Tag Archives: abstract

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Dunes and Sky

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Dunes and Sky
Morning light and clouds, sand dunes, Death Valley National Park

Dunes and Sky. Death Valley National Park, California. March 30, 2016. © Copyright 2017 G Dan Mitchell – all rights reserved.

Morning light and clouds, sand dunes, Death Valley National Park

For photographers (and probably for others, too) sand dunes are a source of endless fascination. There is always something interesting, from the smallest scale (footprints of insects?) to the largest, all-compassing landscape. None of this is ever the same twice except in the most general ways. While the general configuration remains from year to year, the specific details change quickly, sometimes as you watch. And because the sand itself is a fairly neutral subject, the effects of light — its angles and qualities and colors — play out in unending ways on the dunes.

As is typical, we had wandered out amongst the dunes before sunrise, beginning to photograph in predawn light and then moving to larger landscape subjects as the first pink sunlight struck distant desert mountains. Before long the sun was up and the light began to lose the early hour color. This can make the scene extremely stark and harsh, but on this morning high clouds muted its intensity and we continued to photograph. I had a vague idea of a photograph combining dune textures and sky in a mostly abstract form, and this area of the dunes provided a subject that fit that concept.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Abstract, Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Dunes, Sky

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Dunes, Sky
Sand dunes, shadows, and morning clouds

Dunes, Sky. Death Valley National Park, California. March 30, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Sand dunes, shadows, and morning clouds

Another photograph from another morning among the dunes. Because of the daily wind and dust storms during this visit to Death Valley National Park, we had many opportunities to find sand dunes with no or few signs of other visitors besides those creatures that actually live there. We approached the dunes in a variety of ways during this visit, and I photographed them almost daily, sometimes more than one. But I always came at them from a direction that wasn’t the most popular or best known. This time I came around on a looping route from a side and swing around behind some low, sandy areas to photograph in early morning light.

There is a lot to see in the dunes, and I had a few ideas as we arrived at the edge of the dunes. (While I usually don’t begin with a specific photograph it mind, I often have some general conceptual ideas I want to explore, and I keep my eyes open for subjects that could work along those lines.) I started with some old dry playa textures in front of the valley floor leading of toward distant mountains as the sun rose, and then I climbed some short dunes to look for interesting curving shapes and conjunctions of lines and subjects. I photographed some creosote plants against sand patterns and eventually moved deeper into the dunes, seeing the rippling textures of wind-blown sand draped across hills and valleys. I stopped to photograph a bit of sand texture straight on, and when I looked up and to the side I saw this series of curving horizontal lines with the cloudy sky above and beyond.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Nature, Photographs: Wildlife

Great Egret

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Great Egret
A great egret in flight against cloudy sky

Great Egret. Sacramento Valley, California. January 8, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A great egret in flight against cloudy sky

This particular egret and I shared a few brief seconds of photography as the bird suddenly emerged, already in flight, from a brushy area along the edge of a pond at a Sacramento Valley wildlife refuge. In most ways, the egrets are at their most graceful while in flight, but this is when they are also the most difficult to photograph. Usually they take off and fly away from the photographer, and they are soon too far away to photograph. This one, however, flew parallel to my position and gave me a good side view. I only had a brief interval to raise my camera, find the egret in the viewfinder, and track it as I squeezed of a sequence of photographs.

I shared another one a few days ago. I interpreted that one in black and white, so I thought I’d work this one out in color. There was a great deal of softness in the original image — while parts of the wings are in focus, the large aperture and motion of the bird left other parts soft. So I decided to go with that soft effect and, in fact, amplify it and to then also go with a bit of a high key treatment, further emphasizing the brightness of the bird against a bright, cloudy sky.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Abstract, Photographs: Central California, Photographs: Flight, Photographs: Nature, Photographs: Northern California, Photographs: Wildlife

Geese, Twilight

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Geese, Twilight
Geese, Twilight

Geese, Twilight. San Joaquin Valley, California. January 25, 2015 © Copyright 2015 G Dan Mitchell – all rights reserved.

Abstract photograph of low-flying flock of geese in twilight

It has been a while since I share a fuzzy goosescape, so I’ll try to make up for it with this one. Late in the evening of a long day photographing migratory birds and the San Joaquin Valley landscape, after the sun had set, I made this last photograph of the day in very low light. As we photograph on into the evening — typically with the camera off the tripod when photographing birds — we try to keep up with the fading light by opening up the aperture, raising the ISO, and gradually lengthening the shutter speed.

Eventually there comes a point where the light is so low that this won’t allow sharp photographs of moving birds any more. I actually look forward to this end-of-the-evening time and I happily switch over to intentional motion blur photographs. I lower the ISO, close down the aperture, lengthen the shutter speed and try for soft, blurring photographs. A lot of this work is rather experimental, since you can’t completely know what you’ll get ahead of time. You do have some control — shutter speed controls just how much blur there will be; by panning the camera you can get moving subjects to be defined enough to recognize; by moving the camera you can control the angles and curves of lines of blurred light. And when it all works out just right the result can be quite beautiful and, in some ways, more suggestive of the feeling of this place at twilight.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.