Marmot Poo (Morning Musings 9/25/14)

Grass, Granite, Marmot Turd
Grass, Granite, Marmot Turd

Proof that I have to be able to laugh at myself sometimes… I spent 10 days photographing in the Yosemite backcountry at the beginning of this month. At one of the locations we visited there is a large and beautiful granite bowl with tons of potential photographic subjects. At one point I was high on a ridge above the bowl, photographing small features in late-day light, including exfoliated granite slabs, tiny trees growing from narrow cracks, colorfully stained rock, and more.

Partway through the evening’s work I found a little divot in the granite, in which a small clump of grass grew. It was surrounded by colorfully stained and glacially polished granite, with interesting cracks and texture cutting through it at various angles. The low angle sun raked across the short clump of grass and created a shadow that stretched across the granite surface. It seemed like an obvious photograph of the “intimate landscape” type, and I spent some minutes working it and making a series of photographs in both portrait and landscape orientation, and trying various crops of this little scene.

Although I had admired the file earlier while scanning through the hundreds of images I brought back from this trip, it wasn’t until today that I finally got to it for serious post-processing work. I opened it up, converted the raw file, brought it into Photoshop and began to work on it. I liked those angles angled cracks and the intense color of the stained rock, and the short blades of grass cast shadows across the polished granite in just the way I remembered.

But wait, what is that lumpy shadow below and to the left of the grass? NOOOOO! There is a marmot turd in the little cleft in the rock! You’d think that Your Intrepid Photographer might have seen that while composing the shot, but no…

Morning Musings are somewhat irregular posts in which I write about whatever is on my mind at the moment.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Late Season Shoreline

Late Season Shoreline
“Late Season Shoreline” — Brilliant late-season red bilberry carpets shoreline meadows around a Sierra Nevada lake, Yosemite National Park

As I have written elsewhere on more than one occasion, every August I begin to pay attention to hints that summer will end and that autumn is on its way. Early in the high country summer everything is in a state of rapid change — plants are in a hurry to take advantage of a short growing season and the availability of runoff water, and that water itself flows everywhere. After the explosion of early season growth and the production of flowers and cones things slow down, and at some point in August a feeling of quiet and stability begins to take hold.

The hints of change that I look for range from almost immaterial — a feeling about the sound of wind or the angle of light — to quite objective. In the latter category are changes that occur in the cycles of plant life. Corn lily plants change from green to yellow and gold and then to brown, and topple over. A few yellow leaves begin to appear on willows and even the aspens. But one of the strongest signs for me is the appearance of the red bilberry leaves in clear areas in the forest and near the edges of lakes. While the autumn bilberry leaves do not appear to be all that colorful in regular light, when backlit they turn the ground a gaudy range of colors from yellow and gold to bright red.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Backcountry Photography, Two Ways (Morning Musings 9/24/14)

Peak and Tarn, Sunrise
Peak and Tarn, Sunrise *

The subject of selecting (and carrying!) photographic equipment for backpacking trips came up in a recent conversation. There’s a lot I could say about this, since I’ve backpacked for decades and often prefer to do certain kinds of landscape photography while traveling on foot, mostly in the Sierra. Actually, I not only could say a lot about this — I have! An extensive article at this website goes over a lot of important things related to combining backpacking and serious landscape photography: My Backpacking Photography Kit. Take a look at the article if you want a lot of details.

The main issues involve how to incorporate the weight/bulk of serious camera equipment into a load that also includes your food and shelter and much more, how to best make use of the photography equipment in the backcountry, how to approach the process of photographing “out there,” which equipment to use, and a few other things. Basically, unless you are young and very fit and willing to accept a great deal of pain from a huge load… you are likely to have to make some compromises and adjustments in both the backpacking equipment and the photographic equipment you carry. The good news is that the compromises are quite doable, and that you can still make fine photographs in areas that you probably can’t get to in any other way.

A related question had to do with a different way to get into the back county that I’ve used during the past two seasons, namely support by pack animals. Left to my own devices, I probably would not have tried this — at least not for a few more years! However, I’ve recently had the wonderful opportunity to join some other photographers who have been traveling into (mostly) the Yosemite backcountry for nearly 15 years every summer to make beautiful photographs. (See a video about them here and take a look at their beautiful book: “First Light: Five Photographers Explore Yosemite’s Wilderness.”) When they started, large format and medium format film cameras were the norm for this sort of serious work, more or less necessitating pack train support if they were to stay out for any length of time — and they often went out for a week or two at a time.

Last year was my first time being part of a pack train supported backcountry trip, and I initially felt almost a bit guilty about it — as a person who has enjoyed walking all over the Sierra backcountry for decades. Continue reading Backcountry Photography, Two Ways (Morning Musings 9/24/14)

Grand Canyon of the Tuolumne

Grand Canyon of the Tuolumne
Grand Canyon of the Tuolumne

Grand Canyon of the Tuolumne. Yosemite National Park, California. September 6, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Haze fills the westward view into the Grand Canyon of the Tuolumne River

Far below the location of this photograph lies one of the greatest travesties in the national park system — the abomination of the Hetch Hetchy dam and reservoir. I now understand the political pressures that led to the damming of this “second Yosemite” — San Francisco’s obsession with water following the 1906 great earthquake and the subsequent fire — but in retrospect this was a monumental offense to the purpose and goals of our great national parks. The Hetch Hetchy Valley had virtually everything that its more southerly neighbor has and which astound people from all over the world — towering cliffs, beautiful domes, forest and meadow along a great river on the valley floor, tall waterfalls. After years of absence from this prostituted place, I returned a year or two ago on an afternoon when I was heading home from the Sierra… and I felt only anger and disgust at the the damned dam.

But here, miles upstream, the Grand Canyon of the Tuolumne River is still a wilderness, protected from overcrowding by tall and steep walls and a narrow gorge. In the late afternoon I walked a ridge near the edge of the canyon and looked west into the maze of successive ridges that separate creeks that feed the river and made this photograph.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.