Tag Archives: alluvial

Corkscrew Peak, Evening

Corkscrew Peak, Evening, Death Valley
“Corkscrew Peak, Evening” — Evening light on the giant alluvial plain leading up towards Corkscrew Peak.

This peak has long intrigued me — along with the entire ridge that it lies on. Perhaps the name first caught my attention when I was trying to identify landmarks in photographs I took from out in the Valley. Hint: it does not really look much like a corkscrew, though I can see how the tilted rock layers that seem to run around it inspired the name.

I photographed this on my first evening in Death Valley back in February. After a very long drive from the Bay Area I set up camp, rested a bit, and then it was time to go find something to photograph. Since it was late in the day I wanted to keep it somewhat simple, so I headed to this spot along a road leading out of the Valley, arriving just in time to photograph the day’s last light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Afternoon Light, Lake Manly

Afternoon Light, Lake Manly
“Afternoon Light, Lake Manly” — Light beams above the snow-capped Panamint Mountains and Lake Manly.

These beams of light — sometimes known among photographers as “God light” — are a common afternoon feature in Death Valley. The valley runs roughly north-south, and there are tall mountain ranges on either side, with summits rising up to 11,000’+ at Telescope Peak on the west side. Consequently, direct sunrise and sunset are blocked from much of the valley floor, However, some time after sunrise and before sunset the light passes though canyons and gaps in the mountains, and this is the effect when it illuminates atmospheric haze.

If you visit Death Valley, it s good to keep this geography lesson in mind, since it can affect your experience and photography potential. If you want to photograph sunrise/sunset, you can see sunlit peaks on west side mountains in the morning and the east side mountains late in the day. If you want light down in the valley, you’ll have to find it a bit after sunrise and well before chronological sunset. What to do in the middle of the day when the sun is harsh? I like to head for canyons, the deeper and narrower the better!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Mountains, Wash, and Reflection

This is a kind of Death Valley photograph that you won’t often see — mountains reflected in the quiet surface of a huge lake. This is Lake Manly, the reconstituted remnant of a much larger lake that filled the valley long ago. Between a historic tropical storm late last summer and better-than-usual rainfall since then, the lake reappeared and persisted. It currently covers many square miles in the Badwater area of the valley.

This photograph is (yet another) illustration of the vast distances encountered in Death Valley and how deceptive they can be. You might look across this landscape and imagine walking to the base of that wash leading into the mountains. However, even if the lake wasn’t there, you would be hard pressed to reach that spot with even a very long day of walking.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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From Dunes to Mountains

From Dunes to Mountains
The view across the floor of Death Valley to eroded hills.

From Dunes to Mountains. © Copyright 2023 G Dan Mitchell.

The view across the floor of Death Valley to eroded hills.

I made this photograph in the very late afternoon, just before sunset, on a relatively quiet and calm evening. These short dunes lie near the end of a large dune field that is quite popular with visitors, but their small size gives them a kind of landscape anonymity, and not many people visit or photograph them.

There is a lot of interesting geography/geology in this little scene, and it is part of what caught my attention. The bottom half of the photograph includes the valley floor, a large, sandy playa that, in places, gets enough blowing sand to form dunes. Beyond that, many miles in the distance, a large alluvial fan rises from the playa to the base of the hills, where valleys have spilled material over millennia to form this massive tilting structure. At the very top is a range of short, rugged hills. Out of the photo above them is a very tall range of mountains.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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