Early Fall Aspen Color

Early Fall Aspen Color
Early fall color among small, high elevation trees east of the Sierra Nevada

Early Fall Aspen Color. East of the Sierra Nevada, California. September 17, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Early fall color among small, high elevation trees east of the Sierra Nevada

Back in the middle of September, several weeks before I would usually begin photographing autumn aspen color in California’s Sierra Nevada, I visited the range for an end-of-summer trip and with the idea that I might do some pre-autumn reconnaissance in order to try get some idea of what the fall color season might bring at the beginning of October. It was my plan to camp in Tuolumne Meadows, hiking and camping and photographing there, but also ventured out a bit further, especially to the east side of the range.

As expected, it wasn’t really fall color season just yet, however I did encounter much more color than I would have expected — enough, in fact, to do more than just look around. Before the trip was done I made “fall” color photographs in several locations on the east side of the range, but I also ventured further east of the Sierra to some high desert areas and other mountains where I’ve been poking around looking for color in the past few years. I had a hunch about one high ridge where I had explored back roads earlier and from which I knew there could be long views, including those back toward the eastern escarpment of the Sierra. Somewhat to my surprise, I found a lot of aspen color out here. Although much of it was in what might be termed “scrub aspens,” the color was impressive and many of the groves stretched into the distance over high mountain ridges.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Ponte Vecchio

Ponte Vecchio
Buildings on the Ponte Vecchio bridge across the Arno River, Florence/Firenze

Ponte Vecchio. Florence/Firenze, Italy. August 27, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Buildings on the Ponte Vecchio bridge across the Arno River, Florence/Firenze

I have mentioned before that I often like to not know too much about a place before my first visit — I love the experience of discovering it in my own way once I arrive. While some research is a good thing, too much can compromise the experience. As a result, it isn’t unusual for me to arrive in a new location completely unaware of some thing that everyone else knows about. (Someone I know still tells the story of my first visit to Arches National Park…) This is a long way of saying that I did not really know about the famous Ponte Vecchio bridge until I saw it moments before I walked across the first time.

I now understand that this bridge across the Arno River in Florence has a very long history, but when I first saw it I simply responded to it on the basis of what I saw. And I had never seen a bridge quite like this before. The old span is almost entirely lined with buildings, many quite old, and apparently it was long ago the location of butcher shops and more recently of jewelers, art sellers, and souvenir shops. We arrived late in the day, just as the sunset light was coming on. I photographed this scene in the shaded side of the bridge, narrowing the composition to focus on the shapes, colors, and textures of the old buildings.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Walking Man, Narrow Street

Walking Man, Narrow Street
A man walks up a narrow street in Florence, Italy.

Walking Man, Narrow Street. Florence/Firenze, Italy. August 29, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A man walks up a narrow street in Florence, Italy.

This past summer we had the chance to do some extensive travel. The “main event” was a five-week trip that began in New York City and continued to London, Paris, Heidelberg, and various places in Italy. After a week in the wine and olive country of the Chianti region we returned to Florence for a few days before our return flight to the US. My only regret about this last phase of the journey was that we didn’t give ourselves nearly enough time in Florence!

Yes, Florence is now crowded with tourists, and in a place that isn’t that large to begin with the effect is hard to ignore. But putting that aside for a moment, Florence (at least to this observer) combines many things that seem typical of Italy with its own unique qualities. We stayed in the old part of Florence, between the Arno and the Duomo and not far from the Uffizi Museum. The streets here are strikingly narrow and lined with tall buildings, almost all in tones of brown to tan. The effect on the light reminds me in ways of being in the canyons of the American Southwest, though populated and perhaps more twisty, not by necessity following the effect of gravity on water. Unlike American cities, there are very few obvious signs in most places. And if you go out to the right places at the right times of day you can find nearly empty streets like this one.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Slender Aspens

Slender Aspens
Slender aspen trees with leaves transitioning from green to yellow

Slender Aspens. Eastern Sierra Nevada, California. September 18, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Slender aspen trees with leaves transitioning from green to yellow

I made this photograph quite a bit earlier in the season that usual — just past the middle of September. More typically I photograph these trees a couple of weeks later. However, this fall I made a reconnaissance trip to the Eastern Sierra at this early date and discovered quite a bit of good color, especially at higher elevations. (The typical pattern has the earliest color starting at higher elevations and in the smaller trees, then progression downwards and into the larger trees over the next few weeks.)

When it comes to the possible ways to photograph aspens, there are too many to count: front, side, or backlit; while there are still green leaves, when everything is golden-yellow (and orange and red), or when the trunks are bare; in sunlight or shadow; big trees and small; up close or from further back. I photographed this beautiful little grove of slender trees from some distance, using a long focal length to flatten the perspective a bit and to create a tighter composition. The leaves were at a typical early stage, with a few having turned yellow and others still quite green. But I think it was the slender and stark white trunks and the patterns they created that drew me to this grove.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.