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Monolith, Trees, and New Snow

Monolith, Trees, and New Snow
Monolith, Trees, and New Snow

Monolith, Trees, and New Snow. Yosemite Valley, California. March 1, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Trees on a snowy bench in front of the granite face of Half Dome

With this photograph I continue on the theme of Yosemite Valley winter photographs I made back in the late winter, while there for the opening of an exhibit in the Valley. The opening was just one evening, but that meant that we had most of three days to photograph. It had been anything but a snowy winter in the Sierra, but we were fortunate to arrive not long after one of the few snowstorms, and the Valley walls and pinnacles had a thin coating of new snow.

While out in a meadow photographing other subjects I looked up and saw that some of that snow was still plastered to the vertical face of Half Dome and to the row of trees standing precariously on the ledge running down from right to left at the base of the main cliff. Such places in the Valley are very interesting to me — spots that everyone can see but which remain virtually inaccessible to all but some climbers… and to photographers with long lenses who look closely. And, yes, I’m aware of the obvious precedent when I use the term “monolith” in the title of the photograph.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Hanging Valley

Hanging Valley
Hanging Valley

Hanging Valley. Yosemite Valley, California. March 1, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Yosemite’s Bridal Veil fall emerges from a hanging valley among monolithic granite cliffs in late afternoon light

Late on a winter afternoon, the shadow of cliffs to the west rise up past Yosemite’s Bridal Veil fall and into the hanging valley from which it springs. The valley’s still-sunny eastern slope is covered with brush and trees, but the rest of the scene is almost entirely one of granite, from the relatively gentle V-shaped valley of Bridal Veil Creek to the vertical cliffs of the wall over which the water flows and the base of taller Sentinel Rocks beyond.

Bridal Veil fall comes out of a classic hanging valley. Apparently the creek descended toward a much older Merced River canyon even before glaciers finished (for now, anyway!) carving Yosemite Valley, and this creek cut is own beautiful V-shaped valley. (The V-shape is characteristic of river valleys. If you want to understand more of the life of a creek, when you visit Yosemite you can drive toward Glacier Point and cross the very shallow valley of this creek at a higher elevation. I’ve cross-country skied to it a number of times.) When the Valley was cut into its deeper U-shaped form, the existing valley of Bridal Veil creek was left… hanging.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Oak Trees, Winter Fog

Oak Trees, Winter Fog
Oak Trees, Winter Fog

Oak Trees, Winter Fog. Yosemite Valley, California. March 2, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Winter fog drifts through a meadow to obscure oak trees, Yosemite Valley

The oak trees of Yosemite Valley always have a strong presence in my thoughts of the place. While coniferous trees are undoubtedly far more common, the individual oaks seem to have more character, and this character is strongly influenced by the changing seasons, weather, and light in their typical environments in and around the Valley’s meadows. In the spring they produce a brilliant green color, especially when lit from behind. In the fall their colors, while not as vivid as those of maples, bring a warm golden/brown color. In winter, as the leaves fall away, the structure of the trunks and branches becomes more visible.

In late winter I was in the Valley for a few days in conjunction with the opening of the Yosemite Renaissance exhibit. Often in the winter the Valley’s meadows will fill with ground fog, especially in the mornings, producing all sorts of photographable beauty. This fog is almost alive, often changing suddenly as barely felt breeze moves it to and fro and cause it to thicken and thin. When we arrived to photograph this meadow the fog was very shallow, but it silently thickened and before we knew it the trees were almost obscured, allowing me time for a “barely there” photograph of oak trees with a few leaves still remaining from the previous season — and just as quickly the fog dissipated.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Clouds Rest and Quarter Dome, Winter

Clouds Rest and Quarter Dome, Winter
Clouds Rest and Quarter Dome, Winter

Clouds Rest and Quarter Dome, Winter. Yosemite National Park, California. March 1, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Early evening light breaks through winter mists shrouding the snow-covered summits of Clouds Rest and Quarter Dome, Yosemite National Park

In Yosemite Valley in late winter for the opening of the Yosemite Renaissance exhibit, I had several days of photographing in and around the Valley in winter conditions — or what passed for winter in this year of California drought. There had been snow a few days earlier, to the surrounding peaks and upper Valley walls were coated with white. As late afternoon arrived it was time to go photograph, but it seemed that the clouds were likely to kill the light in the Valley, so we headed higher.

From this elevated overlook there is, of course, a famous view of the stupendous panorama of Yosemite Valley. However, I’ve taken to mostly photographing smaller bits of the scene rather than continuing to photograph the whole darned thing — most of the time, though there are exceptions. As we watched, there were a lot of clouds. Some floated across high landmarks at the far end of the Valley. Others drifted upwards along closer rocky faces. Fog began to collect in spots along the valley floor. Clouds to the west of the Valley mostly blocked direct sunlight, which can be a good thing when it softens the light, but is much trickier and occasionally disappointing when it blocks it entirely. Shooting with a very long focal length I was able to focus on this small scene at the far end of the Valley, where drifting clouds parted enough to reveal a partially obscured view of sunlight on the snowy slopes of Clouds Rest and Quarter Dome.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.