Recently I read a post in a photography forum in which a poster asked for advice concerning selection of a back-up camera body. If you do a lot of photography, eventually you will have gear fail on you. The last time this happened to me, my EOS 5D developed a shutter problem with no prior warning. In the middle of a night photography shoot the camera simply stopped working. I had no backup camera at that point, so my shoot was over – after driving nearly two hours to the location and making two exposures I packed up and drove two hours back home. If you shoot in remote locations, as I often do, or if you find yourself in other situations in which being unable to shoot isn’t an option, you need a backup camera strategy. (You might also want to consider how you would deal with a lens failure, too, though there are more ways to work around that possibility if you usually carry more than one lens.)
Rather than re-writing the whole thing, what follows is the text of my reply to that forum poster – with just a few contextual edits here and there. Note that I refer to Canon products, since that is what I use, but that equivalents from other manufacturers could replace those I mention.
(The original poster’s message/question is not included here, but he was essentially musing about whether to use an existing camera as a “backup” body, buy a second copy of one of his current cameras, or use some other strategy.)
I wrote, more or less…
This gets at what I regard as the primary question here: “What is the role of the back-up camera in the [your] shooting?”
The term “backup camera” can mean different things to different people. Continue reading Thoughts About ‘Backup Cameras’
