Curving Aspen Grove

Curving Aspen Grove
An aspen grove in various stages of autumn color transition descends from a Sierra Nevada ridge

Curving Aspen Grove. © Copyright 2018 G Dan Mitchell – all rights reserved.

An aspen grove in various stages of autumn color transition descends from a Sierra Nevada ridge

Some of you may recognize this aspen grove as being somewhat iconic — though you probably also know that it is often photographed in a somewhat different way. It is also usually photographed at a different time of day from when I was there — on a cloudy afternoon as a weather front was starting to fill in over the Sierra crest, moving conditions toward the potential for some light rain or even a few snow showers a bit later on.

Once again, I photographed in this soft light rather than in full sun. The direct sun can overwhelm the colors of an aspen grove like this one, while the soft light opens and illuminates the shadow areas and can even make the colors seem more intense, especially when some of that soft light is a bit directional and fills in the color from behind. This grove is rarely all in prime color condition all at once, since it covers a range of exposures and elevations. Here it is quite colorful both at the bottom and the top, though there are clearly areas where the leaves have already dropped.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Aspen Grove, White Trunks

Aspen Grove, White Trunks
A dense stand of small, nearly leafless aspen trees with white trunks

Aspen Grove, White Trunks. © Copyright 2018 G Dan Mitchell – all rights reserved.

A dense stand of small, nearly leafless aspen trees with white trunks

This little grove of aspens and I have a long acquaintance. The grove isn’t anything that you would probably notice, even if you found it and pass right by. It is much like many thousands of other aspen groves in the Sierra Nevada… and many thousands more across the western US. But it is one of “my” groves, and I stop there pretty much every year at some point.

The trees in this spot are not terribly large, in fact they might seem larger in the photograph than they actually are. The grove is very close and dense, and if I step inside and try to walk around I have to duck and squeeze between trees. I usually prefer to photograph it up close, using a wide-angle lens, and from just beyond its edge, where the brighter light falls on the trunks. Ideally, as on this day, a bit of overcast reduces contrast a bit and fills in the shadows. it is always a challenge, though usually a pleasant one, to try to find workable compositions in the dense complexity of these groves. It often initially looks like the process should be obvious and easy, but once I start framing things up I invariably discover little “deal-breakers” in the composition — a dark branch, a distracting background, an unfortunate juxtaposition of branches. But eventually, with patience and persistence, things can fall together.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Yellow Trees, Red Brush

Yellow Trees, Red Brush
A few yellow aspen trees, surrounded by red undergrowth, cling to a rocky face

Yellow Trees, Red Brush. © Copyright 2018 G Dan Mitchell – all rights reserved.

A few yellow aspen trees, surrounded by red undergrowth, cling to a rocky face

I’m far from the first person to photograph this little group of trees, backed by a rough granite and standing among smaller plants that turn a deep reddish color in the fall. Given that these trees are just a few of many thousands standing near this spot, it still surprises me to see them photographed — and recognizable! — among so many other trees. They aren’t hard to see, but they aren’t exactly obvious either, and there are a few factors that might lead to them being passed without stopping.

If anything, it is probably the short, reddish undergrowth that contributes to their visibility — there are trees like these all over the Sierra, but most are not set against rocks and the red plants like this. I photographed the little scene when the area was in shadow — often my favorite light for aspen photography. This light is softer and it tends to fill the shadows, making the effect less stark.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Wiener Würstl

Patrons standing around a “wiener würstl” stand at night in Vienna

Wiener Würstl. © Copyright 2018 G Dan Mitchell – all rights reserved.

Patrons standing around a “wiener würstl” stand at night in Vienna

I made this photograph on a late-August evening in Vienna. We had just returned from dinner, perhaps a bit early, and I realized that I had just enough time to head out and do some night street photography in the crowded nearby streets… which were absolutely filled with pedestrians. There was a lot to see and photograph — a nearby cathedral, shops and cafes, pedicabs, people passing by. As I neared the completion of my looping walk I passed a couple of the ubiquitous “würstl” stands, which seem to collect people in their circle of light.

This photograph is part of a genre that I’ve been pursuing for the past few years — handheld night street photography. It was just a few years ago that I realized that small contemporary digital cameras are now good enough in very low light that I can photograph street scenes using only available light, especially if I seek out sources of light such as this. I’ve been doing night photography for more than fifteen years, and I’m part of a collective of San Francisco Bay Area night photographs known as Studio Nocturne. As it turns out, we’re in the middle of our “fall season” right now, with several events coming up right away.

For more than 15 years we have exhibited every fall as part of the San Francisco ArtSpan Open Studio Event. This year our “open studio” is at ARCH Supplies in San Francisco. Our opening preview and artist reception is on Friday, October 26 at 6:30-9:00PM. Our exhibit and sale continues on Saturday and Sunday, October 27 & 28, from 11:00AM-6:00PM.

Studio Nocturne 2018 ArtSpan Open Studio October 26-28
Studio Nocturne 2018 ArtSpan Open Studio October 26-28

We’re also doing a San Francisco ArtSpan Open Studio “hub show” mini-exhibit at Farley’s Coffee in San Francisco all month, with a public reception this Friday, October 19 at 6:30PM-8:30PM.

Studio Nocturne 2018 Hub Show at Farley's Coffee
Studio Nocturne 2018 Hub Show at Farley’s Coffee

Why don’t you join us at one or both of these events? We look forward to seeing you!


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook |
Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.