Photographs: Night, Photographs: Structures and Objects

Two Buildings, Night

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Two Buildings, Night
Night photograph of two buildings in the historic core of Mare Island Naval Ship Yard

Two Buildings, Night. © Copyright 2018 G Dan Mitchell – all rights reserved.

One of the attractions of photographing at night is the way that everything changes and familiar and even mundane subjects can be transformed. Night almost automatically adds an element of mystery to subjects, even when the literal subjects might arguably be mundane. This is partly the natural associations we make with the night, but it is also the objective nature of the light — rather than working under the sun or other forms of light from the sky, we rely almost always on multiple point sources of artificial illuminations. (And exception would be working under full moon light, but that has its own implications.)

I made this photograph in the “historic core” area of the Mare Island Naval Ship Yard in Vallejo, California. For the most part many of the original structures still stand in this area. (Much more extensive redevelopment has occurred elsewhere on the island, some of which has removed the old facilities.) Here some of the buildings have been updated and put to use for more modern purposes, but the general feeling of the place remains. I have photographed in this little alley-way for about fifteen years now. Somethings stay the same and other change, and on this visit I found that I was able to use the new corner windows on the foreground building as a point of focus.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Headlands, Surf, Natural Bridge

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Headlands. Surf, Natural Bridge
Storm surf raises spray among rocky headlands along the Big Sur coast

Headlands, Surf, Natural Bridge. © Copyright 2018 G Dan Mitchell – all rights reserved.

Storm surf raises spray among rocky headlands along the Big Sur coast

This is a scene that is very familiar to me at this point, though it is never exactly the same twice. Even when I try to resist the urge to rephotograph the familiar scene, I almost always end up stopping at least briefly. One reason is that I recall fondly the serendipitous story of the first time I photographed there. I had gone somewhere else initially, but it was too early for that location so I decided to go somewhere else before returning. I made a more or less random decision to head south — I think that a right turn was easier than a left — and headed down the coast to discover, to my surprise, that the surf was raising a cloud of spray along the shoreline. I happened to stop at this spot and I happened to have a new lens, without which the particular photograph would not have been possible.

Above, a mentioned that this location is never the same twice. I’ve been there in every season, during storms and fog and clearly, sunlit days. On the occasion when I made the photograph seen here it was rather nice weather, but the sea was angry, with swells of up to forty feet rolling onto the rocks and headlands, raising fog of ocean spray that was backlit by the low angle, late-autumn sun. I timed this exposure to be just after a big set of waves, and while the surf had calmed a bit the spray still filled the air.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Structures and Objects

Celebrate 75 Years

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Celebrate 75 Years
Empty chairs, windows, and a small sign

Celebrate 75 Years. © Copyright 2018 G Dan Mitchell – all rights reserved.

Empty chairs, windows, and a small sign

This photograph could be seen as a lesson and as an example regarding practice… and in a few other ways, as well. I don’t know if much needs to be said about it, but I’ll offer a few thoughts anyway. I made it while I was busy doing what might seem more like “work” photography — documenting the opening reception of an exhibit by my friend Oliver Klink, whose beautiful “Cultures in Transition” exhibit had recently been installed at PhotoCentral in Hayward, California. Mostly I was running around making photographs of various people attending the event and photographs of the gallery space. But every so often I spot something that seems like a photograph in its own right, and I disconnect from the work momentarily to capture that “something.”

This is, admittedly, a somewhat minimal and perhaps even somewhat enigmatic photograph — and it also doesn’t likely seem all that connected to the landscape photography of mine that may be more familiar. There are several ways one could “read” this image, but rather than being didactic about it, I’ll leave the reading to the viewer. What do you see?

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Point Sur, Headlands, And Beach

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Point Sur, Headlands, And Beach
Storm surf raises mist along the beach below headlands at Point Sur along the Pacific Coast Highway

Point Sur, Headlands, And Beach. © Copyright 2018 G Dan Mitchell – all rights reserved.

Storm surf raises mist along the beach below headlands at Point Sur along the Pacific Coast Highway

Point Sur provides one of the more striking landmarks along the Big Sur coastline, which is saying something in this area of wild landscapes where the sea and the mountains meet in dramatic fashion. It is located at what I regard as the upper end of the Big Sur coast, not all that far belong Carmel and still a bit north of the town of Big Sur. It is visible for a good distance both up and down the coast, as the unusual feature sits right at the edge of the water, connected to the mainland only by a narrow peninsula which, in places, is little more than a glorified beach.

The place also is the site of a historic coastal light house. Many years ago it was so isolated from civilization that the light house keepers and their families had to be there for months-long stints when they were out of touch with the larger world. Supplies were brought in by ship, the residents raised food in their own gardens, and aside from getting to nearby villages, it was a long trail to get to Monterey. I photographed it as I approached from the north, in a section of the Pacific Coast Highway that descends from a high headland area almost all the way down to the water line. On this day huge swells were coming ashore from storms in the northern Pacific Ocean.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.