New England Woods #5

New England Woods #5
A dense New England forest full of slender trees.

New England Woods #5. © Copyright 2022 G Dan Mitchell.

A dense New England forest full of slender trees.

Slightly out of numerical order, here is another in the short series of photographs of New England woods from our late-August visit to (mostly) Vermont and parts of Massachusetts. To recap, we spent a week with a large family group in Southern Vermont, not far from Wilmington, where we rented a large place that we all shared. It wan’t primarily a photography trip — we spent more time talking, cooking, eating, and generally sitting around. But I did have a few opportunities to explore bits of the natural surroundings.

Again, the dense growth of these woods was unfamiliar to me. On the west costs I’m more likely to see relatively open forests or perhaps grasslands interspersed with deciduous trees. Here in Vermont the growth is thick , and it comes right to the edge of roadways and paths, leaving few opportunities for long views. So I often found myself walking along rural roads and photographing into this lovely foliage from its edge.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Mural, Caution Tape

Mural, Caution Tape
Caution tape and a few cones witha giant street mural on the side of a brick building, Manhattan.

Mural, Caution Tape. © Copyright 2022 G Dan Mitchell.

Caution tape and a few cones witha giant street mural on the side of a brick building, Manhattan.

I’m not sure how others see and react to murals like this one in Manhattan, but I respond in several different ways. Sometimes I just see them as what they are — essentially large paintings (or equivalents of painting) displayed outdoors — and I think of them as, essentially, not part of their surroundings but as things that stand alone. At other times I do see them in the context of their surroundings, and when I do the result can be carrying. This one feels more like the latter case to me.

The mural, by Emmanuel Jarus, is near the UN Building in midtown Manhattan. I think it is supposed to produce a sort of uplifting response in viewers, and I’m certainly fine with that. But I saw it more as an element in a complex scene of shapes and colors that includes the intrusion of the sunlit balconies at the right and the odd color and context juxtaposition with the “emergency colors” of the pylons in front of the two benches.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Trees and Fog, After the Storm

Trees and Fog, After the Storm
Drifting fog obscures trees in rocky alpine terrain as a Sierra summer storm clears.

Trees and Fog, After the Storm. © Copyright 2022 G Dan Mitchell.

Drifting fog obscures trees in rocky alpine terrain as a Sierra summer storm clears.

Later this evening the sky would explode into spectacular color as our storm began to break up and clear. But earlier, when I made this photograph, there were still plenty of clouds around, and much of the surrounding landscape was obscured as they drifted across peaks and ridges, and passed between trees in the forest. I went to a high place with a 360-degree view, set up my camera, and enjoyed the show.

I spent a lot of time focusing on this section of the panorama, a spot where sparse trees were growing on rocky ledges, apparently gaining just enough purchase to put down roots in cracks in the granite. At times the fog would drift back and forth, momentarily revealing details of the trees and even the higher ridges beyond. But when I made this photograph the scene was nearly obscured, and even the frontmost trees were half-hidden by the drifting clouds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Burger Man

Burger Man
Pedestrians waiting to cross a Manhattan street by the “Burger Man Food Court.”

Burger Man. © Copyright 2022 G Dan Mitchell.

Pedestrians waiting to cross a Manhattan street by the “Burger Man Food Court.”

You might be starting to feel the symptoms of a case of photography whiplash if you’ve been following along recently… as I have alternated photographs from some rather diverse subjects: One day it is a backcountry Sierra Nevada photograph, then next something from New England, and after that another street photograph from Manhattan. By now you know that I don’t constrain myself to one genre or subject, and that has certainly been the case over the past month or two. I will, in fact, continue a bit longer.

This photograph comes from New York City, in case you hadn’t already figured that out. We were there for a few days in August before we headed up to Vermont for a weeklong family event. There’s obviously lots to do in Manhattan and the rest of New York City… but for me that “lots” inevitable includes street photography. The genre can focus on a lot of different things, including the wildly divergent subjects found on urban streets. I may also, as others have noted, provoke you to ask some questions about what you are seeing.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.