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Wildflowers, Temblor Range

Wildflowers, Temblor Range
Spring wildflowers on the slopes of the Temblor Range

Wildflowers, Temblor Range. Carrizo Plain National Monument, California. April 2, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Spring wildflowers on the slopes of the Temblor Range

I have seen photographs from this region recently in which the wildflowers completely carpet the flat and even some of the upper slopes. While I did see places with such carpets of flowers — mostly down on the flats of the actual plain — in most places there were spots of intense flower color separated by much larger areas of grassland. The areas we investigated on this evening had much that character — we mostly hiked and climbed through green plants, though in places we passed through sections where the flowers were very thick.

Here there was a bit of variety in the colors — from orange through yellow to purple — and even some beautiful desert candle flowers. (Look closely at the lower portion of the photograph to spot a few.) This spot was a level area at the top of a ridge running up into the hills, and from this spot we could look up at many successive layers of ridges above us. In the late afternoon light the upper edges of these ridges caught the back-light, accenting the layers.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Sunrise Wave Cloud

Sunrise Wave Cloud
A wave cloud develops above Death Valley mountains at sunrise

Sunrise Wave Cloud. Death Valley National Park, California. April 6, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A wave cloud develops above Death Valley mountains at sunrise

When it comes to desert skies, it can be hard to find just-right conditions. Often the skies at Death Valley are simply clear, with few or no clouds aside from contrails from passing jets. And when there are clouds during the dawn and dusk hours when color potential is at its greatest, more distant clouds can block the light that would create the bright colors. This is especially true in the evening in Death Valley, where it is not uncommon for there to be thicker clouds in the moister regions to the west at sunset.

The latter situation was in play on this morning. In fact, I had originally planned to photograph south of this location. I had driven there and started to set up in the near darkness, only to realize that a fairly thick cloud deck was not going to clear and that it was going to block the morning light. I had a backup plan, and when I arrived at this spot a good distance to the north there was a break in the clouds. This color comes quickly and doesn’t last long — you more or less have to be ready for it before it is visible, though you may get a hint of developing color from clouds far off and near the horizon. Here a wave cloud is forming over Tucki Mountain, with a few more lenticular clouds out over the Cottonwood Range and beyond.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Wildflowers, Central California Hills

Wildflowers, Central California Hills
Spring wildflower bloom in San Luis Obispo County, California

Wildflowers, Central California Hills. Carrizo Plain National Monument, California. April 2, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Spring wildflower bloom in San Luis Obispo County, California

Our evening hike to photograph the flowers began with a drive. We left our campsite, picked up a gravel cross-valley road, followed another narrower gravel road, and finally turned up a one-lane track heading up into the hills. Before long it dead-ended at a gate with an opening that only allowed foot traffic beyond. We loaded up, decided to forego the main trail, dropped into a gully, climbed a slope on the other side, and then followed a ridge up into the hills.

As we climbed the flowers, of all sorts, became thicker and thicker, and before long we were “wading” through fields of them, sometimes up to our hips, as we headed toward some likely looking slopes even higher up. Finally arriving at what seemed like the likely place to start photographing, there was a flat plateau along the ridge, and flowers carpeted sections of it. To make this photograph I positioned myself so that the main field of flowers was directly in front of my, with the further layered ridges extending beyond and further up into the hills.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Desert Mountains, Evening Light And Haze

Desert Mountains, Evening Light And Haze
Soft light and haze in the evening high in the Panamint Mountain Range, Death Valley National Park

Desert Mountains, Evening Light And Haze. Death Valley National Park, California. April 3, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Soft light and haze in the evening high in the Panamint Mountain Range, Death Valley National Park

From a high point along the ridge of the Panamint Mountains, there are stupendous views in all directions — north and south along the spine of the range, east into Death Valley and on to Black Mountains and beyond, west across the lower Panamint hills as they drop toward the Panamint Valley only to rise again and eventually culminate in the Sierra Nevada crest. Early and late in the day the low angle light sweeps across the terrain and reveals large and small features of the landscape.

On this evening it was quite hazy, probably because high winds had whipped up sandstorms in lower elevation areas. This dust filled atmosphere can seem to glow from within when back-lit, and as I pointed my camera down toward these western slopes I began to see that luminescence. In a way there is nothing special in this photograph — a nearby ridge, and intervening valley, and more ridges in the distance. But the further ridge is still in the warm-colored, evening light, whose color contrasts with the cooler blue tones of the shadowed ridges.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.