Sea of Sand

Sea of Sand
Overlapping sand dune patterns, morning

Sea of Sand. Death Valley National Park, California. March 31, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Overlapping sand dune patterns, morning

On the last day in Death Valley this spring we were planning to head off to the Los Angeles area in the morning, but I decided I wanted to photograph one more time before departing. Although I really wanted to sleep in, after many days of rising very early, I decided to get up early one more time and head back to the dunes alone for one final bit of photography. I headed out before dawn and arrived at a location I had been to before, parked the car, hoisted a backpack and tripod, and headed out across the playa toward a section of dunes where I was reasonably certain I would be able to photograph alone. The distances are always deceiving, and the playa walk took much more than the ten minutes one might guess that it would take if unfamiliar with these places. Eventually I came to the low dunes that I had been aiming for, and I began to look for places where I could make sand fill the frame.

The dunes are deceiving on other ways, too. You might imagine that they are on the march, being pushed along by winds. The wind does move sand — and it was blowing around my feet on this morning — but overall the dune forms are actually quite stable. Sometimes these active looking yet stable features make me think of a sort of stop motion ocean, with waves and crests and valley mostly frozen — a stopped landscape mirroring the active surface of water. The patterns here range from small (the little ripples in the foreground) to quite large (the overlapping crests marching into the distance.) I worked this scene and others like it for an hour, and then it was time to leave — a walk back across the playa back to my vehicle, and then the long drive out of the desert.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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A Door

A Door
“A Door” — Etched glass door to outdoor light

This is either really interesting (somewhat interesting?) or a really great illustration of what can make photographers so annoying! With a camera in my hand, I start to see differently, and things that would otherwise often escape my notice start to catch my attention and intrigue me, and they sometimes become photographs. At almost any time the visual impulse may kick in and I’ll see something that demands to be photographed. This was one of those times.

We were visiting our daughter and son-in-law in Southern California, after our landscape and nature photography trek to Death Valley. Enjoying a few lazy days after working the desert, we were sitting around at their home doing nothing in particular that I can remember — when I noticed that the colors of objects behind this door and outside were being reflected and refracted in such a way that the etched surface of the glass was producing intense colors. The glass actually has no color — everything seen here is either the color of something behind the glass or a refraction of some sort.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Creosote Bush, Dunes, Morning

Creosote Bush, Dunes, Morning
“Creosote Bush, Dunes, Morning” — A creosote bush among sand dunes, morning

When I go to Death Valley I usually have a long list of places I want visit — ridges, canyons, playas, trails, and more. Even when I am there for a week, I usually run out of time before I run out of places. Perhaps for this reason I have sometimes not given enough of my time to the dunes. I have photographed them quite a few times, but they often end up being one thing on the agenda that is full of other subjects. However, on this recent trip I visited the dunes much more, walking out into them on three occasions and photographing them from greater distances, too. I photographed them at more or less all times of the day, and in conditions ranging from clear sky to clearing storms and even blowing dust.

I made this photograph on a morning when a weather front was moving past, leaving some clouds in its wake above the Amargosa range along the east side of the valley. We began photographing before dawn, and worked through the rapidly changing light as the sun rose above the mountains. Clouds periodically interrupted the light, but this meant that from moment to moment almost any kind of light was possible — full direct sun, light muted by thin clouds, the soft light from overcast — and that different light often appeared at different locations in the scene. When I saw and composed this photograph the light was initially very soft, but by the time I made this last exposure the sun was beginning to come out from behind clouds and highlight the textures, curves, and lines of the sand, and the play of light and shadow.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.