Buildings, Venice Beach

Buildings, Venice Beach
Venice Beach buildings in midday sun

Buildings, Venice Beach. Venice Beach, California. April 1, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Venice Beach buildings in midday sun

Finally. A photograph that is not Death Valley. Don’t worry, there are still more Death Valley photographs, and this one did come from the same trip. On our return from Death Valley we swung through the LA Basin to visit our daughter and son-in-law, replacing natural pleasures with the distinctly urban experiences of Los Angeles. On April 1 we went to Venice Beach to visit the G2 Gallery, where photographer friends exhibit from time to time. (We enjoyed the gallery quite a bit — some lovely photographs by Clyde Butcher and Jack Dykinga were featured that week.)

Out of the gallery and on the street I had an opportunity to play with a new camera, my Fujifilm X-Pro2, which had arrived shortly before we left for Death Valley. The street being the perfect place for such a camera, I pulled it out and made a few photographs. Initially I expected that this would be a color photograph, but as I worked on it in post I began to feel that it had potential in black and white.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Exposed Playa, Dunes

Exposed Playa, Dunes
Old playa surface exposed among sand dunes

Exposed Playa, Dunes. Death Valley National Park, California. March 30, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Old playa surface exposed among sand dunes

I recall being fascinated by these old (how old I do not know) bits of old playa surface that poke out from under shifting dunes in Death Valley from the first time I wandered in the sand dunes. Walking toward the dunes from the roadway, the route almost invariably passed among these features. (I usually try to step between or around them, as many of them are quite fragile.) Although they appear now in places where it seems very unlikely that we will find water, the cracked mud surface betrays the fact that it was here once.

This example was a bit of a surprise. We had photographed around the periphery of the dunes at sunrise, and then walked up the sand to photograph their textures, forms and colors. Mostly I look for juxtapositions of the curving shapes of dunes, and contrasts between sunlit and shadowed areas, especially where the wind has created fine rippling pattern. Wandering a bit further into the dunes I came over a sand ridge and saw a group of potential photographs, with this outcropping sticking out from under the sand at the bottom of a low spot surrounded by higher dunes.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographer, Death Valley

Photographer, Death Valley
Photographer Patricia Emerson Mitchell at work in Death Valley National Park

Photographer, Death Valley. Death Valley National Park, California. March 30, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Photographer Patricia Emerson Mitchell at work in Death Valley National Park

Patricia Emerson Mitchell at work in the desert landscape of Death Valley National Park in morning light. Our morning here started much earlier, well before sunrise, and we walked out across the playa and around the side of dunes before sunrise. We arrived at the dunes just as the first light arrived, hitting the mountains to our west and then working its way down to the valley floor and across to us. Landscape photography might seem like a rather leisurely pursuit — after all, mountains don’t move much! — but at these times of marginal light things can happen very quickly.

We continued photographing after sunrise, enjoying the chance to explore the nearly endless subjects among the forms and colors and textures of the dunes. Eventually the sun would rise high enough to diminish the beauty of the light and it would be time to leave. It was perhaps approaching that time when I stopped atop a low dune and saw Patty photographing across the landscape, with her long shadow extending in front of her camera and the distant mountains of the Panamint Range rising in beyond.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Narrow Canyon, Hiker

Narrow Canyon, Hiker
A hiker passes through a narrow section of a desert canyon.

Narrow Canyon, Hiker. Death Valley National Park, California. March 30, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A hiker passes through a narrow section of a desert canyon.

Almost anywhere you are in desert country, canyons can be attractive places on days that might not be so enjoyable out in the open. They are often protected from wind — and in Death Valley, at least on this trip, that also meant protected from dust storms. Their light is frequently appealing during midday hours where many other locations are experiencing harsh flat light —  in canyons the midday light can reflect down among the canyon walls and look beautiful at almost any time of day. They can also be cooler, with high walls that protect from the hottest sun.

Between morning and evening photography we decided we would take a hike up this canyon — not the most popular in the park but not the least visited either, so we shared the experience with some other hikers. The approach to this canyon took us across the lower face of an arid mountain range, then dropped into a wash and started to ascend, with tall canyon walls quickly ascending both sides of the canyon. In places this canyon is impressively narrow, and everywhere it is very deep. While it has some of the water-formed features that are common to all such canyons, these Death Valley canyons have a rugged and rough-hewn character that is quite different from that of the popular Utah canyons.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.