the Panamint Mountains, Death Valley National Park

We found these flowers high in the Panamint Mountains not far from Death Valley National Park’s Emigrant Pass, though you can find them all over the park if you are there during the spring bloom. I’ve seen several names given to them: Desert Mallow, Orange Mallow, Globe Mallow. The fully developed flower opens into a goblet shape, but here we see some buds that are yet to open along with a few flowers than are just blooming.

I recently wrote that this turned out to be a pretty good wildflower year in Death Valley, perhaps to the surprise of many in the current drought-plagued period. Desert wildflowers seem to be very opportunistic, waiting if there is no water but bursting forth suddenly when it rains. Near the end of March and the beginning of April there was significant precipitation, especially in the higher elevation areas such as the Panamint Mountains. As we drove into the park we were somewhat surprised to see a lot of extensive wildflower displays, especially as we crossed Towne Pass. While there were not that many flowers on the valley floor, up high they were abundant. On this day we traveled up into the Panamints very early in the morning and then spent time wandering around and photographing various things. At one point we stopped alongside a section of the road where we spotted some large cactus plants, and we soon saw that the area was covered with all sorts of wildflowers.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Rain, Cottonwood Mountains

April 14, 2014 G Dan Mitchell 2 Comments

Afternoon showers from a clearing storm fall on receding ridges of the Cottonwood Mountains, Death Valley National Park

This had been a “weather day,” with several hours of snowfall high up in the Panamint Range, where we had photographed sunrise—such as it was— and wildflowers and, of course, snow. We spent the morning and half the afternoon kicking around up high in these mountains, enjoying the late-season surprise cold weather, finding tons of wildflowers, and visiting various historical remnants of the mining days in Death Valley National Park. My typical shooting day in a situation like this starts well before dawn, includes a midday break, and then moves on to late afternoon and evening shooting until it is dark. But it was well past mid-afternoon when we finally descended from the Panamints.

There was no time for a real break, so we headed right on out to find an evening subject. We had not yet photographed in the Mesquite Dunes, and my initial thought was to photograph there in late afternoon and evening light. In the right conditions there can be wonderful light late in the day, especially during the final few minutes before the sun leaves the dunes. But there were still clouds floating around, especially to the west, and I wasn’t at all sure that we would see the good light out among the dunes. So I decided that it might make more sense to go to a higher spot where the wider panorama would let me pick out various areas of the Valley and surrounding mountains as the light changed. Arriving at “the spot,” I looked west and saw that showers were still falling over the Cottonwood Mountains and glowing with backlight from the late afternoon sun, so I put on the long lens and made some photographs of portions of the range where the falling rain masked the details and turned the mountains into abstract shapes.

Photographs: Architecture, Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects, Photographs: Urban/Street

Shadow on Door 4

April 13, 2014 G Dan Mitchell 2 Comments

A night scene from the historic Mare Island Naval Ship Yard

This is another night photograph from the historic Mare Island Naval Shipyard near Vallejo, California. It is hard to explain what attracted me to this specific subject, though the photograph is one of a small series I shot of this wall and the white building. (A “series” of night photographs often comprises a small number of photographs, since it often takes many minutes to complete a single exposure.)

I began by photographing from a position far to the right, where there was a large puddle of reflecting water between my position and the two buildings, and then I worked my way around the scene to finally shoot it straight on. In addition to the water, I was intrigued by the color contrast between the salmon colored wall and the stark white shack in front of it. (Though, to be honest, in the near darkness I had to make some assumptions about what the colors might actually be!) This photograph contains a number of elements that are common at Mare Island, especially at night. The architecture itself is typical—mostly quite utilitarian, with many very large buildings that were constructed for ship-building industry. There are often exposed pipes and wires and other elements. It is common to see weathered paint and rust. Windows are everywhere, often comprising surprisingly extensive portions of the exterior walls. I’ve never asked anyone, but my assumption is that it was less expensive to “light” the interior naturally than to use artificial light to illuminate such large spaces. The photo also illustrates a much more modern feature. Not long ago, when I first photographed here, the lights were often quite colorful, including sodium vapor, tungsten, fluorescent, mercury, and more. This often produces wildly colorful images at night. But today, for energy efficiency reasons, neutral colored LED lighting is being installed everywhere, and the color balance is more like that of daylight.

Commentary, Ideas, Thinking Aloud

Making the visible visible

April 12, 2014 G Dan Mitchell 3 Comments

I just heard someone say that “photography makes the invisible visible.” It occurred to me that good photography can often do something even more special, namely make the visible visible.

Think about it.

G Dan Mitchell Photography

Desert Mallow Buds

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Rain, Cottonwood Mountains

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Shadow on Door 4

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Making the visible visible

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.